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Count Squander's parlor is decorated with paintings of gloomy and
bloody episodes from the Old Testament and the gruesome fates of
Christan martyrs. Portents of impending doom for the oblivious groom
and bride, these works of art satirize and prophesize the disastrous
outcome of the arranged marriage.
Colour prints of Marriage à la Mode are on
display in the exhibition space. The prints were made by Thomas
Cook after William Hogarth from 1796 to 1797 and are on loan from
the Hood Museum of Art, Dartmouth College.
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