Movie and Television Scripts

The following collection consists of scripts (in various states of revision) to hundreds of. films and television episodes from the early 1990's to the present day. All were gifts to the McCormick Library from Nancy Moon-Broadstreet. The collection is still growing thanks to her ongoing generosity.

The list is arranged by title. You may jump to a particular section using the alphabet grid seen below.

NOTE: Though their use is welcomed, none of the scripts listed here may be photocopied.

A	B	C	D	E	F	G
H	I	J	K	L	M	N
O	P	Q	R	S	T	U
V	W	X	Y	Z

A

Abandon. Stephen Gaghan. October 26, 2000. (119 pages).
B77, F5

Abbie! Bruce Graham and Robert Ward; based on books by Anita and Abbie Hoffman and Marty Jezer. Revised white draft. March 30, 1998. (153 pages).
B43, F1

Action (pilot). Chris Thompson. First draft. August 25, 1998. (34 pages).
B56, F7

Acts of Love. Edward R. Jones and Dale Herd; based on the novel Farmer by Jim Harrison. Second draft. January 5, 1995. (123 pages).
B1, F1

Adaptation. Charlie Kaufman and Donald Kaufman; adapted from the book The Orchid Thief by Susan Orlean. May 10, 2000. (129 pages).
B77, F6

Adaptation. Charlie Kaufman and Donald Kaufman; adapted from the book The Orchid Thief by Susan Orlean. November 21, 2000. (129 pages).
B77, F7

The Advocate's Devil. James Sadwith; based on the novel by Alan Dershowitz. Polish. November 6, 1996. (108 pages).
B26, F7

L'affaire du Collier (The Affair of the Necklace). John Sweet. Revised draft. October 25, 1999. (126 pages).
B65, F1

After All. Stacey Lyn Evans. Final draft. June 3, 1999. (92 pages).
B61, F5

The Agency. Michael Frost Becker. Revised first draft. January 4, 2001. (60 pages).
B84, F1

Age of Treason. Lee David Zlotoff ; based on the novel Silver Pigs by Lindsey Davis. Second draft. August 11, 1992. (113 pages).
B1, F2

Alcatraz and Clarence Carres (Part I). Ernest Tidyman. Revised draft. April 28, 1980. (109 pages).
B33, F1

Alien Resurrection. Joss Whedon. Second revised draft. July 22, 1996. (117 pages).
B26, F8

All About the Hendersons. Ronald Lang; rewrite by Ice Cube. 3rd draft. n.d. (90 pages).
B78, F1

All the Pretty Horses. Ted Tally; based on the novel by Cormac McCarthy. First draft revision. November 1, 1993. (150 pages).
B51, F9

All Together Now (pilot) Bill Freiberger. Third draft. April 16, 1998. (48 pages).
B43, F2

Amazing Grace. Paul Monash and Marshall Frady; based on the book Wallace by Marshall Frady. Production draft. June 5, 1996. (119 pages).
B47, F1

American History X. David McKenna. August 9, 1996. (117 pages).
B25, F3

American Rhapsody. Eva Gardos. Reveised draft. September 13, 1999. (116 pages).
B64, F1

American Splendor. Robert Pulcini and Shari Springer Berman; based on the life and comics of Harvey Pekar. First draft. April 30, 2001. (81 pages).
B85, F1

An American Werewolf in Paris. Anthony Waller. Third draft. February 1996. (122 pages).
B29, F1

Andrew Martin (released as Bicentennial Man). Nicholas Kazan. Director's rewrite. September 4, 1998. (124 pages).
B62, F6

Angel Eyes. Gerald DiPego. Seventh draft. October 15, 1999. (118 pages).
B65, F2

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B36, F1

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B43, F3

Antitrust. Howard Franklin. Third draft. November 3, 1999. (122 pages).
B65, F3

Any Day Now: "Unfinished Symphony". Deborah Joy LeVine and Nancy Miller. Second draft. (63 pages).
B39, F1

Anywhere But Here. Alvin Sargent. April 14, 1998. (120 pages).
B43, F4

The Apartment Complex. Karl Schaefer. Revised first draft. January 12, 1998. (106 pages).
B43, F5

Apt Pupil. Brandon Boyce; based on the novel by Steven King. Production Draft #2. March 12, 1996. (135 pages).
B25, F4

Arli$$: The Art of the Sports Superagent: "Man of His Times". Robert Wuhl. Revised Draft. July 10, 1995. (34 pages).
B1, F3

Armageddon. Jonathon Hensleigh. March 13, 1997. (121 pages).
B26, F9

The Astronaut's Wife. Rand Ravich. Draft. August 26, 1997. (120 pages).
B37, F8

Auggie Rose. Matthew Tabak. [October 27, 1999]. (116 pages).
B59, F7

Austin Powers: International Man of Mystery. Mike Myers. Revised draft. May 24, 1996. (93 pages).
B25, F5

Auto Focus: The Life of Bob Crane. Paul Schrader. Revised draft. Halloween 2001. (120 pages).
B82, F1

Autumn in New York. Allison Burnett; revisions by Paul Haggis; revisions by Allison Burnett. June 23, 1999. (109 pages).
B59, F8

B

Baby Bob. Judd Pillot and John Peaslee. February 23, 2001. (45 pages).
B84, F2

The Bachelor. Steve Cohen; based on the film Seven Chances starring and directed by Buster Keaton and the Broadway play Seven Chances by Roi Cooper Megrue. May 4, 1998. (123 pages).
B56, F8

Bait. Tony Gilroy; revisions by Jeff Nathanson; additional revisions by Andrew Scheinman 7 Adam Scheinman. June 21, 1999. (108 pages).
B60, F6

The Baker Shift. Carlton Cuse. Shooting script. February 18, 1997. (31 pages).
B31, F6

Ballbusted. Scott Alexander and Larry Karaszewski. Revised draft. May 8, 1998. (111 pages).
B39, F2

Barbershop. Mark Brown; revisons by Don D.Scott. September 20, 2001. (102 pages).
B82, F2

The Barn (pilot). (aka Rampart, aka The Shield). Shawn Ryan. March 20, 2001. (57 pages).
B84, F3

Bastard Out of Carolina. Anne Meredith; based on the novel by Dorothy Allison. First Draft Polish. (114 pages).
B1,F4

Beautiful. Jon Bernstein. May 20, 1999. (121 pages).
B59, F9

Before Women Had Wings. Connie May Fowler; based on her novel. Second draft. January 16, 1997. (114 pages).
B29, F2

Beggars and Choosers: "The Mountainmen". Peter Lefcourt. Third draft. July 29, 1998. (100 pages).
B56, F9

Behind the Wind. Gylberto Nunes. December 12, 1999. (119 pages).
B84, F4

Being John Malkovich. Charlie Kaufman. Revised fourth draft. June 16, 1998. (108 pages).
B49, F8

Bellyfruit. Maria Bernhard, Susannah Blikoff, Janet Borrus and Kerri Green. June 22, 1998. (101 pages).
B54, F1

Below. Darren Aronofsky and Lucas Sussman; revisions by David Twohy. Blue revision. November 6, 2000. (110 pages).
B78, F2

Bette (Pilot). Jeffrey Lane. March 8, 2000. (49 pages).
B83, F1

Beverly Hills, 90210: "I Only Have Eyes For You". Laurie McCarthy. Revised Shooting Script. February 18, 1997. (54 pages).
B19, F10

The Big Hit. Ben Ramsey. April 10, 1997. (112 pages).
B30, F8

The Big Lebowski. Joel Coen and Ethan Coen. November 27, 1996. (121 pages).
B39, F3

Big Trouble. Robert Ramsey and Matthew Stone; based on the novel by Dave Barry. Draft. March 23, 2000. (130 pages).
B69, F1

The Bijou. Michael Sloane; revised draft by Frank Darabont. August 10, 2000. (118 pages).
B78, F3

Black and White (released as Trading Places). Tim Harris and Herschel Weingrod. Final Draft. October, 1982. (129 pages).
B1, F5

Black Hawk Down. Ken Nola; based on the book by Mark Bowden. September 21, 2000. (127 pages).
B83, F2

Black Sheep. Jason Richman. Fifteenth revision. January 12, 2001. (121 pages).
B78, F4

Blade. David S. Goyer. Production Draft. September 19, 1996. (110 pages).
B24, F1

Bless the Child. Revised draft by Don Roos; Revised by Chuck Russell. March 3, 1999. (125 pages).
B54, F6

Blind Men: (pilot). Table draft. April 11, 1998. (57 pages).
B43, F6

Bliss. L. Young. October 10, 1994. (117 pages).
B1, F6

Blood and Wine. Nick Villiers; story by Nick Villiers and Bob Rafelson; rewrite by Alison Cross. Second draft. December 12, 1994. (119 pages).
B29, F3

The Blouse Man. Pamela Gray. Revised draft. March 21, 1997. (119 pages).
B37, F10

The Bob Marley Story. Ron Shelton. Working draft. August, 1999. (131 pages).
B65, F4

Bone Chillers: "Back to School". Adam Rifkin; based on the book series by Betsy Haynes. Second Draft. n.d. (28 pages).
B15, F6

The Boondock Saints. Troy Duffy. Shooting script. August 28, 1997. (123 pages).
B39, F4

Booty Call. Takashi Bufford and Bootsie. Third Draft. February 21, 1996. (101 pages).
B18, F1

Border Patrol. Miguel Tejada Flores. First draft. October 13, 2000. (104 pages).
B83, F3

Boy Meets Girl (released as When Harry Met Sally). n.a., n.d. (122 pages).
B1, F7

The Brady Bunch. n. a., n. d. (107 pages).
B50, F9

Breakdown ("Untitled Kurt Russell Thriller"). Jonathan Mostow. Revised Draft. February 2, 1996. (110 pages).
B18, F2

The Breakers. Robert Dunn; revisions by Leora Barish; additional revisions by Scott Buck, Paul Guay, Stephen Mazur; current revisions by David Mirkin; rewrite by Phil Alden Robinson; revisions by Paul Guay and Stephen Mazur. Second polish. August 16, 1999. (125 pages)
B66, F1

Breaking Up. Michael Cristofer. n.d. (91 pages).
B21, F3

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B37 F9

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B51, F1

Brimstone: "Encore". Scott A. Williams. Revised production draft. September 16, 1998. (52 pages).
B49, F9

Bringing Out the Dead. Paul Schrader; based on the novel by Joseph Connelly. First draft. November 7, 1997. (99 pages).
B48, F5

The Broadway Brawler. Juliet Aires and Keith Giglio. n.d. (113 pages).
B84, F5

Brokedown Palace. David Arata. Resided draft. April 11, 1997. (131 pages).
B34, F6

Brokedown Palace. David Arata; story by David Arata and Adam Fields. Revised draft. December 12, 1997. (124 pages).
B34, F6

Broken Arrow. Graham Yost. First Revison. November 1, 1994. (120 pages).
B1, F8

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B39, F5

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B25, F6

Brother's Keeper. (pilot). Donald Todd. Revised second draft. February 22, 1998. (49 pages).
B39, F6

Buddy Faro. Mark Frost. First draft. December 12, 1997. (60 pages).
B50, F8

The Burning Zone: Pilot. Coleman Luck. February 6, 1996. (64 pages).
B29, F4

The Burning Zone: "Lethal Injection". Coleman Luck and Carel Gage Luck. Shooting Script. August 19, 1996. (47 pages).
B15, F7

The Butcher's Wife. Ezra Litwak and Marjorie Schwartz. August 8, 1989. (130 pages).
B1, F9

C

The Cable Guy. Judd Apatow, based on a screenplay by Lou Holtz, Jr. First Revised Draft. September 5, 1995. (118 pages).
B2, F1

Campus Bookie. Michael Ritchie; revisions by Walter Bernstein. March 24, 2001. (95 pages).
B78, F5

Carrie II. Rafael Moreu; revisions by Howard Rodman and Rafael Moreu. Optional fifth polish. February 13, 1998. (111 pages).
B43, F7

Caroline in the City: "Caroline and the Councilman". Lester Lewis. Table draft. September 8, 1997. (52 pages).
B25, F7

Caroline in the City: "Caroline and the Cold Sesame Noodles". Marco Pennette and Fred Barron. Table draft. September 15, 1997. (61 pages).
B26, F10

The Castle. David Scarpa; rewrite by Graham Yost. August 21, 2000. (145 pages).
B78, F6

Cecil B. Demented. John Waters. n.d. (111 pages).
B62, F7

The Cell. Mark Protosevich. July 8, 1999. (95 pages).
B58, F1

The Center. Thania St. John. First draft. April 26, 1996. (69 pages).
B31, F7

Champs: "As the World Twirls". Gary David Goldberg. Revised Draft. February 7, 1995. (60 pages).
B16, F7

Charmed: (pilot). Constance M. Burge. n. d. (62 pages).
B43, F8

The Cider House Rules. John Irving. March 1997. (129 pages).
B39, F7

City of Angels. Dana Stevens; based on Wings of Desire by Wim Wenders. February 5, 1997. (124 pages).
B27, F1

City of Angels. Story by Steven Bochco, Nicholas Wootton and Paris Barclay; teleplay by Steven Bochco and Nicholas Wootton. May 6, 1999. (62 pages).
B61, F6

City of Fear. Stanford Koop. Third Revised Draft. June 18, 1996. (101 pages).
B20, F1

City of Ghosts. Matt Dillon and Barry Gifford. July 24, 2000. (121 pages).
B78, F7

City of Ghosts. Matt Dillon and Barry Gifford. August 15, 2000. (112 pages).
B78, F8

Clifford. Steven Kampmann and Will Aldis; revised by Paul Flaherty. August 21, 1990.(114 pages).
B21, F4

The Clockwatchers. Jill Specher and Karen Sprecher. Revised Draft. June 6, 1996. (117 pages).
B19, F1

Coach. Seth Zvi Rosenfeld. 2nd draft. September 1, 1994. (120 pages).
B2, F2

Coach: "Fool for Lunch". Eric Horsted. First Draft. August 10, 1995. (44 pages).
B2, F3

Cobb. Ron Shelton. Revised First Draft. July 9, 1993. (127 pages).
B2, F4

Cold Around the Heart. John Ridley. Director's Draft. September 22, 1995. (97 pages).
B15, F8

The Color of Night. Matthew Chapman, from a screenplay by Billy Ray. Draft 6a. February 15, 1993. (122 pages).
B2, F5

Colors. Michael Schiffer. First Draft. October 29, 1986. (122 pages).
B2, F6

Committed. Lisa Krueger. December 2, 1997. (121 pages).
B39, F8

Company Man. Peter Askin and Douglas McGrath. October 1, 1998. (99 pages).
B48, F6

Con Air. Scott Rosenberg. December 8, 1995. (117 pages).
B19, F2

Confessions of a Dangerous Mind. Charlie Kaufman; based on Confessions of a Dangerous Mind by Chuck Barris. First revised draft. August 30, 2001. (112 pages).
B82, F3

Conrad Bloom: (pilot). Marco Pennette. Revised draft. February 11, 1998. (59 pages).
B39, F9

Conrad Bloom: (pilot). Marco Pennette. Revised network draft. March 4, 1998. (58 pages).
B39, F10

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 6, 1998. (51 pages).
B39, F11

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 7, 1998. (51 pages).
B39, F12

Conspiracy Theory. Brian Helgeland. December 11, 1995. (122 pages).
B34, F7

The Core. John Rogers. Writer's first draft (7th revision). July 6, 2001. (128 pages).
B85, F2

Corky Bonano. David Garrett and Jason Ward. June 9, 2000. (116 pages).
B69, F2

Corrina, Corrina. Jessie Nelson. June 25, 1993. (121 pages).
B2, F7

The Count of Monte Cristo. Jay Wolpert; based on the novel by Alexander Dumas. January 7, 2000. (124 pages).
B69, F3

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B54, F2

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B55, F8

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B58, F8

Crime of the Century. William Nicholson; based on the book The Airman and the Carpenter by Ludovic Kennedy. Revised first draft. (124 pages).
B29, F5

The Crow: City of Angels. David S. Goyer, based on characters created by James O'Barr. Revised First Draft. July 18, 1995. (89 pages).
B2, F8

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. February 10, 1998. (109 pages).
B37, F11

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. July 23, 1997. (113 pages).
B66, F2

Cruel Intentions (pilot). Roger Kumble. February 8, 1999. (66 pages).
B66, F3

The Curse. Rafael Moreu. Second draft. November 9, 1996. (109 pages).
B36, F7

Cursed. Mitchel Katlin and Nat Bernstein. First draft. January 14, 2000. (55 pages).
B83, F4

D

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B48, F7

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B43, F9

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B53, F1

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F10

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F11

Dancing in the Dark. Michael Cristofer; based on the book by Cornell Woolrich. Revised draft. September 26, 1999. (111 pages).
B64, F2

Dangerous Minds. Ronald Bass and Jane Rusconi. Revised February 21, 1996. (59 pages).
B2, F9

A Dangerous Woman. Naomi Foner; based on the novel by Mary McGarris Morris. Fourth Draft. June 22, 1992. (127 pages).
B2, F10

Dark Skies "The Awakening". Bryce Zabel and Brent V. Friedman. Second Draft. Series Pilot. June 13, 1995. (117 pages).
B3, F1

The Dave Chappelle Project: (pilot). Peter Tolan and Dave Chappelle. First draft. November 11, 1997. (53 pages).
B40, F1

The Day Before Midnight. Bruce A. Evans and Raynold Gideon; based on the novel by Stephen Hunter. n. d. (124 pages).
B44, F1

Daybreak. Hans Tobeason. First revision. January 9, 1998. (60 pages).
B40, F2

Dead Man On Campus. Mike White (?) January 10, 1997. (109 pages).
B20, F2

Deal Kings. Richard Eid and Gavin W. Harris. September 29, 1998. (121 pages).
B48, F8

Dear God. Warren Leight. January 5, 1995. (118 pages).
B16, F8

Death on Everest. Robert J. Avrech; based on Into Thin Air by Jon Krakauer. December 23, 1996. (113 pages).
B30, F9

The Deep End of the Ocean. Stephen Schiff; adapted from the novel by Jacquelyn Mitchard. First revision plus. August 25, 1997. (118 pages).
B36, F2

Dellaventura: "The Rules of Engagement". Richard DiLello. Revised first draft pilot script. December 18, 1996. (np)
B27, F2

Depraved Indifference (a.k.a. Mary Jane's Last Dance). Victoria Strouse; revisions by Scott Ferraiolo. January 12, 1999. (117 pages).
B55, F9

Desperate Measures. David Klass and Marshall Herskovitz. Third draft. November 28, 1995. (120 pages).
B15, F1

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B3, F2

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B44, F2

Detox. Ron L. Brinkerhoff; revisions by Patrick Smith Kelly. October 20, 1998. (111 pages).
B52, F1

Detroit Rock City. Carl DuPre. July 28, 1998. (111 pages).
B49, F10

Devil in a Blue Dress. Carl Franklin; from the novel by Walter Mosley. n.d. (123 pages).
B3, F3

Devil's Advocate. Lawrence D. Cohen; revised by Jonathan Lemkin, Robert Mark Kamen, Tony Gilroy. First draft rewrite. April 11, 1996. (123 pages).
B25, F8

Dharma & Greg. Dottie Dartland and Chuck Lorre. Second draft. March 31, 1997. (55 pages).
B33, F2

Diabolique. Don Roos; based on the novel Celle Qui N'Etait Plus by Pierre Boileau and Thomas Narcejac, and on the the film Les Diaboliques by Henri-Georges Clouzot and Jerome Geronini. Revised second draft. April 3, 1995. (124 pages).
B3, F4

Dicks. Jeff Kline and Mark B. Perry. Third draft. December 18, 1998. (66 pages).
B56, F1

Dill Scallion. Jordan Brady. Second Draft. May 28, 1997. (99 pages).
B24, F2

Dr. Bean. Richard Curtis and Robin Driscoll with Rowan Atkinson. June 7, 1996. (122 pages).
B21, F5

Doctor Dolittle. Nat Mauldin. Revised third draft. December 19, 1996. (106 pages).
B44, F3

Dogs. Tommy Swerdlow and Michael Goldberg. Revised first draft, pilot. January 20, 1997. (71 pages).
B31, F8

Domestic Disturbance. Lewis Colick. Second draft. July 26, 2000. (125 pages).
B82, F4

Dope (pilot). Chris Brancato; story by Chris Brancato and Albert J. Salke. Second draft. February 2, 2001. (58 pages).
B84, F6

Double Bang. Heyood Gould. First draft. April 25, 2000. (104 pages).
B83, F5

Double Jeopardy. David Weisberg and Douglas S. Cook. January 9, 1998. (126 pages).
B40, F3

Double Take. George Gallo. January 20, 2000. (107 pages).
B64, F3

Down & Under. Steve Bing and Scott Rosenberg; current revisions by Lowell Ganz and Babaloo Mandel. Revised draft. September 22, 1999. (125 pages).
B79, F1

The Downtowners: (pilot). Bill Oakley and Josh Weinstein. First draft. April 20, 1998. (58 pages).
B54, F7

Dragonfly. "Seltzer Draft #3". May 19, 2000. (121 pages).
B79, F2

Dreamcatcher. William Goldman and Lawrence Kasdan; based on the novel by Stephen King. Revised blue draft. November 28, 2001. (126 pages).
B82, F5

Drugstore Cowboy. Gus Van Sant and Dan Yost, story by James Fogle. First Draft. August 26, 1987. (104 pages).
B3, F5

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B44, F4

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B47, F2

Dune. David Lynch; based on the novel by Frank Herbert. 6th draft. December 9, 1982. (135 pages).
B3, F6

E

Earth Girls Are Easy. Julie Brown, Charlie Coffey, and Terrence McNally. August, 1985. (123 pages).
B3, F7

Easy Streets. Paul Haggis. Pilot episode. Second draft. January 7, 1995. (92 pages).
B25, F9

The Education of Max Bickford. Dawn Prestwich and Nicole Yorkin. Pilot. January 29, 2001. (67 pages).
B79, F3

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages).
B26, F1

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages). (second copy).
B24, F1

The Eighteenth Angel. David Seltzer. October 15, 1995. (111 pages).
B3, F8

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B49, F11

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B58, F2

The End of Violence. Nicholas Klein; story by Nicholas Klein and Wim Wenders. First draft. August, 1996. (79 pages).
B27, F3

Enemy of the State. David Marconi and Aaron Sorkin. February 10, 1997. (135 pages).
B40, F4

Enough. Nicholas Kazan. (ms. note: "12/13/00 Linda Lowy/John Brace""). (120 pages).
B79, F4

Entrapment. William Broyles, Jr., Ron Bass, and Don Macpherson; story by Ron Bass and Michael Hertzberg. Revised tenth draft. May 8, 1998. (119 pages).
B53, F2

Eraser. Tony Puryear. Revised screenplay. July 13, 1995. Warner Brothers. (140 pages).
B3, F9

Erin Brockovich: A True Story. Susannah Grant; revisions by Richard Lagravenese. Revised draft. March 22, 1999. (128 pages).
B56, F2

Escape Clause. Danilo Bach. August 21, 1995. (107 pages).
B20, F3

Event Horizon. Philip Eisner. First draft. n.d. (120 pages).
B22, F2

Executive Decision. Jim Thomas and John Thomas. May 29, 1992. (138 pages).
B3, F10

Executive Privilege. Wayne Beach and David Hodgin; revisions by Steven Maeda; revisions by Wayne Beach; revisions and polish by Vince McKewin. May 21, 1996. (118 pages).
B18, F3

Extreme Measures. First draft by W.D. Richter, Revisions by Tony Gilroy, Polish by Hugh Grant. November 17, 1995. (125 pages).
B15, F2

F

Face/Off. Mike Werb and Michael Colleary. Revised draft. August 8, 1996. (121 pages).
B44, F5

The Faculty. Kevin Williamson. January 5, 1998. (121 pages).
B40, F5

Fair Play (Peta Wilson project). Sally Robinson. Revised network draft. January 24, 2001. (65 pages).
B83, F6

Family Man. David Diamond and David Weissman. August 27, 1999. (122 pages).
B64, F4

A Family Thing. Billy Bob Thornton and Tom Epperson. Scene Numbered Script. March 10, 1995. (113 pages).
B4, F1

The Farm. Roger Towne and Kurt Wimmer; this draft by Mitch Glaser. April 12, 2001. (110 pages).
B85, F3

Farscape: (premier episode). Rockne S. O'Bannon. Revised first draft. April 24, 1998. (58 pages).
B50, F1

Father of Frankenstein. Bill Condon; based on the novel by Christopher Bram. (124 pages).
B27, F4

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (96 pages).
B26, F2

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (97 pages).
B34, F8

La Femme Nikita. (Teleplay). Cyrus Nowrasteh. Revised Draft. February 16, 1996. (52 pages).
B24, F3

The Fifth Corner. John Herzfeld. December 12, 1990. (70 pages).
B44, F6

54. Mark Christopher. August 12, 1997. (115 pages).
B35, F1

The Fighting Fitzgeralds. Phoef Stton, Ed and Brian Burns. November 13, 2000. (51 pages).
B79, F5

Finding Forrester. Mike Rich. n.d. (123 pages).
B66, F4

First Love, Last Rites. David Ryan and Jesse Peretz; based on a short story by Ian McEwan. n.d. (103 pages).
B36, F8

The Flash (Pilot). Danny Bilson and Paul De Meo. March 9, 1990. (95 pages).
B33, F3

Fled. Preston A. Whitmore II. First revison. August 11, 1995. (119 pages).
B4, F2

Floating Life. Eddie L. C. Fong and Clara Law. November 1994. (106 pages).
B4, F3

The Flood. Graham Yost. Fifth Draft. May 10, 1996. (104 pages).
B19, F3

Four Dogs Playing Poker. Shawn Thompson and Steve Roberts. Director's draft. February 4, 1999. (107 pages).
B59, F1

For the Cause. David March Douglas and Christopher Salazar. Second draft, first revision. September 7, 1998.
B58, F3

For Hope. Susan Rice. Revised first draft. November 7, 1995. (105 pages).
B21, F6

Forces of Nature. Mark Lawrence. First revision. February 13, 1997. (113 pages).
B54, F3

Foreplay. Joe Eszterhas. First draft. n. d. (111 pages).
B50, F2

Forget Me Not. Dick Christie. Macdonald/Duigan version. February 4, 1998. (105 pages).
B44, F7

Fortress II: Escape from Skycell. John Flock. September 7, 1998. (106 pages).
B52, F2

Frank McKlusky, C. I. Story by D. C. Sheridan and Mark Perez; screenplay by Mark Perez. January 30, 2000. (113 pages).
B79, F6

Freak the Night. Charles Leavitt; based on the novel by Rodman Philbrick. Revised Draft. August 7, 1995. (127 pages).
B24, F4

Frequency. Toby Emmerich. Revised draft. May 19, 1998. (121 pages).
B53, F3

G

G's Trippin'. Gary Hardwick. First draft. June 18, 1996. (113 pages).
B54, F8

The Gail O'Grady Project. Martin Weiss. Second draft. March 29, 1996. (49 pages).
B4, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B58, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B62, F8

The Game (pilot). John Tinker; created by John Tinker and Bill D'Elia. January 30, 1998. (60 pages).
B38, F1

Gang Related. Jim Kouf. Revised Draft. March 6, 1996. (123 pages).
B19, F4

Gangster. Chris Brancato. Third draft. April 8, 1996. (115 pages).
B29, F6

Ganz and Mandel (a.k.a. Hiller and Diller): Pilot. Lowell Ganz and Babaloo Mandel. Revised first draft. March 17, 1997. (55 pages).
B31, F1

The Gaslight Addition. Marlene King. June 15, 1994. (121 pages).
B4, F6

Gattaca. Andrew M. Niccol. n. d. (115 pages).
B29, F7

Gene Roddenberry's Battleground: Earth. Gene Roddenberry. n. d. (58 pages).
B22, F3

Georgia Rule. Mark Andrus. April 2, 1999. (131 pages).
B66, F5

Get Shorty. Scott Frank, from the novel by Elmore Leonard. October 15, 1993. (131 pages).
B4, F7

The Gift. Billy Bob Thornton and Tom Epperson. Revised draft. September 7, 1999. (113 pages).
B61, F7

Gilroy's. Barry Fanaro and Mort Nathan. Final draft. April 8, 1998. (46 pages).
B44, F8

Girl Gives Birth to Prom Date. Rob Thomas; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. First revision. February 23, 1998. (117 pages).
B44, F9

The Glass House. Wesley Strick. Revised draft. October 28, 1999. (117 pages).
B65, F5

The Glass House. Wesley Strick. February 22, 2000. (114 pages).
B65, F6

Gone in 60 Seconds. Scott Rosenberg. January 22, 1999. (125 pages).
B54, F9

Gods and Monsters. Bill Condon; based on the novel by Christopher Bram. May 30, 1997. (110 pages).
B27, F5

Going to California. "Pilot". Scott Rosenberg. Revised draft. January 18, 2001. (96 pages).
B79, F7

Good Advice. Daniel Margosis and Robert Horn. Production Rewrite. April 8, 2000. (104 pages).
B69, F4

Good Will Hunting. Matt Damon and Ben Affleck; story by Matt Damon. January 22, 1997. (109 pages).
B27, F6

Gordon & Conn Project (pilot). Andrew Gordon and Eileen Conn. Second draft. January 26, 1999. (60 pages).
B57, F1

Gossip. Gregory Poirier; draft by Theresa Rebek. March 20, 1998. (119 pages).
B51, F2

Grace Under Fire: "Head Games". Ric Swartzlander. March 1, 1996. (52 pages).
B4, F8

Graceland. Jason Horwitch and David Winkler. Production Draft. January 7, 1997. (95 pages).
B24, F5

Grand Avenue. Greg Sarris. First Revised Draft. March 20, 1995. (@145 pages).
B4, F9

The Grass Harp. Stirling Silliphant and Kirk Ellis, based on the novel by Truman Capote. September 6, 1994. Grass Harp Productions. (109 pages). File also includes three shooting schedules for the film.
B4, F10

Great Balls of Fire! Jack Baran and Jim McBride; based on the book by Myra Lewis and Murray Silver. June 8, 1988. (133 pages).
B21, F7

Gridlock. Vondie Curtis Hall. Second Revision. April 24, 1995. (97 pages).
B15, F9

Gridlock. Vondie Curtis Hall. Revised Second Draft. March 5, 1996. (103 pages).
B15, F10

Gun Shy. Eric Blakeney. Second draft. August, 1998. (118 pages).
B48, F9

H

Halloween: The Revenge of Laurie Strode. Story by Kevin Williamson; screenplay by Robert Zappia. Revised second dreaft. December 29, 1997. (91 pages).
B44, F10

Hanging Up. Delia Ephron; based on a script by Delia Ephron and Nora Ephron; based on the book by Delia Ephron. November 5, 1998. (110 pages).
B57, F2

Hard Time. n. a. Final white script. May 19, 1998. (97 pages).
B52, F3

Havana Nocturne: The Arturo Sandoval Story. Rafeal Lima; current revisions by Tim Sexton. October 8, 1999. (119 pages).
B66, F6

Head Over Heels. Ron Burch and David Kidd; story by John J. Strauss, Ed Decter, David Kidd, and Ron Burch. First draft. January 7, 1999. (114 pages).
B55, F1

Hearts in Atlantis. Stephen King; screenplay by William Goldman. Third draft. June, 2000. (113 pages).
B79, F8

Heat. ("Untitled Screenplay by Michael Mann"). Michael Mann. March 3, 1994. (162 pages).
B4, F11

Heat Vision and Jack: "The Eyes of Paragon". Rob Schrab and Dan Harmon. February 14, 1998. (34 pages).
B60, F1

The Heist. Kurt Voss. n.d. (94 pages).
B55, F2

The Hi-Lo Country. Walon Green; based on the novel by Max Evans. Second draft revised. January 9, 1997. (109 pages).
B36, F3

High Fidelity. D. V. De Vincentis, Steve Pink, John Cusack; based on the novel by Nick Hornby. December 10, 1998. (127 pages).
B53, F4

High Roller. Steven Brill. Revised draft. September 1, 1997. (117 pages).
B45, F1

High School High. David Zucker and Robert N. LoCash. Fourth Draft. July 18, 1995. (118 pages).
B5, F1

Higher Learning. John Singleton. January 6, 1993. (127 pages).
B5, F2

Higher Learning. John Singleton. n.d. (125 pages).
B5, F3

Higher Learning (One-line shedule). February 4, 1994. (16 pages).
B27, F7

Hiroshima. John Hopkins. First Draft. February 21, 1995. (175 pages).
B5, F4

The Hollow Man. Andrew W. Marlowe. Revised draft. October 20, 1998. (123 pages).
B55, F3

Home for the Holidays. W. D. Richter; based on a story by Chris Radant. Fifth Draft. October 7, 1994. Egg Pictures. (129 pages).
B16, F9

Homeboys in Outer Space. Pilot episode. Ehrich Van Lowe. First Draft. March 4, 1996. (56 pages).
B5, F5

Hong Kong Cracker. Paul Abbott. April 29, 1996. (113 pages).
B15, F3

Hope Floats. Steven Rogers. Revised Draft. January 13, 1997. (118 pages).
B20, F4

Hot Zone. Jim V.Hart; based on Crisis in the Hot Zone by Richard Preston. Revised draft. December 3, 1993. (135 pages).
B84, F7

How Stella Got Her Groove Back. Ron Bass and Terry McMillan; based on the novel by Terry McMillan. Optional Polish. July 23, 1997. (126 pages).
B33, F4

How to Kill Your Neighbor's Dog. Michael Kalesniko. June 22, 1999. (112 pages).
B62, F9

How to Kill Your Neighbor's Dog. Michael Kalesniko. September 13, 1999. (112 pages).
B63, F1

Hurlyburly. David Rabe. First draft. March 1, 1996. (135 pages).
B40, F6

Hurricane. Morgan J. Freeman. May 14, 1996. (111 pages).
B19, F5

I

I Know What You Did. Kevin Williamson; based on the novel by Lois Duncan. Second Rewrite. December 2, 1996. (114 pages).
B22, F4

I Spy. The Wibberley's. March 22, 2001. (118 pages).
B79, F9

I Werewolf. Created by Stan Lee and Scott Shepherd; teleplay by Scott Shepherd. Second draft. Dsecember 18, 1995. (58 pages).
B31, F10

The Ice Storm. James Schamus; based on the novel by Rick Moody. First draft revised. January 5, 1996. (116 pages).
B45, F2

Igby Goes Down. Burr Steers. n.d. (119 pages).
B80, F1

I'll Be You. Mark Schwahn. First draft. December, 1998. (110 pages).
B56, F3

I'm Losing You. Bruce Wagner. January 5, 1998. (92 pages).
B38, F2

Imaginary Crimes. Kristine Johnson and Davia Lee Nelson, from the novel by Sheila Ballantyne. February 6, 1991. (116 pages).
B5, F6

In and Out. Paul Rudnick. February 28, 1996. (119 pages).
B18, F4

In Too Deep. Matt Healy. February 13, 1997. (104 pages).
B38, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B47, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B55, F4

Inconvenienced. Jeff Eastin. May 18, 1998. (113 pages).
B45, F3

Independence Day. Dean Devlin and Roland Emmerich. Second Draft. May 11, 1995. (137 pages).
B5, F7

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. March 18, 1998. (116 pages).
B52, F4

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. August 26, 1998. (115 pages).
B55, F5

I.Q.. Andy Breckman, revision by Michael Leeson. January 9, 1994. (124 pages).
B5, F8

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin. Second draft rewrite. February 27, 1998. (116 pages).
B40, F7

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin; rewrite by Zak Penn. May 6, 1998. (103 pages).
B50, F3

Inventing the Abbotts. Ken Hixon; from a short story by Sue Miller. December 4, 1995. (112 pages).
B19, F6

The Invisible Circus. Adam Brooks; adapted from the novel by Jennifer Egan. Revised draft. May 26, 1998. (103 pages).
B66, F7

The Invisible Man: (pilot). Dick Wolf, Brad Kern, Bob Crais. February 28, 1998. (58 pages).
B40, F8

The Invisible Man (pilot). Matt Greenberg. Fifth draft. June 21, 1999. (107 pages).
B66, F8

Isn't She Great. Paul Rudnick. March 2, 1998. (114 pages).
B40, F9

"It Still Has No Title" (pilot) Jeff Greenstein and Jeff Strauss. First raft. February 7, 1997. (55 pages).
B31, F9

It's True!: "The Rats of Rumfordton". Teleplay by Paul De Meo and Danny Bilson; story by Gahan Wilson, Paul De Meo and Danny Bilson. First draft. January 22, 1998. (58 pages).
B40, F10

J

The Jack Bull. Dick Cusack; adapted from the novel Michael Kohlhaas by Heinrich Von Kleist. February 9, 1998. (117 pages).
B47, F4

Jag: "Soldier of Love". Evan Katz. Writer's Draft. July 7, 1995. (59 pages).
B5, F9

James Barry. Menno Meyjes; based on a screenplay by Patrick Lee. January 11, 1996.(137 pages).
B19, F7

Jane. Lyndall Hobbs; story by Lyndall Hobbs and Tracy Tynan. May 8, 1997. (116 pages).
B66, F9

Jerry Maguire. Cameron Crowe. July, 1995. (147 pages).
B17, F1

Jerry Maguire. Cameron Crowe. Shooting Draft, Blue Revision. February 28, 1996. (133 pages).
B17, F2

Jerry Maguire: Shooting Schedule. March 6, 1996. (57 pages).
B17, F3

Jerry Maguire: Day Out of Days. March 6, 1996. (18 pages).
B17, F4

Jerry Maguire (One-line schedule). April 2, 1996. (13 pages).
B17, F5

Joan Cusack Project. Eric Gilliland. Second draft. March 19, 1999. (65 pages).
B67, F1

Joe Somebody. John Scott Shepherd. Optional second set of revisions. January 9, 2001. (117 pages).
B80, F2

John Herzfeld Pilot "Destiny". n.a. First draft. December 21, 2000. (65 pages).
B83, F7

Jules. Pilot episode. Wendy Goldman and Julia Sweeney. Revised Second Draft. March 7, 1996. (52 pages).
B5, F10

Just Shoot Me: "Finch on Ice". Susan Dickes and Brian Reich. February 28, 2000. (47 pages).
B63, F2

K

The Kid. Audrey Wells. August 19, 1999. (132 pages).
B64, F5

The Killing Jar. n.a. Revised Draft. August 23, 1995. (108 pages). Also includes oneline schedule and shooting schedule.
B5, F11

Killing Mrs. Tingle. Kevin Williamson. January 16, 1998. (109 pages).
B45, F4

The Kiss. Richard Lagravenese. Revised Pre-Production Draft. February 5, 1997. (119 pages).
B24, F6

Kiss of Death. Richard Price. "Pink Revision" of First Draft. April 14, 1994. (121 pages).
B6, F1

Kiss the Girls. David Klass; adapted from the novel by James Patterson. November 27, 1995. (121 pages).
B21, F8

A Knight's Tale. Brian Helgeland. November 1999. (126 pages).
B64, F6

The "L" Word. Pilot. Winnie Holzman. First draft. January 3, 1995. (58 pages).
B22, F5

L. A. Confidential. Brian Helgeland; based on the novel by James Ellroy. Revised draft. February 12, 1996. (129 pages).
B27, F8

L. A. Med. Pilot: "Liver Let Die". Kimberly Costello. n. d. (@80 pages).
B20, F5

L. A. Sheriff's Homicide. James Ellroy. Revised network draft. December 4, 1998. (100 pages).
B60, F2

The Ladies' Man. Tim Meadows, Dennis McNichols, and Andrew Steele. Third draft. July 9, 1999. (110 pages).
B60, F7

Lansky. David Mamet; polish by Vincent Patrick. November 1997; formatted June 30, 1998. (113 pages).
B67, F2

The Laramie Project. Teleplay by Moises Kaufman; based on the play by Moises Kaufman and the members of the Tectonic Theatre Project. November 13, 2000. (96 pages).

The Last Question. Bryan Singer; based on a short story by Isaac Asimov. Fourt draft. August 7, 1995. (27 pages).
B41, F1

Lateline: "Pilot". Al Franken and John Markus. First draft. June 27, 1996. (55 pages).
B29, F8

Laurel Canyon. Lisa Cholodenko. February 14, 2001. (122 pages).
B85, F4

Lawyers; Prototype. Stephen Nathan and Diane English. First Draft. January 31, 1996. (58 pages).
B17, F6

Leaving L. A.: "Intermission". Nancy Miller. Second Draft. February 3, 1997. (57 pages).
B24, F7

Legalese. Billy Ray. February 28, 1996. (123 pages).
B41, F2

Legalese. Billy Ray. March 12, 1998. (102 pages).
B41, F3

Legend of the Mummy. Jeffrey Obrow; story adaptation by Jeffrey Obrow, Lars Hauglie, and John Penney; based on the story by Bram Stoker. April 4, 1997. (@132 pages).
B22, F6

Librium. Kurt Wimmer. n.d. (105 pages).
B69, F5

Life. Robert Ramsey and Matthew Stone. November 18, 1997. (117 pages).
B45, F5

The Life Before This. Semi Chellas. April 13, 1998. (115 pages).
B59, F6

A Life Less Ordinary. John Hodge. May 30, 1996. (117 pages).
B24, F8

The Limbic Region. Todd Johnson and Patrick Ranahan. (114 pages).
B6, F2

The Lion, The Witch, and the Wardrobe. Menno Meyjes; <based on the novel by C. S. Lewis>. Fourth Draft. March 19, 1996. (99 pages).
B19, F8

The Lone Gunmen (pilot). Vince Gilligan, John Shiban, and Frank Spotnitz. February 15, 2000. (62 pages).
B84, F8

Long Kiss Goodnight. Shane Black. Revised draft. September 11, 1995. (115 pages).
B6, F3

Lost and Found (pilot). Terri Minsky. April 11, 2000. (64 pages).
B67, F3

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. July 31, 1998. (110 pages).
B50, F4

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. August 26, 1998. (112 pages).
B63, F3

Love and Basketball. Gina Prince-Bythewood. First draft. October 11, 1998. (105 pages).
B63, F4

Love Field. Don Roos. Shooting Draft in color-coded sections of varying dates from February 23, 1990 to May 3, 1990. (129 pages).
B6, F4

Loved. Erin Dignam. August 25, 1995. (123 pages).
B6, F5

Lulu on the Bridge. Paul Auster. August 18, 1997. (103 pages).
B41, F4

M

Mad City. Tom Matthews; based on a story by Tom Matthews and Eric Williams; revisions by Ebbe Roe Smith. June 7, 1996. (131 pages).
B35, F2

Maggie Winters: "Total Eclipse". Kari Lizer. Second draft. February 18, 1998. (57 pages).
B51, F3

The Man in the Iron Mask. Randall Wallace. Reformatted first draft. October 14, 1996. (121 pages).
B31, F2

Man-Made. Teleplay by Steve De Jarnatt; story by Brent Friedman, Steve De Jarnatt, Stan Rogow; created by Steve De Jarnatt, Brent Friedmand, Stan Rogow. February 13, 1997. (59 pages).
B67, F4

Man on the Moon. Scott Alexander and Larry Karaszewski. First draft. (154 pages).
B58, F5

Man Trouble. Carole Eastman (a.k.a. Adrien Joyce). Sixth draft. August 8, 1990. (128 pages).
B21, F9

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B52, F5

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B53, F5

Marabunta. Wink Roberts and Linda Palmer. May 16, 1997. (87 pages).
B24, F9

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; rewritten by Jonathon Gems; inspired by the "Mars Attacks" Topps Trading Cards. July 20, 1995. (107 pages).
B17, F7

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; suggested by images on "Mars Attacks" Topps Trading Cards. Fifth Revised Draft. November 12, 1995. (108 pages).
B17, F8

The Marshall: "Bounty Hunter". Don M. Mankiewicz. (50 pages).
B6, F6

Matinee. Jerico Stone; revisions by Ed Naha and Charlie Haas. Second Draft (Charlie Haas). May 31, 1991. (121 pages).
B6, F7

Maverick. William Goldman. Third Draft. June 24, 1993. (144 pages).
B6, F8

Maximum Bob. Alex Gansa; adapted from the novel by Elmore Leonard. Revised first draft. August 19, 1997. (64 pages).
B36, F9

Maybe I'm Adopted (Pilot episode: "I'm Marilyn Munster"). Suzanne Martin. Revised draft. January 16, 2001. (40 pages).
B83, F8

Me, You, Him and Her (pilot). Neil Simon. July, 1995. (47 pages).
B31, F11

Meet the Parents. Jim Herzfeld. Director's revised. August 13, 1999. (123 pages).
B63, F5

Men Behaving Badly: "Babies Having Babies". Matthew Carlson. Writer's Draft. January 29, 1996. (57 pages).
B6, F9

Men Behaving Badly: "Carpe Dino". Rick Nyholm. Table draft. December 1, 1997. (54 pages).
B38, F4

Men Behaving Badly: "Christmas". Matthew Carlson. Writer's Draft. November 27, 1996. (49 pages).
B18, F5

Men Behaving Badly: "The Fur Man Cometh". Stacie Lipp. Table draft. November 3, 1997. (52 pages).
B38, F5

Men Behaving Badly: "Jamie's Got Next". Matt Tarses. Table draft, second revision. August 27, 1997. (41 pages).
B29, F9

Men Behaving Badly: "No Retreat, No Surrender". Story by Jeff Martin; Teleplay by John Bowman and Tom Brady. Table Draft 2. September 8, 1997. (37 pages).
B26, F3

Men Behaving Badly: "Special Delivery". Jeff Filgo and Jackie Behan. Table draft. October 20, 1997. (44 pages).
B38, F6

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft. October 6, 1997. (45 pages).
B38, F7

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft first revision. October 7, 1997. (42 pages).
B38, F8

Men Behaving Badly: "The Sting". Jackie Behan and Jeff Filgo. Table draft. September 15, 1997. (45 pages).
B27, F9

Men Behaving Badly: "The Tape". Amy Welsh. Table draft. September 23, 1997. (43 pages).
B38, F9

Men Behaving Badly: "The Truth About Cats and Ducks". Bill Wruble. Table draft. October 13, 1997. (50 pages).
B38, F10

Men Behaving Badly: "Welcome to JamieCo". Stacie Lipp. Table draft. November 10, 1997. (44 pages).
B38, F11

Men In Black. Ed Solomon. Second draft. (108 pages).
B22, F7

Men With Guns. Lachy Hulme. March 19, 1996. (111 pages).
B29, F10

Message in a Bottle. Gerald DiPrego; from the novel by Nicholas Sparks. Revision. November 11, 1997. (139 pages).
B36, F4

The Mexican. J. H. Wyman. April 15, 1999. (113 pages).
B67, F5

Millennium. n.a., n.d. (59 pages).
B7, F1

Millennium: "Broken World". Robert Moresco and Patrick Harbinson. March 5, 1997. (59 pages).
B22, F8

Millennium: "Jose Chung's Doomsday Defense". Darin Morgan. October 27, 1997. (57 pages).
B31, F3

The Millennium Plague. Perri Klass and David Klass. Revised second draft. November 5, 1998. (117 pages).
B52, F6

The Millennium Plague. Perri Klass and David Klass. Revised second draft. Novermber 5, 1998. (117 pages).
B57, F3

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B51, F4

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B59, F2

Mindhunters. Wayne Kramer; revisions by Kevin Brodbin; revised by Kario Salem. November 17, 2000. (96 pages).
B85, F5

The Minus Man. Hampton Fancher; adapted from the novel by Lew McCreary. Revised draft. July 29, 1996. (128 pages).
B29, F11

Miracle Mile. Steve DeJarnatt. February 23, 1987. (114 pages).
B7, F2

Mr. Magoo. Pat Proft and Tom Sherohman; revised by E. Jack Kaplan; rewrite by Jeff Berry. January 24, 1997. (113 pages).
B30, F1

Miss Evers Boys. Walter Bernstein; based on a play by David Feldshuh. Final Draft. March 15, 1996. (95 pages).
B35, F3

M'Lady. Camille Tucker and Kim Greene; Rewrite by Michael Henry Brown and Paul Aaron; final revisions by Camille Tucker and Kim Greene. March 12, 1996. (110 pages).
B45, F6

Monk: Mr. Monk Meets the Candidate. Andy Beckman. April 15, 1999. (71 pages).
B84, F9

Montana. Erich Hoeber and Jon Hoeber. Shooting script. November 22, 1996. (101 pages).
B30, F2

Mortal Kombat: Annihilation. n. a., n. d. (99 pages).
B26, F4

Mother Night. Robert B. Weide; based on the novel by Kurt Vonnegut, Jr. February 7, 1992. (124 pages).
B15, F4

Murder One. Charles H. Eglee, Channing Gibson, Steven Bochco, David Milch; story by Steven Bochko, Charles H. Eglee, Channing Gibson. April 4, 1995. (59 pages).
B27, F10

Murder She Wrote: "Death in Hawaii". Laurence Heath. Revised. April 21, 1994. (57 pages).
B7, F3

Murder She Wrote: "Love & Hate in Cabot Cove". Robert Van Scoyk. Revised. September 21, 1993. (57 pages).
B7, F4

Murder She Wrote: "Time to Kill". Laurence Heath. December 12, 1993. (62 pages).
B28, F1

Music From Another Room. Charlie Peters. October 3, 1996. (113 pages).
B20, F6

My Best Friend's Wedding. Ronald Bass. First draft. n.d. (128 pages).
B22, F9

My Fellow Americans. E. Jack Kaplan and Richard Chapman; rewrite by Peter Tolan. Warner Bros. October 6, 1995. (125 pages).
B19, F9

My First Mister. Jill Franklyn. March 18, 1999. (117 pages).
B64, F7

Mystery, Alaska (cover title: Untitled David E. Kelley Project) Sean O'Byrne and David E. Kelley. October 1, 1997. (135 pages).
B82, F6

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B48, F10

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B50, F5

N

Nailed. Joel Silverman. n.d. (100 pages).
B64, F8

Nash Bridges: "The Great Escape". Carlton Cuse and Michael Norell. Shooting Script, 2nd revision. April 29, 1996. (52 pages).
B17, F9

Navy Diver. Scott Marshall Smith. May 14, 1999. (107 pages).
B59, F3

The Negotiator. James DeMonaco and Kevin Fox. May 23, 1997. (137 pages).
B33, F5

Nell. William Nicholson; based on the play by Mark Handley. January 3, 1994. (110 pages).
B7, F5

The Net. "Winkler/Cowan/Beebe & Ferris/Brancato". November 7, 1994. (121 pages).
B7, F6

Never Been Kissed. Jenny Bicks; based on the original screenplay by Abby Kohn and Marc Silverstein. April 30, 1998. (117 pages).
B57, F4

New Cardiff. Mark Herman. Third draft. July 2001. (118 pages).
B85, F6

The New Jersey Turnpikes. Hank Perlman. January 9, 1998. (98 pages).
B41, F5

The Newton Boys. Claude Stanush, Clark Lee Walker, Richard Linklater. Revised draft. January 13, 1997. (127 pages).
B30, F3

Next To You. Rob Thomas; revisions by John Schultz; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. July 1, 1998. (111 pages).
B45, F7

Nick Freno: Licensed Teacher (pilot episode). Marc Warren and Dennis Rinsler. Shooting Script. April 26, 1996. (46 pages).
B16, F1

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F7

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F8

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. First Draft. March 3, 1995. (103 pages).
B7, F9

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. Revised Draft. March 24, 1995.
B7, F10

Night Falls on Manhattan. Sidney Lumet; based on the book Tainted Evidence by Robert Daley. June 16, 1995. (120 pages).
B7, F11

Night Man. Glen A. Larson. February 26, 1997. (100 pages).
B31, F4

Nightjohn. Bill Cain; based on the novel by Gary Paulsen. Revised second draft. July 18, 1994. (114 pages).
B8, F1

The Ninth Gate. Roman Polanski, John Brownjohn and Enrique Urbizu; based on a novel by Arturo Perez-Reverte. Final draft. March 22, 1998. (109 pages).
B60, F8

Norma and Marilyn. Jill Isaacs. May 5, 1995. (210 pages).
B47, F5

Not Our Son. Scott Swanton. Second Draft. September 28, 1994. (106 pages).
B8, F2

Nothing To Lose. Steve Oedekerk. November 11, 1995. (113 pages).
B21, F1

The Notorious. Glen Morgan and James Wong. February 4, 1997. (63 pages).
B30, F4

Novocaine. David Atkins; story by David Atkins and Paul Felopulos. October 31, 1999. (119 pages).
B61, F8

Numbers. Adam Resnick. Second draft. January 28, 1999. (128 pages).
B60, F9

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B51, F5

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B58, F6

The Nutty Professor. Barry Blaustein and David Sheffield, rewrite by Tom Shadyac and Steve Oedekerk. First Draft. February 1, 1995. (102 pages).
B8, F3

O Brother, Where Art Thou? Joel Coen and Ethan Coen; based upon The Odyssey by Homer. February 2, 1999. (102 pages).
B60, F3

The Object of My Affection. Wendy Wasserstein; based on the novel by Stephen McCauley. "Martha's Vineyard Version". July 1996. (115 pages).
B35, F4

The Odd Couple II: Travelin' Light. Neil Simon. Second draft. April 1997. (107 pages).
B28, F2

One Eight Seven. Scott Yageman. Revised Draft. February 14, 1996. (128 pages).
B18, F6

One Fine Day. Ellen Simon; based on an original draft by Terrel Seltzer. October 23, 1995. (118 pages).
B17, F10

100%. Eric Koyanagi. Fifth draft. October 14, 1996. (120 pages).
B31, F12

One Night at McCool's. Stan Seidel. April 30, 1999.
B58, F7

One Night at McCool's. Stan Seidel. April 30, 1999. (108 pages).
B61, F9

One True Thing. Karen Croner; based on the book by Anna Quindlen. Ivory draft. January 26, 1998. (126 pages).
B45, F8

Only In America: The Life and Crimes of Don King. Kario Salem. Third Draft Revised. January 1, 1997. (87 pages).
B20, F7

The Osiris Chronicles; pilot. Caleb Carr. First Network Draft. January 3, 1995. (78 pages).
B17, F11

The Other Sister. Garry Marshall and Bob Brunner. July 18, 1997. (121 pages).
B45, F9

Out of Sight. Scott Frank; based on the novel by Elmore Leonard. Final draft. August 5, 1997. (139 pages).
B33, F6

P

The Pallbearer. Jason Katima and Matt Reeves. October 27, 1994. (124 pages).
B8, F4

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F3

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F4

Passed Away. Charlie Peters. Draft. January 25, 1991. (120 pages).
B22, F10

Passion of Mind. Ronald Bass. Third draft. April 12, 1993. (118 pages).
B50, F6

Patch Adams. Steve Oedekerk. October 13, 1997. (127 pages).
B54, F4

The Patriot. Robert Rodat. Blue draft. July 20, 1999. (131 pages).
B60, F10

The Patriot. Robert Rodat. March 26, 1999. (124 pages).
B61, F10

Paulie: A Parrot's Tale. Laurie Craig. Casting draft. October 24, 1996. (113 pages).
B28, F5

Pay It Forward. Leslie Dixon; based on the novel by Catherine Ryan Hyde. October 15, 1999. (125 pages).
B60, F4

The Peacemaker. Michael Schiffer; production re-write by John Wells. "Kilo Draft". April 7, 1996. (130 pages).
B21, F2

Pearl (pilot episode). Don Reo. Revised Network Draft. March 8, 1996. (59 pages).
B16, F2

Peggy Sue Got Married. Jerry Leichtling and Arlene Sarner. Working Draft. December 2, 1984. (124 pages).
B8, F5

The People versus Larry Flynt. Scott Alexander and Larry Karaszewski. Third Draft. June 16, 1995. (117 pages).
B8, F6

The Perez Family. Robin Swicord; based on the novel by Christine Bell. Fourth Draft. October 7, 1993. (120 pages).
B8, F7

A Perfect Murder. Patrick Smith Kelly; based on Dial M For Murder by Frederick Knott. December 19, 1995. (130 pages).
B31, F5

The Perfect Storm. Bill Wittliff; based on the book by Sebastian Junger. April 12, 1999. (124 pages).
B56, F4

Permanent Midnight. David Veloz; based on the book by Jerry Stahl. Revised draft. May 19, 1997. (109 pages).
B28, F6

The Pest. David Bar Katz. Second draft revised. February 28, 1996. (118 pages).
B23, F1

The Phantom. Jeffrey Boam. Fifth draft. August 24, 1994. (116 pages).
B8, F8

Phenonemon. Gerald Di Pego. Fourth Draft. August 2, 1995. (128 pages).
B9, F1

Picket Fences: "My Romance". Ellen Herman. Final draft. September 22, 1995. (57 pages).
B35, F5

"Pilot". Evan Katz. First draft. January 7, 1997. (37 pages).
B37, F1

The PJs. Steve Tompkins and Larry Wilmore. Writers' First Draft. December !7, !997. (48 pages).
B41, F6

Plague Season. James Ellroy; revisions by David Ayer. October 11, 1999. (114 pages).
B84, F10

Play It to the Bone. Ron Shelton. First draft. n.d. (126 pages).
B54, F5

Players (pilot). Shaun Cassidy and Ed Zuckerman. January 21, 1997. (60 pages).
B37, F2

Playing God. Mark Haskell Smith and Larry Gross. Polish draft. March 26, 1996. (93 pages).
B30, F5

Polish Wedding. Theresa Connelly. February 6, 1996. (117 pages).
B45, F10

Popular: (pilot). Ryan Murphy; created by Ryan Murphy and Gina Matthews. First draft. December 15, 1998. (67 pages).
B55, F6

The Postman. Uncredited-"Most likely Brian Helgeland". n. d. (136 pages).
B46, F1

A Political Animal. Robert Bolt. Third revised fourth draft. May 12, 1990. (116 pages).
B33, F7

Practical Magic. Robin Swicord; rewritten by Akiva Goldsman; Based on the novel by Alice Hoffman. November 19, 1997. (117 pages).
B46, F2

The Practice. David E. Kelley. First draft. January 30, 1996. (64 pages).
B28, F7

Primal Fear. Steven Shagan, revised by Steven Zaillian; based on the novel by William Diehl. June 13, 1994. (136 pages).
B9, F2

The Prime Gig. William Wheeler. Director's draft. July 7, 1999. (101 pages).
B62, F1

Prince Valiant. Anthony Hickox and Carsten Lorenz. October 30, 1995. (113 pages).
B32, F1

The Professor's Wife. Victor Nunez. n.d. (118 pages).
B67, F6

The Professor's Wife. Victor Nunez. December 14, 1999. (97 pages).
B67, F7

The Professor's Wife. Victor Nunez. n.d. (96 pages).
B41, F7

Providence. John Masius. Revised second draft. January 16, 1998. (58 pages).
B41, F8

Providence. John Masius. Final draft. February 27, 1998. (57 pages).
B41, F9

Public Morals. Steven Bochco and Jay Tarses; Teleplay by Jay Tarses. November 2, 1995. (53 pages).
B9, F3

Pumpkin. A. L. Broder. June 28, 2000. (111 pages).
B80, F8

Q

R

R. L. Stine's Ghosts of Fear Street (pilot: "Return of the Bugman"). Karl Schaefer. First draft. September 22, 1997. (35 pages).
B37, F3

Rag and Bone. Story by Ann Rice and James D. Parriott; teleplay by James D. Parriott. January 23, 1997. (56 pages).
B37, F4

The Rapture. Michael Tolkin. Fourth Draft. November 8, 1989. (91 pages).
B9, F4

Ravenous. Theodore Griffin. December 13, 1996. (125 pages).
B35, F6

Ravenous. Theodore Griffin. October 15, 1997. (116 pages).
B35, F7

Reach the Rock. n.a. April 5, 1988. (106 pages).
B20, F8

The Red Corner. Robert King and Ron Koslow. September 16, 1996. (132 pages).
B30, F6

Remember the Titans. Gregory Allen Howard; revisions by Boaz Yakin. Third draft. July 22, 1999. (111 pages). Includes insert of cast list.
B63, F6

The Repair Shop (pilot). Mark Frost. Fift draft. February 17, 1998. (65 pages).
B38, F12

The Replacements. Vince McKewin. April 23, 1999. (115 pages).
B59, F4

Revenant. Matthew Bright. September 25, 1996. (105 pages).
B28, F8

The Reunion. Ron Stacker Thompson and Ashley Tyler; based on the short story by Maya Angelou. First revision. March 23, 1995. (25 pages).
B9, F5

Riders on the Storm (released as Point Break). James Cameron and Kathryn Bigelow, from the screenplay by W. Peter Iliff, story by Rick King and W. Peter Iliff. n.d. (123 pages).
B9, F6

Rikki the Pig. Jesse Graham. Second draft. March 21, 2000. (110 pages).
B69, F6

Rita Hayworth and the Shawshank Redemption (released as The Shawshank Redemption). Frank Darabont; based on the novella by Stephen King. Second Draft. October 20, 1992. (115 pages).
B9, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B52, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B53, F6

The Road to Galveston. Tony Lee. n.d. (130 pages).
B9, F8

Road to Ruin. Scott Phillips; story by Scott Phillips and Anthony Trifiletti. September 29, 1995. (11 pages).
B67, F8

The Rob Lowe Pilot. Barry Fanaro and Mort Nathan. Pre-Table Draft. January 28, 1998. (52 pages).
B41, F10

The Rock. Jonathan Hensleigh. September 21, 1995. (126 pages).
B10, F1

Rollerball. Larry Ferguson; revisions by David Campbell Wilson and Howard Rodman; current revisions by John Pogue; based on the book by William Harrison. n.d. (98 pages).
B67, F9

Romeos. Willard Carroll. February 9, 1999. (113 pages).
B62, F2

Romy and Michele's High School Reunion. Robin Schiff. January 8, 1996. (117 pages).
B24, F10

The Rookie. Mike Rich. Third draft. December 15, 2000. (120 pages).
B81, F1

Rosewood. Gregory Poirier. July 17, 1995. (129 pages).
B16, F3

Rosewood (copy 2). Gregory Poirier. July 17, 1995. (129 pages).
B17, F12

Roswell (pilot). Jason Katims. First draft revised. October 15, 1998. (66 pages)>
B57, F5

Rough Magic. William Brookfield, with Clare Peploe. "Version M7". December 1, 1993. (104 pages).
B23, F2

Rough Riders. John Milius. August 5, 1996. (170 pages).
B28, F9

Ruby Jean and Joe. James Lee Barrett. January 16, 1995. (119 pages).
B10, F2

Ruby's Bucket of Blood. Julie Hébert. March 20, 2000. (103 pages).
B81, F2

Rude Awakening: "Black and Bitter". Andrea Abbate. Table draft. June 22, 1998. (55 pages).
B49, F1

Rude Awakening: "The Cheese Stands Alone". Jim Vallely. Table draft. August 17, 1998. (59 pages).
B49, F2

Rude Awakening: "Don't Fuck the Stripper". Ritch Shydner. Table draft. July 13, 1998. (45 pages).
B49, F3

Rude Awakening: "An Embarrassment of Ritch's". Julie Brown. Table draft. August 10, 1998. (57 pages).
B47, F6

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Revised table draft. June 16, 1998. (57 pages).
B47, F7

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Final draft. June 17, 1998. (54 pages).
B50, F7

Rude Awakening: "Hello, This is Addictions Anonymous". Claudia Lonow. Table draft. July 6, 1998. (59 pages).
B49, F4

Rude Awakening: "Lucky For Me Her Breast Exploded". Marc Cherry. Table draft. June 27, 1998. (57 pages).
B49, F5

Rude Awakening: "Naked Again". Claudia Lonow. Table draft. May 14, 1998. (52 pages).
B47, F8

Rude Awakening: "That's Why We Call it Dope". Claudia Lonow and Andrea Abbate. Table draft. August 24, 1998. (57 pages).
B47, F9

Rude Awakening: "TV Mom". Pam Eells. Table draft. August 3, 1998. (60 pages).
B48, F1

Rude Awakening: "Vagina". Claudia Lonow. Pre-table draft. May 12, 1998. (61 pages).
B48, F2

Rude Awakening: "What Ever Happened to Billie Frank?". Casey Maxwell Clair. Table draft. July 20, 1998. (46 pages).
B49, F6

The Rules of Attraction. Roger Avery; based on the novel by Bret Easton Ellis. July 23, 2001. (131 pages).
B85, F7

Rushmore. "Anderson/Wilson". May 12, 1997. (111 pages).
B36, F5

S

Sabrina. Barbara Benedek. Second draft revised. March 22, 1994. (123 pages).
B35, F8

The Saint. Jonathan Hensleigh. February 8, 1995. (126 pages).
B18, F7

The Saint. Wesley Strick; based on a screenplay by Jonathan Hensleigh. January 5, 1996. (112 pages).
B18, F8

Salton Sea. Tony Gayton. Draft. August 2, 1999. (117 pages).
B69, F7

Saving Silverman. Gregg DePaul and Hank Nelken. Seventh draft. November 3, 1999. (111 pages).
B69, F8

Say It Isn't So (aka The Pervert). Peter Gaulke and Gerry Swallow. Optional third revision. August 8, 1999. (120 pages).
B62, F3

Say It Isn't So (aka The Pervert). Peter Gaulke and Gerry Swallow. Optional third revision. August 8, 1999. (120 pages).
B82, F10

Self Storage. Tony Spiridakis and Shem Bitterman. December 12, 1996. (92 pages).
B67, F10

The Sentinel (Pilot). Paul de Meo and Danny Bilson. First Draft. March 20, 1995. (54 pages).
B10, F3

Serial Mom. John Waters. Second Draft. July 22, 1992. (107 pages).
B10, F4

Set It Off. Kate Lanier, based on an original screenplay by Takashi Bufford. August 10, 1995. (115pages).
B10, F5

Seven. Andrew Kevin Walker. August 8, 1994. (122 pages).
B15, F5

The Shadow. Howard Franklin. Revised first draft. May 1986. (109 pages).
B10, F6

Shanghai Knights. Alfred Gough and Miles Millar. First draft. September 22, 2000. (115 pages).
B85, F8

Shanghai Noon. Alfred Gough and Miles Miller. Second draft. February 16, 1999. (119 pages).
B56, F5

She's De Lovely. John Cassavetes. Revised first draft. April 13, 1996. (103 pages).
B16, F4

Shockwave. David N. Twohy. Draft Six. March 1, 1995. (107 pages).
B10, F7

Shut Up and Dance. Daryl Matthews. November 21, 1996. (108 pages).
B33, F8

Significant Other. Ronald Bass and Al Franken (incorporates revised drafts by Susan Shilliday). Sixth Draft. January 6, 1993. (126 pages).
B10, F8

6 Days/7Nights. Michael Browning; revisions by Lowell Ganz and Babaloo Mandel. March 14, 1997. (120 pages).
B46, F3

Six Feet Under. Alan Ball. May 15, 2000. (62 pages).
B84, F11

61*. Hank Steinberg. Fifth draft. February 11, 2000. (112 pages).
B68, F1

Skip Tracers (pilot). Glen Morgan and James Wong. February 20, 1998. (64 pages).
B35, F9

Skipped Parts. Tim Sandlin; based on his novel of the same title. n.d. (103 pages).
B68, F2

The Skulls. John Pogue. n. d. (120 pages).
B51, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B56, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B59, F5

SLC Punk!. James Meredino. September 9, 1997. (100 pages).
B34, F1

Sleepwalkers. David S. Goyer and Stephen Kronish. February 13, 1997. (64 pages).
B20, F9

Slums of Beverly Hills. Tamara Jenkins. Polish. January 31, 1997. (116 pages).
B42, F1

Smallville. Alfred Gough and Miles Millar. Network first draft. December 20, 2000. (65 pages).
B83, F9

Snow Day. Will McRobb and Chris Viscardi. Revised draft. October 1, 1998. (114 pages).
B52, F8

Snow Falling on Cedars. Ronald Bass. Revised draft. August 8, 1997. (119 pages).
B41, F11

Social Studies: "Pilot". Nancylee Myatt. Revised first draft. March 11, 1996. (51 pages).
B30, F7

Socrates Fortlow. Walter Mosley. Draft. July 29, 1997. (110 pages).
B34, F2

Soir Bleu. Seth Flicker; based on R. Leoncavallo's Pagliacci. Corrected draft. November 3, 1994. (34 pages).
B42, F2

Soul Survivor. Steve Carpenter. Revised draft. April 22, 1999. (109 pages).
B63, F7

Southern Cross (pilot). Garrett Lerner, Russell Friend, and Jorge Zamacona. Revision. January 23, 1997. (60 pages).
B32, F2

Space. Glen Morgan and James Wong. August 18, 1994. (112 pages).
B85, F9

Sparks, Sparks, and Sparks. "Half hour pilot for television". Ed Weinberger. First Draft. February 15, 1996. (57 pages).
B10, F9

Special. Cinco Paul and Ken Daurio. Polish. September 23, 1999. (108 pages).
B69, F9

Species 2. Chris Brancato. Second revisions. February 6, 1997. (106 pages).
B34, F3

Spin (pilot). Gary David Goldberg and Bill Lawrence. First draft. March 8, 1996. (62 pages).
B10, F10

Spoils. Nicholas Meyer and Ronald Roose. [December 11, 2000]. (113 pages).
B83, F10

Sports Night: (pilot). Aaron Sorkin. January 12, 1998. (54 pages).
B42, F3

Star Trek: Deep Space Nine : "Emissary". Teleplay by Michael Piller; story by Rick Berman and Michael Piller. First draft. June 12, 1992. (127 pages).
B32, F3

Star Trek: The Next Generation "Encounter at Farpoint" (Pilot). D. C. Fontana and Gene Roddenberry. 1987. (113 pages).
B34, F4

Starving Hysterical Naked. Michael Bockman. [June 25, 2001]. (112 pages).
B83, F11

Stuart Little. M. Night Shymalan; additional material by David O. Russell; revisions by Billy Ray; based on the book by E. B. White. June 5, 1998. (94 pages).
B49, F7

The Substitute. Roy Frumkes and Rocco Simonelli, revised by Alan Ormsby. March 20, 1995. (106 pages).
B11, F1

Sugar and Spice and Semi-Automatics. Lona Williams. First draft. July 12, 1998. (103 pages).
B62, F4

Summer Catch. Kevin Falls; revised by Kevin Wade. April 25, 1996. (128 pages).
B20, F10

The Super (pilot). Dan Staley and Rob Long. First draft. February 3, 1999. (58 pages).
B57, F6

Super Troopers. Broken Lizard. October 31, 1998. (119 pages).
B61, F1

Supermodel. John Warren; rewrite by Tim Kelleher. February 9, 1998. (115 pages).
B57, F7

Suture. Scott McGehee and David Siegel. n.d. (131 pages).
B11, F2

Sweet Home Alabama. Andy Tennant and Rick Parks; based on an original screenplay by C. Jay Cox. Fourth draft. June 22, 2001. (112 pages).
B86, F1

Sweet November. Kurt Voelker; based on the screenplay Sweet November by Herman Raucher. Final draft. December 2, 1999. (122 pages).
B65, F7

Swing Vote. Ron Bass; revision by Jane Rusconi. August 14, 1998. (101 pages).
B52, F9

T

Tailor of Panama. John Le Carre; rewritten by John Boorman. Second draft. October 4, 1999. (123 pages).
B64, F9

The Talented Mr. Ripley. Anthony Minghella; based on the novel by Patricia Highsmith. September 28, 1997. (133 pages).
B42, F4

Tales From the Crypt Presents "Bordello of Blood". Bob Gale & Robert Zemeckis and A.L. Katz & Gilbert Adler. Fourth Draft. March 17, 1995. (108 pages).
B11, F3

Teenage Wasteland (pilot). Bonnie Turner, Terry Turner and Mark Brazill. Revised first draft. March 23, 1998. (63 pages).
B68, F3

The Texas Rangers. John Milius. Third draft. April 20, 1992. (112 pages).
B53, F7

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F4

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F5

There's Something About Mary. Story by Ed Decter and John Strauss; Screenplay by Ed Decter, John Strauss, Peter Farrelly, and Bobby Farrelly. October 21, 1997. (118 pages).
B42, F5

A Thin Line Between Love and Hate. Story by Martin Lawrence; Screenplay by Martin Lawrence, Bentley Kyle Evans, and Kenny Buford; Revision by Kim Bass.May 10, 1995. (123 pages). Also includes four versions of oneline schedule and a shooting schedule.
B11, F6

This World, Then the Fireworks. Larry Gross; adapted from a short story by Jim Thompson. October 25, 1995. (109 pages).
B16, F5

Thirteen (a.k.a. Lost Moon). William Broyles, Jr. and Al Reinert. Second Draft. January 31, 1994. (132 pages).
B11, F7

Thirteen Days. David Self. December 12, 1997. (142 pages).
B62, F5

Three (pilot). Evan Katz. January 24, 1997. (38 pages).
B32, F4

Three Men and a Baby. Coline Serreau, polish by James Orr and James Cruickshank. November 24, 1986. (134 pages).
B11, F8

Three of Clubs. Vincent M. Rotonda. April 3, 1998. (107 pages).
B42, F6

Three to Tango. Rodney Patrick Vaccaro; rewritten by Aline Brosh McKenna. November 12, 1997. (125 pages).
B46, F4

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. Third Draft. n.d. (115 pages).
B12, F1

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. September 2, 1994. (123 pages).
B12, F3

Ties That Bind. Rob Ulin. Third draft. January 30, 1996. (56 pages).
B16, F6

Til There Was You. Winnie Holzman. Revised draft. May 17, 1995. (123 pages).
B12, F4

Till There Was You. Winnie Holzman. September 24, 1993. (128 pages).
B42, F7

Tin Cup. (a.k.a. Let the Big Dog Eat) John Norville, from a story by Ron Shelton and John Norville; re-write by Ron Shelton. Third Draft. March 24, 1995. (131 pages).
B12, F4

To Live On. James Schamus; based on the novel "Woe to Live On" by Daniel Woodrell. May 22, 1997. (136 pages).
B48, F3

To Wong Foo, Thanks for Everything, Julie Newmar. Douglas Carter Beane. First Draft. November 5, 1993. (142 pages).
B12, F5

Tom Rhodes. Pilot. Mark Brazill and Jennifer Heath. Revised first draft. April 8, 1996. (56 pages).
B12, F6

Tom Sawyer. Stephen Sommers, rewrite by David Loughery and Ron Koslow; based on the Mark Twain novel. Revised Draft. September 6, 1994. (109 pages).
B12, F7

Tombstone. Kevin Jarre. Second Draft. November 5, 1992. (135 pages).
B12, F8

Tomcats. Gregory Poirier. March 24, 2000. (94 pages).
B69, F10

The Tomorrow Man. Alan Spencer. Revised Second Draft. January 1, 1995. (110 pages).
B12, F9

The Tool Shed (a.k.a. Bad Company). Ross Thomas. April 25, 1993.
B13, F1

Total Security. Story by Steven Bochno, Davic Milch, Charles Eglee, Theresa Rebeck; Teleplay by Theresa Rebeck. January 9, 1997. (60 pages).
B23, F3

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (3). October 12, 1995. (108 pages).
B13, F2

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (4). November 22, 1995. (109 pages).
B13, F3

Town and Country. Michael Laughlin. Revised draft. August 8, 1996. (119 pages).
B46, F5

Traffic. Stephen Gaghan. February 18, 2000. (146 pages).
B65, F8

Training Day. David Ayer. Revised draft. December 6, 1999. (129 pages).
B81, F3

Tremors. S. S. Wilson and Brent Maddock. 1988. (107 pages).
B13, F4

Triple XXX. Rich Wilkes. First draft. May 31, 2001. (112 pages).
B86, F2

True Romance. Quentin Tarantino. Revised. August 1, 1991. (131 pages).
B13, F5

Truth or Consequences. Brad Mirman. September 14, 1995. (112 pages).
B32, F5

Tuck Everlasting. First draft and revision by Jeffrey Lieber; revision and rewrite by James V. Hart; based on the novel by Natalie Babbitt. January 22, 2001. (110 pages).
B81, F4

The Tuskegee Airmen. Ron Hutchinson; rewritten by Paris Qualles. January 16, 1995. (102 pages).
B13, F6

28 Days. Susannah Grant. February 13, 1999. (117 pages).
B68, F4

23 Minutes and 12 Seconds in the Life of Eleanor Riggs. Brad Hall. April 27, 2001. (28 pages).
B84, F12

The Twilight Man. Jim Korris. Revised draft. September 5, 1995. (117 pages).
B23, F4

Two for Texas. Larry Brothers; based on the novel Sabine Spring by James Lee Burke. Production draft. July 3, 1997. (98 pages).
B37, F5

2-Face. Vince Gilligan. April 15, 1991. (123 pages).
B68, F5

200 Cigarettes. Shana Larsen. Revised second draft. October 1996. (115 pages).
B36, F6

U

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by Sam Montgomery and Jonathan Mostow. Production draft (white). June 26, 1998. (127 pages).
B51, F7

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B51, F8

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B60, F5

Ulee's Gold. Victor Nunez. n.d. (93 pages).
B26, F5

Undisputed. David Giler and Walter Hill. July 10, 2000. (102 pages).
B81, F5

Union Square (pilot). Marco Pennette and Fred Barron. Second draft. February 27, 1997. (58 pages).
B28, F10

Unstrung Heroes. Richard Lagravenese. January 28, 1994. (117 pages).
B13, F7

Unstrung Heroes. Richard Lagravenese. March 19, 1993. (125 pages).
B14, F1

Untitled Barber Movie. Joel Coen and Ethan Coen. April 12, 2000. (113 pages).
B71, F8

Untitled Cop Pilot. Gary David Goldberg & Chris Henchy. Writers Draft. August 16, 1999. (52 pages).
B61, F2

Untitled David E. Kelley Project. Sean O'Byrne and David E. Kelley. October 1, 1997. (135 pages).
B37, F6

Untitled screenplay. Larry David. December 6, 1996. (120 pages).
B25, F1

Untitled Television Pilot. Carol Leifer. First Draft. March 2, 1997. (49 pages).
B21, F10

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F2

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F3

Urban Legend 2: Final Cut. Paul Harris Boardman and Scott Derrickson. July 23, 1999. (108 pages).
B63, F8

U. S. Marshals. John Pogue. Revised numbered version. March 13, 1997. (123 pages).
B34, F5

V

Van Wilder: Party Liaison. David Wagner and Brent Goldberg. January 8, 2001. (106 pages).
B81, F6

Varsity Blues. John Gatins. n. d. (110 pages).
B46, F6

Varsity Blues. W. Peter Iliff. December 8, 1997. (116 pages).
B52, F10

Vendetta. Timothy Prager; revised by Nicholas Meyer; from the book by Richard Gambino. April 8, 1998. (108 pages).
B55, F7

Very Bad Things. Peter Berg. White script with scene numbers. September 2, 1997. (114 pages).
B42, F8

The Virginian. Sara Nemeth Goodman; based on the novel by Owen Wister. October 7, 1998. (104 pages).
B61, F3

Virtuosity. Eric Bernt. Third Rewrite. August 24, 1994. (117 pages).
B14, F4

The Visitors. n.a. November 30, 1998. (129 pages).
B53. F8

W

Waiting to Exhale. Terry McMillan and Ron Bass. Revised first draft. October 4, 1994. (133 pages).
B14, F5

A Wake in Providence. Billy Van Zandt and Jane Milmore and Vincent Pagano and Michael Pagano. Second draft. April 24, 1998. (120 pages).
B48, F4

Waking the Dead. Keith Gordon; Based on the novel by Scott Spencer. June 19, 1997. (117 pages).
B46, F7

The Warden (a.k.a. The Govenor). Natalie Chaidez; based on the series by Lynda La Plante. Second draft. November 17, 1999. (107 pages).
B71, F9

Wasteland (pilot). Kevin Williamson. Writer's draft. Janaury 12, 1999. (53 pages).
B57, F8

Watch That Man. Robert Farrar; revised by Tim John and Oliver Butcher; based on the novel by Robert Farrar. August 1, 1996. (118 pages).
B18, F9

Wayne's World: The Movie. Mike Myers, Bonnie Turner, and Terry Turner. June 3, 1991. (102 pages).
B32, F6

Wedding Album. Carolyn Jacobs. Revision 6. 1996. (34 pages).
B42, F9

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B63, F9

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B64, F10

We Were Soldiers Once...And Young. Randall Wallace; based on the book by Lt. General Harold G. Moore (Ret.) and Joseph L. Galloway. January 11, 2001. (122 pages).
B81, F7

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. February 10, 1997. (115 pages).
B26, F6

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. Renumbered script. February 10, 1997. (115 pages).
B35, F10

What I Want To Be When I Grow Up "Episode One: The Ending". Glenn Gordon Caron. First draft. November 1, 2000. (66 pages).
B81, F8

What Women Want. Nancy Meyers, Josh Goldsmith, Cathy Yuspa. June 15, 1999. (124 pages).
B65, F9

White Dwarf. Bruce Wagner. Revised draft. January 3, 1995. (94 pages).
B14, F6

White Oleander. Mary Agnes Donoghue; based on the novel by Janet Fitch. Revised second draft. September 18, 2000. (126 pages).
B81, F9

Why Do Fools Fall in Love. Tina Andrews. Final draft. July 1, 1997. (115 pages).
B42, F10

Wild Things. Stephen Peters; rewrite by Kem Nunn. January 21, 1997. (110 pages).
B21, F11

Wildly Available. Michael Nolin. August, 1995. (106 pages).
B32, F7

Wishful Thinking. Adam Park. April 6, 1995. (109 pages; 2 pages of production notes.).
B14, F7

The Witches of Eastwick. Michael Cristofer, based on the book by John Updike. Revised first draft. January 27, 1986. (120 pages).
B14, F8

With Wings As Eagles. Randall Wallace; adapted from the novel Ostermann's War by James J. Cullen. October 14, 1996. (124 pages).
B68, F6

Wolverine. Robert T. Megginson; from a story by Frederick Forsyth. n. d. (98 pages).
B32, F8

The Women. Diane English. March 9, 2000. (135 pages).
B68, F7

The Wonder Cabinet (pilot). Glen Morgan and James Wong. January 22, 1999. (64 pages).
B68, F8

Woo. David Johnson, rewrite by April Claytor. April 30, 1996. (118 pages).
B23, F5

World on a Wire (a.k.a. The 13th Floor). Josef Rusnak and Ravel Centeno-Rodriguez. Final draft. November 3, 1997. (108 pages).
B37, F7

Wrestling Ernest Hemingway. Steve Conrad. May 7, 1992. (126 pages).
B14, F9

Wrongfully Accused. Pat Proft. May 14, 1997. (88 pages).
B32, F9

X

X-Men. Andrew Kevin Walker. Second draft. October 17, 1994. (76 pages).
B61, F4

Y

Z

Zero Effect. Jake Kasdan. Third Draft. January 30, 1997. (121 pages).
B25, F2

Film and Television Script Collection

The following collection consists of scripts (in various states of revision) to hundreds of. films and television episodes from the early 1990's to the present day. All were gifts to the McCormick Library from Nancy Moon-Broadstreet of The Artist's Group, Ltd., a Los Angeles-based literary talent agency. The collection is still growing thanks to her ongoing generosity.

The list is arranged by title. You may jump to a particular section using the alphabet grid seen below.

NOTE: Though their use is welcomed, none of the scripts listed here may be photocopied.

A B C D E F G H I J K L M

N O P Q R S T U V W X Y Z

A

Abbie! Bruce Graham and Robert Ward; based on books by Anita and Abbie Hoffman and Marty Jezer. Revised white draft. March 30, 1998. (153 pages).
B43, F1

Action (pilot). Chris Thompson. First draft. August 25, 1998. (34 pages).
B56, F7

Acts of Love. Edward R. Jones and Dale Herd; based on the novel Farmer by Jim Harrison. Second draft. January 5, 1995. (123 pages).
B1, F1

The Advocate's Devil. James Sadwith; based on the novel by Alan Dershowitz. Polish. November 6, 1996. (108 pages).
B26, F7

L'affaire du Collier (The Affair of the Necklace). John Sweet. Revised draft. October 25, 1999. (126 pages).
B65, F1

After All. Stacey Lyn Evans. Final draft. June 3, 1999. (92 pages).
B61, F5

Age of Treason. Lee David Zlotoff ; based on the novel Silver Pigs by Lindsey Davis. Second draft. August 11, 1992. (113 pages).
B1, F2

Alcatraz and Clarence Carres (Part I). Ernest Tidyman. Revised draft. April 28, 1980. (109 pages).
B33, F1

Alien Resurrection. Joss Whedon. Second revised draft. July 22, 1996. (117 pages).
B26, F8

All That Glitters. Kate Lanier; story by Kate Lanier, Mariah Carey and Sheila Gray. Alternate revised draft. March 17, 2000. (117 pages).
B72, F1

All the Pretty Horses. Ted Tally; based on the novel by Cormac McCarthy. First draft revision. November 1, 1993. (150 pages).
B51, F9

All Together Now (pilot) Bill Freiberger. Third draft. April 16, 1998. (48 pages).
B43, F2

Amazing Grace. Paul Monash and Marshall Frady; based on the book Wallace by Marshall Frady. Production draft. June 5, 1996. (119 pages).
B47, F1

American History X. David McKenna. August 9, 1996. (117 pages).
B25, F3

American Rhapsody. Eva Gardos. Reveised draft. September 13, 1999. (116 pages).
B64, F1

An American Werewolf in Paris. Anthony Waller. Third draft. February 1996. (122 pages).
B29, F1

Andrew Martin (released as Bicentennial Man). Nicholas Kazan. Director's rewrite. September 4, 1998. (124 pages).
B62, F6

Angel Eyes. Gerald DiPego. Seventh draft. October 15, 1999. (118 pages).
B65, F2

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B36, F1

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B43, F3

Antitrust. Howard Franklin. Third draft. November 3, 1999. (122 pages).
B65, F3

Any Day Now: "Unfinished Symphony". Deborah Joy LeVine and Nancy Miller. Second draft. (63 pages).
B39, F1

Anywhere But Here. Alvin Sargent. April 14, 1998. (120 pages).
B43, F4

The Apartment Complex. Karl Schaefer. Revised first draft. January 12, 1998. (106 pages).
B43, F5

Apt Pupil. Brandon Boyce; based on the novel by Steven King. Production Draft #2. March 12, 1996. (135 pages).
B25, F4

Arli$$: The Art of the Sports Superagent: "Man of His Times". Robert Wuhl. Revised Draft. July 10, 1995. (34 pages).
B1, F3

Armageddon. Jonathon Hensleigh. March 13, 1997. (121 pages).
B26, F9

The Astronaut's Wife. Rand Ravich. Draft. August 26, 1997. (120 pages).
B37, F8

Auggie Rose. Matthew Tabak. [October 27, 1999]. (116 pages).
B59, F7

Austin Powers: International Man of Mystery. Mike Myers. Revised draft. May 24, 1996. (93 pages).
B25, F5

Autumn in New York. Allison Burnett; revisions by Paul Haggis; revisions by Allison Burnett. June 23, 1999. (109 pages).
B59, F8

B

The Bachelor. Steve Cohen; based on the film Seven Chances starring and directed by Buster Keaton and the Broadway play Seven Chances by Roi Cooper Megrue. May 4, 1998. (123 pages).
B56, F8

Back in Black: "Ballroom Blitz". Dan Merchant, Dale Kutzera, and Joe Anaya. Third draft. January 21, 2000. (23 pages). Bound with the following other Back in Black episodes, all by the same three writers: "Disco Inferno", third draft, December 12, 1999, (23 pages); "My Generation", first draft, August 1999, (23 pages); "An Eye for Talent", second draft, December 16, 1999, (25 pages).
B70, F1

Bait. Tony Gilroy; revisions by Jeff Nathanson; additional revisions by Andrew Scheinman. June 21, 1999. (108 pages).
B60, F6

The Baker Shift. Carlton Cuse. Shooting script. February 18, 1997. (31 pages).
B31, F6

Ballbusted. Scott Alexander and Larry Karaszewski. Revised draft. May 8, 1998. (111 pages).
B39, F2

Bastard Out of Carolina. Anne Meredith; based on the novel by Dorothy Allison. First Draft Polish. (114 pages).
B1,F4

The Beast. Kario Salem. Second draft. February 9, 2000. (65 pages).
B72, F2

Beautiful. Jon Bernstein. May 20, 1999. (121 pages).
B59, F9

Before Women Had Wings. Connie May Fowler; based on her novel. Second draft. January 16, 1997. (114 pages).
B29, F2

Beggars and Choosers: "The Mountainmen". Peter Lefcourt. Third draft. July 29, 1998. (100 pages).
B56, F9

Being John Malkovich. Charlie Kaufman. Revised fourth draft. June 16, 1998. (108 pages).
B49, F8

Bellyfruit. Maria Bernhard, Susannah Blikoff, Janet Borrus and Kerri Green. June 22, 1998. (101 pages).
B54, F1

Beverly Hills, 90210: "I Only Have Eyes For You". Laurie McCarthy. Revised Shooting Script. February 18, 1997. (54 pages).
B19, F10

The Big Hit. Ben Ramsey. April 10, 1997. (112 pages).
B30, F8

The Big Lebowski. Joel Coen and Ethan Coen. November 27, 1996. (121 pages).
B39, F3

Big Trouble. Robert Ramsey and Matthew Stone; based on the novel by Dave Barry. Draft. March 23, 2000. (130 pages).
B69, F1

Black and White (released as Trading Places). Tim Harris and Herschel Weingrod. Final Draft. October, 1982. (129 pages).
B1, F5

Blade. David S. Goyer. Production Draft. September 19, 1996. (110 pages).
B24, F1

Bless the Child. Revised draft by Don Roos; Revised by Chuck Russell. March 3, 1999. (125 pages).
B54, F6

Blind Men: (pilot). Table draft. April 11, 1998. (57 pages).
B43, F6

Bliss. L. Young. October 10, 1994. (117 pages).
B1, F6

Blood and Wine. Nick Villiers; story by Nick Villiers and Bob Rafelson; rewrite by Alison Cross. Second draft. December 12, 1994. (119 pages).
B29, F3

The Blouse Man. Pamela Gray. Revised draft. March 21, 1997. (119 pages).
B37, F10

The Bob Marley Story. Ron Shelton. Working draft. August, 1999. (131 pages).
B65, F4

Bone Chillers: "Back to School". Adam Rifkin; based on the book series by Betsy Haynes. Second Draft. n.d. (28 pages).
B15, F6

The Boondock Saints. Troy Duffy. Shooting script. August 28, 1997. (123 pages).
B39, F4

Booty Call. Takashi Bufford and Bootsie. Third Draft. February 21, 1996. (101 pages).
B18, F1

Boy Meets Girl (released as When Harry Met Sally). n.a., n.d. (122 pages).
B1, F7

The Brady Bunch. n. a., n. d. (107 pages).
B50, F9

Breakdown ("Untitled Kurt Russell Thriller"). Jonathan Mostow. Revised Draft. February 2, 1996. (110 pages).
B18, F2

The Breakers. Robert Dunn; revisions by Leora Barish; additional revisions by Scott Buck, Paul Guay, Stephen Mazur; current revisions by David Mirkin; rewrite by Phil Alden Robinson; revisions by Paul Guay and Stephen Mazur. Second polish. August 16, 1999. (125 pages)
B66, F1

Breaking Up. Michael Cristofer. n.d. (91 pages).
B21, F3

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B37 F9

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B51, F1

Brimstone: "Encore". Scott A. Williams. Revised production draft. September 16, 1998. (52 pages).
B49, F9

Bringing Out the Dead. Paul Schrader; based on the novel by Joseph Connelly. First draft. November 7, 1997. (99 pages).
B48, F5

Brokedown Palace. David Arata. Resided draft. April 11, 1997. (131 pages).
B34, F6

Brokedown Palace. David Arata; story by David Arata and Adam Fields. Revised draft. December 12, 1997. (124 pages).
B34, F6

Broken Arrow. Graham Yost. First Revison. November 1, 1994. (120 pages).
B1, F8

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B39, F5

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B25, F6

Brother's Keeper. (pilot). Donald Todd. Revised second draft. February 22, 1998. (49 pages).
B39, F6

Buddy Faro. Mark Frost. First draft. December 12, 1997. (60 pages).
B50, F8

The Burning Zone: Pilot. Coleman Luck. February 6, 1996. (64 pages).
B29, F4

The Burning Zone: "Lethal Injection". Coleman Luck and Carel Gage Luck. Shooting Script. August 19, 1996. (47 pages).
B15, F7

The Butcher's Wife. Ezra Litwak and Marjorie Schwartz. August 8, 1989. (130 pages).
B1, F9

C

The Cable Guy. Judd Apatow, based on a screenplay by Lou Holtz, Jr. First Revised Draft. September 5, 1995. (118 pages).
B2, F1

Carrie II. Rafael Moreu; revisions by Howard Rodman and Rafael Moreu. Optional fifth polish. February 13, 1998. (111 pages).
B43, F7

Caroline in the City: "Caroline and the Councilman". Lester Lewis. Table draft. September 8, 1997. (52 pages).
B25, F7

Caroline in the City: "Caroline and the Cold Sesame Noodles". Marco Pennette and Fred Barron. Table draft. September 15, 1997. (61 pages).
B26, F10

Cecil B. Demented. John Waters. n.d. (111 pages).
B62, F7

The Cell. Mark Protosevich. July 8, 1999. (95 pages).
B58, F1

The Center. Thania St. John. First draft. April 26, 1996. (69 pages).
B31, F7

Champs: "As the World Twirls". Gary David Goldberg. Revised Draft. February 7, 1995. (60 pages).
B16, F7

Changing Lanes. (n.a.); revised by Michael Tolkin. Halloween draft. October 31, 2000. (112 pages).
B72, F3

Charmed: (pilot). Constance M. Burge. n. d. (62 pages).
B43, F8

Chocolat. Robert Nelson Jacobs; based on the novel by Joanne Harris. Second draft. June 2, 1999. (125 pages).
B73, F3

The Cider House Rules. John Irving. March 1997. (129 pages).
B39, F7

City of Angels. Dana Stevens; based on Wings of Desire by Wim Wenders. February 5, 1997. (124 pages).
B27, F1

City of Angels. Story by Steven Bochco, Nicholas Wootton and Paris Barclay; teleplay by Steven Bochco and Nicholas Wootton. May 6, 1999. (62 pages).
B61, F6

City of Fear. Stanford Koop. Third Revised Draft. June 18, 1996. (101 pages).
B20, F1

Clifford. Steven Kampmann and Will Aldis; revised by Paul Flaherty. August 21, 1990. (114 pages).
B21, F4

Clockstoppers. J. David Stem and David N. Weiss. November 18, 2000. (97 pages).
B74, F7

The Clockwatchers. Jill Specher and Karen Sprecher. Revised Draft. June 6, 1996. (117 pages).
B19, F1

Coach. Seth Zvi Rosenfeld. 2nd draft. September 1, 1994. (120 pages).
B2, F2

Coach: "Fool for Lunch". Eric Horsted. First Draft. August 10, 1995. (44 pages).
B2, F3

Cobb. Ron Shelton. Revised First Draft. July 9, 1993. (127 pages).
B2, F4

Cold Around the Heart. John Ridley. Director's Draft. September 22, 1995. (97 pages).
B15, F8

Collateral Damage. Ronald Roose; revisions by Nicholas Meyer, David Griffiths, Peter Griffiths, Terry George; current revisions by Channing Gibson. Production draft. May 1, 2000. (112 pages).
B74, F8

The Color of Night. Matthew Chapman, from a screenplay by Billy Ray. Draft 6a. February 15, 1993. (122 pages).
B2, F5

Colors. Michael Schiffer. First Draft. October 29, 1986. (122 pages).
B2, F6

Committed. Lisa Krueger. December 2, 1997. (121 pages).
B39, F8

Company Man. Peter Askin and Douglas McGrath. October 1, 1998. (99 pages).
B48, F6

Con Air. Scott Rosenberg. December 8, 1995. (117 pages).
B19, F2

Conrad Bloom: (pilot). Marco Pennette. Revised draft. February 11, 1998. (59 pages).
B39, F9

Conrad Bloom: (pilot). Marco Pennette. Revised network draft. March 4, 1998. (58 pages).
B39, F10

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 6, 1998. (51 pages).
B39, F11

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 7, 1998. (51 pages).
B39, F12

Conspiracy Theory. Brian Helgeland. December 11, 1995. (122 pages).
B34, F7

Corky Bonano. David Garrett and Jason Ward. June 9, 2000. (116 pages).
B69, F2

Corrina, Corrina. Jessie Nelson. June 25, 1993. (121 pages).
B2, F7

The Count of Monte Cristo. Jay Wolpert; based on the novel by Alexander Dumas. January 7, 2000. (124 pages).
B69, F3

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B54, F2

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B55, F8

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B58, F8

Crime of the Century. William Nicholson; based on the book The Airman and the Carpenter by Ludovic Kennedy. Revised first draft. (124 pages).
B29, F5

The Crow: City of Angels. David S. Goyer, based on characters created by James O'Barr. Revised First Draft. July 18, 1995. (89 pages).
B2, F8

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. February 10, 1998. (109 pages).
B37, F11

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. July 23, 1997. (113 pages).
B66, F2

Cruel Intentions (pilot). Roger Kumble. February 8, 1999. (66 pages).
B66, F3

The Curse. Rafael Moreu. Second draft. November 9, 1996. (109 pages).
B36, F7

Cursed. Mitchel Katlin and Nat Bernstein. First draft. January 14, 2000. (55 pages).
B73, F4

D

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B48, F7

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B43, F9

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B53, F1

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F10

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F11

Dancing in the Dark. Michael Cristofer; based on the book by Cornell Woolrich. Revised draft. September 26, 1999. (111 pages).
B64, F2

Dangerous Minds. Ronald Bass and Jane Rusconi. Revised February 21, 1996. (59 pages).
B2, F9

A Dangerous Woman. Naomi Foner; based on the novel by Mary McGarris Morris. Fourth Draft. June 22, 1992. (127 pages).
B2, F10

Dark Angel (pilot). James Cameron and Charles H. Eglee. Second draft. October 18, 1999. (112 pages).
B73, F5

Dark Skies "The Awakening". Bryce Zabel and Brent V. Friedman. Second Draft. Series Pilot. June 13, 1995. (117 pages).
B3, F1

The Dave Chappelle Project: (pilot). Peter Tolan and Dave Chappelle. First draft. November 11, 1997. (53 pages).
B40, F1

The Day Before Midnight. Bruce A. Evans and Raynold Gideon; based on the novel by Stephen Hunter. n. d. (124 pages).
B44, F1

Daybreak. Hans Tobeason. First revision. January 9, 1998. (60 pages).
B40, F2

Dead Man On Campus. Mike White (?) January 10, 1997. (109 pages).
B20, F2

Deal Kings. Richard Eid and Gavin W. Harris. September 29, 1998. (121 pages).
B48, F8

Dear God. Warren Leight. January 5, 1995. (118 pages).
B16, F8

Death on Everest. Robert J. Avrech; based on Into Thin Air by Jon Krakauer. December 23, 1996. (113 pages).
B30, F9

Death to Smoochy. Adam Resnick. August 11, 2000. (127 pages).
B75, F1

The Deep End of the Ocean. Stephen Schiff; adapted from the novel by Jacquelyn Mitchard. First revision plus. August 25, 1997. (118 pages).
B36, F2

Dellaventura: "The Rules of Engagement". Richard DiLello. Revised first draft pilot script. December 18, 1996. (np)
B27, F2

Depraved Indifference (a.k.a. Mary Jane's Last Dance). Victoria Strouse; revisions by Scott Ferraiolo. January 12, 1999. (117 pages).
B55, F9

Desperate Measures. David Klass and Marshall Herskovitz. Third draft. November 28, 1995. (120 pages).
B15, F1

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B3, F2

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B44, F2

Detox. Ron L. Brinkerhoff; revisions by Patrick Smith Kelly. October 20, 1998. (111 pages).
B52, F1

Detroit Rock City. Carl DuPre. July 28, 1998. (111 pages).
B49, F10

Devil in a Blue Dress. Carl Franklin; from the novel by Walter Mosley. n.d. (123 pages).
B3, F3

Devil's Advocate. Lawrence D. Cohen; revised by Jonathan Lemkin, Robert Mark Kamen, Tony Gilroy. First draft rewrite. April 11, 1996. (123 pages).
B25, F8

Dharma & Greg. Dottie Dartland and Chuck Lorre. Second draft. March 31, 1997. (55 pages).
B33, F2

Diabolique. Don Roos; based on the novel Celle Qui N'Etait Plus by Pierre Boileau and Thomas Narcejac, and on the the film Les Diaboliques by Henri-Georges Clouzot and Jerome Geronini. Revised second draft. April 3, 1995. (124 pages).
B3, F4

Dicks. Jeff Kline and Mark B. Perry. Third draft. December 18, 1998. (66 pages).
B56, F1

Dill Scallion. Jordan Brady. Second Draft. May 28, 1997. (99 pages).
B24, F2

Dr. Bean. Richard Curtis and Robin Driscoll with Rowan Atkinson. June 7, 1996. (122 pages).
B21, F5

Doctor Dolittle. Nat Mauldin. Revised third draft. December 19, 1996. (106 pages).
B44, F3

Dogs. Tommy Swerdlow and Michael Goldberg. Revised first draft, pilot. January 20, 1997. (71 pages).
B31, F8

Domestic Disturbance. Lewis Colick. Second draft. July 26, 2000. (126 pages).
B73, F6

Door to Door. William H. Macy and Steven Schachter. December 8, 2000. (94 pages).
B75, F2

Double Jeopardy. David Weisberg and Douglas S. Cook. January 9, 1998. (126 pages).
B40, F3

Double Take. George Gallo. January 20, 2000. (107 pages).
B64, F3

The Downtowners: (pilot). Bill Oakley and Josh Weinstein. First draft. April 20, 1998. (58 pages).
B54, F7

Drugstore Cowboy. Gus Van Sant and Dan Yost, story by James Fogle. First Draft. August 26, 1987. (104 pages).
B3, F5

Dude, Where's My Car? Philip Stark. February 25, 2000. (98 pages).
B71, F1

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B44, F4

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B47, F2

Dune. David Lynch; based on the novel by Frank Herbert. 6th draft. December 9, 1982. (135 pages).
B3, F6

E

Earth Girls Are Easy. Julie Brown, Charlie Coffey, and Terrence McNally. August, 1985. (123 pages).
B3, F7

Easy Streets. Paul Haggis. Pilot episode. Second draft. January 7, 1995. (92 pages).
B25, F9

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages).
B26, F1

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages). (second copy).
B24, F1

The Eighteenth Angel. David Seltzer. October 15, 1995. (111 pages).
B3, F8

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B49, F11

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B58, F2

The End of Violence. Nicholas Klein; story by Nicholas Klein and Wim Wenders. First draft. August, 1996. (79 pages).
B27, F3

Enemy of the State. David Marconi and Aaron Sorkin. February 10, 1997. (135 pages).
B40, F4

Entrapment. William Broyles, Jr., Ron Bass, and Don Macpherson; story by Ron Bass and Michael Hertzberg. Revised tenth draft. May 8, 1998. (119 pages).
B53, F2

Eraser. Tony Puryear. Revised screenplay. July 13, 1995. Warner Brothers. (140 pages).
B3, F9

Erin Brockovich: A True Story. Susannah Grant; revisions by Richard Lagravenese. Revised draft. March 22, 1999. (128 pages).
B56, F2

Escape Clause. Danilo Bach. August 21, 1995. (107 pages).
B20, F3

Event Horizon. Philip Eisner. First draft. n.d. (120 pages).
B22, F2

Executive Decision. Jim Thomas and John Thomas. May 29, 1992. (138 pages).
B3, F10

Executive Privilege. Wayne Beach and David Hodgin; revisions by Steven Maeda; revisions by Wayne Beach; revisions and polish by Vince McKewin. May 21, 1996. (118 pages).
B18, F3

Extreme Measures. First draft by W.D. Richter, Revisions by Tony Gilroy, Polish by Hugh Grant. November 17, 1995. (125 pages).
B15, F2

F

Face/Off. Mike Werb and Michael Colleary. Revised draft. August 8, 1996. (121 pages).
B44, F5

The Faculty. Kevin Williamson. January 5, 1998. (121 pages).
B40, F5

Family Man. David Diamond and David Weissman. August 27, 1999. (122 pages).
B64, F4

A Family Thing. Billy Bob Thornton and Tom Epperson. Scene Numbered Script. March 10, 1995. (113 pages).
B4, F1

Farscape: (premier episode). Rockne S. O'Bannon. Revised first draft. April 24, 1998. (58 pages).
B50, F1

Father of Frankenstein. Bill Condon; based on the novel by Christopher Bram. (124 pages).
B27, F4

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (96 pages).
B26, F2

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (97 pages).
B34, F8

La Femme Nikita. (Teleplay). Cyrus Nowrasteh. Revised Draft. February 16, 1996. (52 pages).
B24, F3

The Fifth Corner. John Herzfeld. December 12, 1990. (70 pages).
B44, F6

54. Mark Christopher. August 12, 1997. (115 pages).
B35, F1

Finding Forrester. Mike Rich. n.d. (123 pages).
B66, F4

First Love, Last Rites. David Ryan and Jesse Peretz; based on a short story by Ian McEwan. n.d. (103 pages).
B36, F8

The Flash (Pilot). Danny Bilson and Paul De Meo. March 9, 1990. (95 pages).
B33, F3

Fled. Preston A. Whitmore II. First revison. August 11, 1995. (119 pages).
B4, F2

Floating Life. Eddie L. C. Fong and Clara Law. November 1994. (106 pages).
B4, F3

The Floating World. Cynthia Kadohata. n.d. (109 pages)
B70, F2

The Flood. Graham Yost. Fifth Draft. May 10, 1996. (104 pages).
B19, F3

Four Dogs Playing Poker. Shawn Thompson and Steve Roberts. Director's draft. February 4, 1999. (107 pages).
B59, F1

For the Cause. David March Douglas and Christopher Salazar. Second draft, first revision. September 7, 1998.
B58, F3

For Hope. Susan Rice. Revised first draft. November 7, 1995. (105 pages).
B21, F6

Forces of Nature. Mark Lawrence. First revision. February 13, 1997. (113 pages).
B54, F3

Foreplay. Joe Eszterhas. First draft. n. d. (111 pages).
B50, F2

Forget Me Not. Dick Christie. Macdonald/Duigan version. February 4, 1998. (105 pages).
B44, F7

Fortress II: Escape from Skycell. John Flock. September 7, 1998. (106 pages).
B52, F2

Frailty. Brent Hanley. Second draft. September 1, 1999. (120 pages).
B73, F7

Freak the Night. Charles Leavitt; based on the novel by Rodman Philbrick. Revised Draft. August 7, 1995. (127 pages).
B24, F4

Frequency. Toby Emmerich. Revised draft. May 19, 1998. (121 pages).
B53, F3

G

G's Trippin'. Gary Hardwick. First draft. June 18, 1996. (113 pages).
B54, F8

The Gail O'Grady Project. Martin Weiss. Second draft. March 29, 1996. (49 pages).
B4, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B58, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B62, F8

The Game (pilot). John Tinker; created by John Tinker and Bill D'Elia. January 30, 1998. (60 pages).
B38, F1

Gang Related. Jim Kouf. Revised Draft. March 6, 1996. (123 pages).
B19, F4

Gangster. Chris Brancato. Third draft. April 8, 1996. (115 pages).
B29, F6

Ganz and Mandel (a.k.a. Hiller and Diller): Pilot. Lowell Ganz and Babaloo Mandel. Revised first draft. March 17, 1997. (55 pages).
B31, F1

The Gaslight Addition. Marlene King. June 15, 1994. (121 pages).
B4, F6

Gattaca. Andrew M. Niccol. n. d. (115 pages).
B29, F7

Gene Roddenberry's Battleground: Earth. Gene Roddenberry. n. d. (58 pages).
B22, F3

Georgia Rule. Mark Andrus. April 2, 1999. (131 pages).
B66, F5

Get Shorty. Scott Frank, from the novel by Elmore Leonard. October 15, 1993. (131 pages).
B4, F7

The Gift. Billy Bob Thornton and Tom Epperson. Revised draft. September 7, 1999. (113 pages).
B61, F7

Gilroy's. Barry Fanaro and Mort Nathan. Final draft. April 8, 1998. (46 pages).
B44, F8

Girl Gives Birth to Prom Date. Rob Thomas; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. First revision. February 23, 1998. (117 pages).
B44, F9

Gladiator. Story by David Franzoni; screenplay by David Franzoni, John Logan, and William Nicholson. 2000. (120 pages).
B75, F3

The Glass House. Wesley Strick. Revised draft. October 28, 1999. (117 pages).
B65, F5

The Glass House. Wesley Strick. February 22, 2000. (114 pages).
B65, F6

Gone in 60 Seconds. Scott Rosenberg. January 22, 1999. (125 pages).
B54, F9

Gods and Monsters. Bill Condon; based on the novel by Christopher Bram. May 30, 1997. (110 pages).
B27, F5

Good Advice. Daniel Margosis and Robert Horn. Production Rewrite. April 8, 2000. (104 pages).
B69, F4

Good Will Hunting. Matt Damon and Ben Affleck; story by Matt Damon. January 22, 1997. (109 pages).
B27, F6

Gordon & Conn Project (pilot). Andrew Gordon and Eileen Conn. Second draft. January 26, 1999. (60 pages).
B57, F1

Gossip. Gregory Poirier; draft by Theresa Rebek. March 20, 1998. (119 pages).
B51, F2

Grace Under Fire: "Head Games". Ric Swartzlander. March 1, 1996. (52 pages).
B4, F8

Graceland. Jason Horwitch and David Winkler. Production Draft. January 7, 1997. (95 pages).
B24, F5

Grand Avenue. Greg Sarris. First Revised Draft. March 20, 1995. (@145 pages).
B4, F9

The Grass Harp. Stirling Silliphant and Kirk Ellis, based on the novel by Truman Capote. September 6, 1994. Grass Harp Productions. (109 pages). File also includes three shooting schedules for the film.
B4, F10

Great Balls of Fire! Jack Baran and Jim McBride; based on the book by Myra Lewis and Murray Silver. June 8, 1988. (133 pages).
B21, F7

Gridlock. Vondie Curtis Hall. Second Revision. April 24, 1995. (97 pages).
B15, F9

Gridlock. Vondie Curtis Hall. Revised Second Draft. March 5, 1996. (103 pages).
B15, F10

Gun Shy. Eric Blakeney. Second draft. August, 1998. (118 pages).
B48, F9

H

Halloween: The Revenge of Laurie Strode. Story by Kevin Williamson; screenplay by Robert Zappia. Revised second dreaft. December 29, 1997. (91 pages).
B44, F10

Hanging Up. Delia Ephron; based on a script by Delia Ephron and Nora Ephron; based on the book by Delia Ephron. November 5, 1998. (110 pages).
B57, F2

Hard Time. n. a. Final white script. May 19, 1998. (97 pages).
B52, F3

Hart's War. Billy Ray; based on the novel by John Katzenbach, and drafts by Jeb Stuart and Terry George. First draft revised. March 1, 2000. (118 pages).
B75, F4

Havana Nocturne: The Arturo Sandoval Story. Rafeal Lima; current revisions by Tim Sexton. October 8, 1999. (119 pages).
B66, F6

Head Over Heels. Ron Burch and David Kidd; story by John J. Strauss, Ed Decter, David Kidd, and Ron Burch. First draft. January 7, 1999. (114 pages).
B55, F1

Hearts in Atlantis. Story by Stephen King; screenplay by William Goldman. Fourth draft. July 2000. (118 pages).
B75, F5

Heat. ("Untitled Screenplay by Michael Mann"). Michael Mann. March 3, 1994. (162 pages).
B4, F11

Heat Vision and Jack: "The Eyes of Paragon". Rob Schrab and Dan Harmon. February 14, 1998. (34 pages).
B60, F1

The Heist. Kurt Voss. n.d. (94 pages).
B55, F2

The Hi-Lo Country. Walon Green; based on the novel by Max Evans. Second draft revised. January 9, 1997. (109 pages).
B36, F3

High Crimes. Yuri Zeltser and Cary Bickle; revisions by Susan Shilliday; based on the novel by Joseph Finder. June 29, 2000. (110 pages).
B71, F2

High Fidelity. D. V. De Vincentis, Steve Pink, John Cusack; based on the novel by Nick Hornby. December 10, 1998. (127 pages).
B53, F4

High Roller. Steven Brill. Revised draft. September 1, 1997. (117 pages).
B45, F1

High Heels and Lowlifes. Kim Fuller; story by Kim Fuller and Georgia Pritchett. Revised draft. May 3, 2000. (110 pages).
B72, F4

High School High. David Zucker and Robert N. LoCash. Fourth Draft. July 18, 1995. (118 pages).
B5, F1

Higher Learning. John Singleton. January 6, 1993. (127 pages).
B5, F2

Higher Learning. John Singleton. n.d. (125 pages).
B5, F3

Higher Learning (One-line shedule). February 4, 1994. (16 pages).
B27, F7

Hiroshima. John Hopkins. First Draft. February 21, 1995. (175 pages).
B5, F4

The Hollow Man. Andrew W. Marlowe. Revised draft. October 20, 1998. (123 pages).
B55, F3

Home for the Holidays. W. D. Richter; based on a story by Chris Radant. Fifth Draft. October 7, 1994. Egg Pictures. (129 pages).
B16, F9

Homeboys in Outer Space. Pilot episode. Ehrich Van Lowe. First Draft. March 4, 1996. (56 pages).
B5, F5

Hong Kong Cracker. Paul Abbott. April 29, 1996. (113 pages).
B15, F3

Hope Floats. Steven Rogers. Revised Draft. January 13, 1997. (118 pages).
B20, F4

How Stella Got Her Groove Back. Ron Bass and Terry McMillan; based on the novel by Terry McMillan. Optional Polish. July 23, 1997. (126 pages).
B33, F4

How to Kill Your Neighbor's Dog. Michael Kalesniko. June 22, 1999. (112 pages).
B62, F9

How to Kill Your Neighbor's Dog. Michael Kalesniko. September 13, 1999. (112 pages).
B63, F1

Hurlyburly. David Rabe. First draft. March 1, 1996. (135 pages).
B40, F6

Hurricane. Morgan J. Freeman. May 14, 1996. (111 pages).
B19, F5

I

I Know What You Did. Kevin Williamson; based on the novel by Lois Duncan. Second Rewrite. December 2, 1996. (114 pages).
B22, F4

I Werewolf. Created by Stan Lee and Scott Shepherd; teleplay by Scott Shepherd. Second draft. Dsecember 18, 1995. (58 pages).
B31, F10

The Ice Storm. James Schamus; based on the novel by Rick Moody. First draft revised. January 5, 1996. (116 pages).
B45, F2

I'll Be You. Mark Schwahn. First draft. December, 1998. (110 pages).
B56, F3

I'm Losing You. Bruce Wagner. January 5, 1998. (92 pages).
B38, F2

Imaginary Crimes. Kristine Johnson and Davia Lee Nelson, from the novel by Sheila Ballantyne. February 6, 1991. (116 pages).
B5, F6

In and Out. Paul Rudnick. February 28, 1996. (119 pages).
B18, F4

In the Time of the Butterflies. Judy Klass and David Klass; rewritten by Jenny Wingfield; revisions by Mariano Barroso and Rodrigo Garcia; based on the novel by Julia Alvarez. August 22, 2000. (96 pages).
B75, F6

In Too Deep. Matt Healy. February 13, 1997. (104 pages).
B38, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B47, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B55, F4

Inconvenienced. Jeff Eastin. May 18, 1998. (113 pages).
B45, F3

Independence Day. Dean Devlin and Roland Emmerich. Second Draft. May 11, 1995. (137 pages).
B5, F7

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. March 18, 1998. (116 pages).
B52, F4

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. August 26, 1998. (115 pages).
B55, F5

I.Q.. Andy Breckman, revision by Michael Leeson. January 9, 1994. (124 pages).
B5, F8

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin. Second draft rewrite. February 27, 1998. (116 pages).
B40, F7

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin; rewrite by Zak Penn. May 6, 1998. (103 pages).
B50, F3

Inventing the Abbotts. Ken Hixon; from a short story by Sue Miller. December 4, 1995. (112 pages).
B19, F6

The Invisible Circus. Adam Brooks; adapted from the novel by Jennifer Egan. Revised draft. May 26, 1998. (103 pages).
B66, F7

The Invisible Man: (pilot). Dick Wolf, Brad Kern, Bob Crais. February 28, 1998. (58 pages).
B40, F8

The Invisible Man (pilot). Matt Greenberg. Fifth draft. June 21, 1999. (107 pages).
B66, F8

Isn't She Great. Paul Rudnick. March 2, 1998. (114 pages).
B40, F9

"It Still Has No Title" (pilot) Jeff Greenstein and Jeff Strauss. First raft. February 7, 1997. (55 pages).
B31, F9

It's True!: "The Rats of Rumfordton". Teleplay by Paul De Meo and Danny Bilson; story by Gahan Wilson, Paul De Meo and Danny Bilson. First draft. January 22, 1998. (58 pages).
B40, F10

J

The Jack Bull. Dick Cusack; adapted from the novel Michael Kohlhaas by Heinrich Von Kleist. February 9, 1998. (117 pages).
B47, F4

Jag: "Soldier of Love". Evan Katz. Writer's Draft. July 7, 1995. (59 pages).
B5, F9

James Barry. Menno Meyjes; based on a screenplay by Patrick Lee. January 11, 1996.(137 pages).
B19, F7

Jane. Lyndall Hobbs; story by Lyndall Hobbs and Tracy Tynan. May 8, 1997. (116 pages).
B66, F9

Jerry Maguire. Cameron Crowe. July, 1995. (147 pages).
B17, F1

Jerry Maguire. Cameron Crowe. Shooting Draft, Blue Revision. February 28, 1996. (133 pages).
B17, F2

Jerry Maguire: Shooting Schedule. March 6, 1996. (57 pages).
B17, F3

Jerry Maguire: Day Out of Days. March 6, 1996. (18 pages).
B17, F4

Jerry Maguire (One-line schedule). April 2, 1996. (13 pages).
B17, F5

Joan Cusack Project. Eric Gilliland. Second draft. March 19, 1999. (65 pages).
B67, F1

John Markus Project (pilot episode). John Markus. Second draft. February 4, 2000. (56 pages).
B72, F5

John Q. James Kearns. Fourth revised draft. June 9, 2000. (117 pages).
B70, F3

Jules. Pilot episode. Wendy Goldman and Julia Sweeney. Revised Second Draft. March 7, 1996. (52 pages).
B5, F10

Just Shoot Me: "Finch on Ice". Susan Dickes and Brian Reich. February 28, 2000. (47 pages).
B63, F2

K

K-19: The Widowmaker. Christopher Kyle; based on the screenplay by Louis Nowra. December 7, 1995. (131 pages).
B72, F6

K-PAX. Charles Leavitt. Revised draft. May, 1998. (135 pages).
B73, F8

The Kid. Audrey Wells. August 19, 1999. (132 pages).
B64, F5

The Killing Jar. n.a. Revised Draft. August 23, 1995. (108 pages). Also includes oneline schedule and shooting schedule.
B5, F11

Killing Mrs. Tingle. Kevin Williamson. January 16, 1998. (109 pages).
B45, F4

The Kiss. Richard Lagravenese. Revised Pre-Production Draft. February 5, 1997. (119 pages).
B24, F6

Kiss of Death. Richard Price. "Pink Revision" of First Draft. April 14, 1994. (121 pages).
B6, F1

Kiss the Girls. David Klass; adapted from the novel by James Patterson. November 27, 1995. (121 pages).
B21, F8

A Knight's Tale. Brian Helgeland. November 1999. (126 pages).
B64, F6

The "L" Word. Pilot. Winnie Holzman. First draft. January 3, 1995. (58 pages).
B22, F5

L. A. Confidential. Brian Helgeland; based on the novel by James Ellroy. Revised draft. February 12, 1996. (129 pages).
B27, F8

L. A. Med. Pilot: "Liver Let Die". Kimberly Costello. n. d. (@80 pages).
B20, F5

L. A. Sheriff's Homicide. James Ellroy. Revised network draft. December 4, 1998. (100 pages).
B60, F2

L. A. Sheriff's Homicide. James Ellroy. Production draft. April 5, 1999. (95 pages).
B72, F7

The Ladies' Man. Tim Meadows, Dennis McNichols, and Andrew Steele. Third draft. July 9, 1999. (110 pages).
B60, F7

Lansky. David Mamet; polish by Vincent Patrick. November 1997; formatted June 30, 1998. (113 pages).
B67, F2

The Last Question. Bryan Singer; based on a short story by Isaac Asimov. Fourt draft. August 7, 1995. (27 pages).
B41, F1

Lateline: "Pilot". Al Franken and John Markus. First draft. June 27, 1996. (55 pages).
B29, F8

Lawyers; Prototype. Stephen Nathan and Diane English. First Draft. January 31, 1996. (58 pages).
B17, F6

Leaving L. A.: "Intermission". Nancy Miller. Second Draft. February 3, 1997. (57 pages).
B24, F7

Legalese. Billy Ray. February 28, 1996. (123 pages).
B41, F2

Legalese. Billy Ray. March 12, 1998. (102 pages).
B41, F3

Legend of the Mummy. Jeffrey Obrow; story adaptation by Jeffrey Obrow, Lars Hauglie, and John Penney; based on the story by Bram Stoker. April 4, 1997. (@132 pages).
B22, F6

Librium. Kurt Wimmer. n.d. (105 pages).
B69, F5

Life. Robert Ramsey and Matthew Stone. November 18, 1997. (117 pages).
B45, F5

Life As A House. Mark Andrus. June 17, 2000. (130 pages).
B72, F8

The Life Before This. Semi Chellas. April 13, 1998. (115 pages).
B59, F6

A Life Less Ordinary. John Hodge. May 30, 1996. (117 pages).
B24, F8

Life Without Dick. n.a., n.d. (104 pages).
B75, F7

The Limbic Region. Todd Johnson and Patrick Ranahan. (114 pages).
B6, F2

The Lion, The Witch, and the Wardrobe. Menno Meyjes; <based on the novel by C. S. Lewis>. Fourth Draft. March 19, 1996. (99 pages).
B19, F8

Long Kiss Goodnight. Shane Black. Revised draft. September 11, 1995. (115 pages).
B6, F3

Lost and Found (pilot). Terri Minsky. February 18, 2000. (61 pages).
B72, F9

Lost and Found (pilot). Terri Minsky. April 11, 2000. (64 pages).
B67, F3

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. July 31, 1998. (110 pages).
B50, F4

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. August 26, 1998. (112 pages).
B63, F3

Love and Basketball. Gina Prince-Bythewood. First draft. October 11, 1998. (105 pages).
B63, F4

Love Field. Don Roos. Shooting Draft in color-coded sections of varying dates from February 23, 1990 to May 3, 1990. (129 pages).
B6, F4

Loved. Erin Dignam. August 25, 1995. (123 pages).
B6, F5

Lulu on the Bridge. Paul Auster. August 18, 1997. (103 pages).
B41, F4

M

Mad City. Tom Matthews; based on a story by Tom Matthews and Eric Williams; revisions by Ebbe Roe Smith. June 7, 1996. (131 pages).
B35, F2

Maggie Winters: "Total Eclipse". Kari Lizer. Second draft. February 18, 1998. (57 pages).
B51, F3

The Man From Elysian Fields. Phil Lasker. September 7, 2000.
B75, F8

The Man in the Iron Mask. Randall Wallace. Reformatted first draft. October 14, 1996. (121 pages).
B31, F2

Man-Made. Teleplay by Steve De Jarnatt; story by Brent Friedman, Steve De Jarnatt, Stan Rogow; created by Steve De Jarnatt, Brent Friedmand, Stan Rogow. February 13, 1997. (59 pages).
B67, F4

Man on the Moon. Scott Alexander and Larry Karaszewski. First draft. (154 pages).
B58, F5

Man Trouble. Carole Eastman (a.k.a. Adrien Joyce). Sixth draft. August 8, 1990. (128 pages).
B21, F9

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B52, F5

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B53, F5

Marabunta. Wink Roberts and Linda Palmer. May 16, 1997. (87 pages).
B24, F9

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; rewritten by Jonathon Gems; inspired by the "Mars Attacks" Topps Trading Cards. July 20, 1995. (107 pages).
B17, F7

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; suggested by images on "Mars Attacks" Topps Trading Cards. Fifth Revised Draft. November 12, 1995. (108 pages).
B17, F8

The Marshall: "Bounty Hunter". Don M. Mankiewicz. (50 pages).
B6, F6

Matinee. Jerico Stone; revisions by Ed Naha and Charlie Haas. Second Draft (Charlie Haas). May 31, 1991. (121 pages).
B6, F7

Maverick. William Goldman. Third Draft. June 24, 1993. (144 pages).
B6, F8

Maximum Bob. Alex Gansa; adapted from the novel by Elmore Leonard. Revised first draft. August 19, 1997. (64 pages).
B36, F9

Me, You, Him and Her (pilot). Neil Simon. July, 1995. (47 pages).
B31, F11

Meet the Parents. Jim Herzfeld. Director's revised. August 13, 1999. (123 pages).
B63, F5

Men Behaving Badly: "Babies Having Babies". Matthew Carlson. Writer's Draft. January 29, 1996. (57 pages).
B6, F9

Men Behaving Badly: "Carpe Dino". Rick Nyholm. Table draft. December 1, 1997. (54 pages).
B38, F4

Men Behaving Badly: "Christmas". Matthew Carlson. Writer's Draft. November 27, 1996. (49 pages).
B18, F5

Men Behaving Badly: "The Fur Man Cometh". Stacie Lipp. Table draft. November 3, 1997. (52 pages).
B38, F5

Men Behaving Badly: "Jamie's Got Next". Matt Tarses. Table draft, second revision. August 27, 1997. (41 pages).
B29, F9

Men Behaving Badly: "No Retreat, No Surrender". Story by Jeff Martin; Teleplay by John Bowman and Tom Brady. Table Draft 2. September 8, 1997. (37 pages).
B26, F3

Men Behaving Badly: "Special Delivery". Jeff Filgo and Jackie Behan. Table draft. October 20, 1997. (44 pages).
B38, F6

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft. October 6, 1997. (45 pages).
B38, F7

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft first revision. October 7, 1997. (42 pages).
B38, F8

Men Behaving Badly: "The Sting". Jackie Behan and Jeff Filgo. Table draft. September 15, 1997. (45 pages).
B27, F9

Men Behaving Badly: "The Tape". Amy Welsh. Table draft. September 23, 1997. (43 pages).
B38, F9

Men Behaving Badly: "The Truth About Cats and Ducks". Bill Wruble. Table draft. October 13, 1997. (50 pages).
B38, F10

Men Behaving Badly: "Welcome to JamieCo". Stacie Lipp. Table draft. November 10, 1997. (44 pages).
B38, F11

Men In Black. Ed Solomon. Second draft. (108 pages).
B22, F7

Men With Guns. Lachy Hulme. March 19, 1996. (111 pages).
B29, F10

Message in a Bottle. Gerald DiPrego; from the novel by Nicholas Sparks. Revision. November 11, 1997. (139 pages).
B36, F4

The Mexican. J. H. Wyman. April 15, 1999. (113 pages).
B67, F5

Millennium. n.a., n.d. (59 pages).
B7, F1

Millennium: "Broken World". Robert Moresco and Patrick Harbinson. March 5, 1997. (59 pages).
B22, F8

Millennium: "Jose Chung's Doomsday Defense". Darin Morgan. October 27, 1997. (57 pages).
B31, F3

The Millennium Plague. Perri Klass and David Klass. Revised second draft. November 5, 1998. (117 pages).
B52, F6

The Millennium Plague. Perri Klass and David Klass. Revised second draft. Novermber 5, 1998. (117 pages).
B57, F3

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B51, F4

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B59, F2

The Minus Man. Hampton Fancher; adapted from the novel by Lew McCreary. Revised draft. July 29, 1996. (128 pages).
B29, F11

Miracle Mile. Steve DeJarnatt. February 23, 1987. (114 pages).
B7, F2

Mr. Magoo. Pat Proft and Tom Sherohman; revised by E. Jack Kaplan; rewrite by Jeff Berry. January 24, 1997. (113 pages).
B30, F1

Miss Evers Boys. Walter Bernstein; based on a play by David Feldshuh. Final Draft. March 15, 1996. (95 pages).
B35, F3

M'Lady. Camille Tucker and Kim Greene; Rewrite by Michael Henry Brown and Paul Aaron; final revisions by Camille Tucker and Kim Greene. March 12, 1996. (110 pages).
B45, F6

Monk: Mr. Monk Meets the Candidate. Andy Breckman. April 15, 1999. (71 pages).
B72, F10

Montana. Erich Hoeber and Jon Hoeber. Shooting script. November 22, 1996. (101 pages).
B30, F2

Mortal Kombat: Annihilation. n. a., n. d. (99 pages).
B26, F4

Mother Night. Robert B. Weide; based on the novel by Kurt Vonnegut, Jr. February 7, 1992. (124 pages).
B15, F4

The Mothman Prophecies. Richard Hatem; revisions by Becky Johnston, Alison Cross, Ernest Marrero, and Lewis Klarr; based on teh book by John A. Keel. September 1, 2000. (125 pages).
B75, F9

Murder One. Charles H. Eglee, Channing Gibson, Steven Bochco, David Milch; story by Steven Bochko, Charles H. Eglee, Channing Gibson. April 4, 1995. (59 pages).
B27, F10

Murder She Wrote: "Death in Hawaii". Laurence Heath. Revised. April 21, 1994. (57 pages).
B7, F3

Murder She Wrote: "Love & Hate in Cabot Cove". Robert Van Scoyk. Revised. September 21, 1993. (57 pages).
B7, F4

Murder She Wrote: "Time to Kill". Laurence Heath. December 12, 1993. (62 pages).
B28, F1

Music From Another Room. Charlie Peters. October 3, 1996. (113 pages).
B20, F6

My Best Friend's Wedding. Ronald Bass. First draft. n.d. (128 pages).
B22, F9

My Fellow Americans. E. Jack Kaplan and Richard Chapman; rewrite by Peter Tolan. Warner Bros. October 6, 1995. (125 pages).
B19, F9

My First Mister. Jill Franklyn. March 18, 1999. (117 pages).
B64, F7

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B48, F10

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B50, F5

N

Nailed. Joel Silverman. n.d. (100 pages).
B64, F8

Nash Bridges: "The Great Escape". Carlton Cuse and Michael Norell. Shooting Script, 2nd revision. April 29, 1996. (52 pages).
B17, F9

Navy Diver. Scott Marshall Smith. May 14, 1999. (107 pages).
B59, F3

The Negotiator. James DeMonaco and Kevin Fox. May 23, 1997. (137 pages).
B33, F5

Nell. William Nicholson; based on the play by Mark Handley. January 3, 1994. (110 pages).
B7, F5

The Net. "Winkler/Cowan/Beebe & Ferris/Brancato". November 7, 1994. (121 pages).
B7, F6

Never Been Kissed. Jenny Bicks; based on the original screenplay by Abby Kohn and Marc Silverstein. April 30, 1998. (117 pages).
B57, F4

The New Jersey Turnpikes. Hank Perlman. January 9, 1998. (98 pages).
B41, F5

The Newton Boys. Claude Stanush, Clark Lee Walker, Richard Linklater. Revised draft. January 13, 1997. (127 pages).
B30, F3

Next To You. Rob Thomas; revisions by John Schultz; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. July 1, 1998. (111 pages).
B45, F7

Nick Freno: Licensed Teacher (pilot episode). Marc Warren and Dennis Rinsler. Shooting Script. April 26, 1996. (46 pages).
B16, F1

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F7

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F8

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. First Draft. March 3, 1995. (103 pages).
B7, F9

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. Revised Draft. March 24, 1995.
B7, F10

Night Falls on Manhattan. Sidney Lumet; based on the book Tainted Evidence by Robert Daley. June 16, 1995. (120 pages).
B7, F11

Night Man. Glen A. Larson. February 26, 1997. (100 pages).
B31, F4

Nightjohn. Bill Cain; based on the novel by Gary Paulsen. Revised second draft. July 18, 1994. (114 pages).
B8, F1

The Ninth Gate. Roman Polanski, John Brownjohn and Enrique Urbizu; based on a novel by Arturo Perez-Reverte. Final draft. March 22, 1998. (109 pages).
B60, F8

Norma and Marilyn. Jill Isaacs. May 5, 1995. (210 pages).
B47, F5

Not Our Son. Scott Swanton. Second Draft. September 28, 1994. (106 pages).
B8, F2

Nothing To Lose. Steve Oedekerk. November 11, 1995. (113 pages).
B21, F1

The Notorious. Glen Morgan and James Wong. February 4, 1997. (63 pages).
B30, F4

Novocaine. David Atkins; story by David Atkins and Paul Felopulos. October 31, 1999. (119 pages).
B61, F8

Numbers. Adam Resnick. Second draft. January 28, 1999. (128 pages).
B60, F9

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B51, F5

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B58, F6

The Nutty Professor. Barry Blaustein and David Sheffield, rewrite by Tom Shadyac and Steve Oedekerk. First Draft. February 1, 1995. (102 pages).
B8, F3

O Brother, Where Art Thou? Joel Coen and Ethan Coen; based upon The Odyssey by Homer. February 2, 1999. (102 pages).
B60, F3

The Object of My Affection. Wendy Wasserstein; based on the novel by Stephen McCauley. "Martha's Vineyard Version". July 1996. (115 pages).
B35, F4

The Odd Couple II: Travelin' Light. Neil Simon. Second draft. April 1997. (107 pages).
B28, F2

On the Road. Barry Gifford; based on the novel by Jack Kerouac. May 30, 1994. (107 pages).
B70, F4

The One. Glen Morgan and James Wong. September 19, 2000. (126 pages).
B82, F7

1 Hour Photo. Mark Romanek. May 23, 2000. (123 pages).
B74, F1

1 Hour Photo. Mark Romanek. August 29, 2000. (122 pages).
B74, F2

One Eight Seven. Scott Yageman. Revised Draft. February 14, 1996. (128 pages).
B18, F6

One Fine Day. Ellen Simon; based on an original draft by Terrel Seltzer. October 23, 1995. (118 pages).
B17, F10

100%. Eric Koyanagi. Fifth draft. October 14, 1996. (120 pages).
B31, F12

One Night at McCool's. Stan Seidel. April 30, 1999.
B58, F7

One Night at McCool's. Stan Seidel. April 30, 1999. (108 pages).
B61, F9

One True Thing. Karen Croner; based on the book by Anna Quindlen. Ivory draft. January 26, 1998. (126 pages).
B45, F8

Only In America: The Life and Crimes of Don King. Kario Salem. Third Draft Revised. January 1, 1997. (87 pages).
B20, F7

Orange County. Mike White. Fourth draft. October 6, 2000. (112 pages).
B76, F2

The Osiris Chronicles; pilot. Caleb Carr. First Network Draft. January 3, 1995. (78 pages).
B17, F11

The Other Sister. Garry Marshall and Bob Brunner. July 18, 1997. (121 pages).
B45, F9

Out of Sight. Scott Frank; based on the novel by Elmore Leonard. Final draft. August 5, 1997. (139 pages).
B33, F6

Outlaws. Harley Peyton. June 24, 2000. (134 pages).
B74, F3

P

The Pallbearer. Jason Katima and Matt Reeves. October 27, 1994. (124 pages).
B8, F4

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F3

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F4

Passed Away. Charlie Peters. Draft. January 25, 1991. (120 pages).
B22, F10

Passion of Mind. Ronald Bass. Third draft. April 12, 1993. (118 pages).
B50, F6

Patch Adams. Steve Oedekerk. October 13, 1997. (127 pages).
B54, F4

The Patriot. Robert Rodat. Blue draft. July 20, 1999. (131 pages).
B60, F10

The Patriot. Robert Rodat. March 26, 1999. (124 pages).
B61, F10

Paulie: A Parrot's Tale. Laurie Craig. Casting draft. October 24, 1996. (113 pages).
B28, F5

Pay It Forward. Leslie Dixon; based on the novel by Catherine Ryan Hyde. October 15, 1999. (125 pages).
B60, F4

The Peacemaker. Michael Schiffer; production re-write by John Wells. "Kilo Draft". April 7, 1996. (130 pages).
B21, F2

Pearl (pilot episode). Don Reo. Revised Network Draft. March 8, 1996. (59 pages).
B16, F2

Peggy Sue Got Married. Jerry Leichtling and Arlene Sarner. Working Draft. December 2, 1984. (124 pages).
B8, F5

The People versus Larry Flynt. Scott Alexander and Larry Karaszewski. Third Draft. June 16, 1995. (117 pages).
B8, F6

The Perez Family. Robin Swicord; based on the novel by Christine Bell. Fourth Draft. October 7, 1993. (120 pages).
B8, F7

A Perfect Murder. Patrick Smith Kelly; based on Dial M For Murder by Frederick Knott. December 19, 1995. (130 pages).
B31, F5

The Perfect Storm. Bill Wittliff; based on the book by Sebastian Junger. April 12, 1999. (124 pages).
B56, F4

Permanent Midnight. David Veloz; based on the book by Jerry Stahl. Revised draft. May 19, 1997. (109 pages).
B28, F6

The Pest. David Bar Katz. Second draft revised. February 28, 1996. (118 pages).
B23, F1

The Phantom. Jeffrey Boam. Fifth draft. August 24, 1994. (116 pages).
B8, F8

Phenonemon. Gerald Di Pego. Fourth Draft. August 2, 1995. (128 pages).
B9, F1

Picket Fences: "My Romance". Ellen Herman. Final draft. September 22, 1995. (57 pages).
B35, F5

"Pilot". Evan Katz. First draft. January 7, 1997. (37 pages).
B37, F1

The PJs. Steve Tompkins and Larry Wilmore. Writers' First Draft. December !7, !997. (48 pages).
B41, F6

Play It to the Bone. Ron Shelton. First draft. n.d. (126 pages).
B54, F5

Players (pilot). Shaun Cassidy and Ed Zuckerman. January 21, 1997. (60 pages).
B37, F2

Playing God. Mark Haskell Smith and Larry Gross. Polish draft. March 26, 1996. (93 pages).
B30, F5

Polish Wedding. Theresa Connelly. February 6, 1996. (117 pages).
B45, F10

Popular: (pilot). Ryan Murphy; created by Ryan Murphy and Gina Matthews. First draft. December 15, 1998. (67 pages).
B55, F6

The Postman. Uncredited-"Most likely Brian Helgeland". n. d. (136 pages).
B46, F1

A Political Animal. Robert Bolt. Third revised fourth draft. May 12, 1990. (116 pages).
B33, F7

Practical Magic. Robin Swicord; rewritten by Akiva Goldsman; Based on the novel by Alice Hoffman. November 19, 1997. (117 pages).
B46, F2

The Practice. David E. Kelley. First draft. January 30, 1996. (64 pages).
B28, F7

Primal Fear. Steven Shagan, revised by Steven Zaillian; based on the novel by William Diehl. June 13, 1994. (136 pages).
B9, F2

The Prime Gig. William Wheeler. Director's draft. July 7, 1999. (101 pages).
B62, F1

Prince Street. James Yoshimura. January 31, 2000. (66 pages).
B72, F11

Prince Valiant. Anthony Hickox and Carsten Lorenz. October 30, 1995. (113 pages).
B32, F1

The Professor's Wife. Victor Nunez. n.d. (118 pages).
B67, F6

The Professor's Wife. Victor Nunez. December 14, 1999. (97 pages).
B67, F7

The Professor's Wife. Victor Nunez. n.d. (96 pages).
B41, F7

Providence. John Masius. Revised second draft. January 16, 1998. (58 pages).
B41, F8

Providence. John Masius. Final draft. February 27, 1998. (57 pages).
B41, F9

Public Morals. Steven Bochco and Jay Tarses; Teleplay by Jay Tarses. November 2, 1995. (53 pages).
B9, F3

Pure Heart. Wesley Strick. Third draft. January 3, 1992. (102 pages).
B70, F5

Purpo$e. Alan Lazar, Ronnie Apteker, Saki Missaikos, and Thomas W. Roush. Version 5.1. August 3, 2000. (112 pages).
B72, F12

Q

R

R. L. Stine's Ghosts of Fear Street (pilot: "Return of the Bugman"). Karl Schaefer. First draft. September 22, 1997. (35 pages).
B37, F3

Rag and Bone. Story by Ann Rice and James D. Parriott; teleplay by James D. Parriott. January 23, 1997. (56 pages).
B37, F4

The Rapture. Michael Tolkin. Fourth Draft. November 8, 1989. (91 pages).
B9, F4

Ravenous. Theodore Griffin. December 13, 1996. (125 pages).
B35, F6

Ravenous. Theodore Griffin. October 15, 1997. (116 pages).
B35, F7

Reach the Rock. n.a. April 5, 1988. (106 pages).
B20, F8

The Red Corner. Robert King and Ron Koslow. September 16, 1996. (132 pages).
B30, F6

Redline. Gary Scott Thompson; revisions by Erik Bergquist; revisions by John Pogue; revisions by David Ayer. Blue revised draft. May 5, 2000. (104 pages).
B70, F6

Redline. Gary Scott Thompson; revisions by Erik Bergquist; revisions by John Pogue; revisions by David Ayer; revisions by Kario Salem. Cherry revised draft. July 21, 2000. (106 pages).
B70, F7

Remember the Titans. Gregory Allen Howard; revisions by Boaz Yakin. Third draft. July 22, 1999. (111 pages). Includes insert of cast list.
B63, F6

The Repair Shop (pilot). Mark Frost. Fift draft. February 17, 1998. (65 pages).
B38, F12

The Replacements. Vince McKewin. April 23, 1999. (115 pages).
B59, F4

Revenant. Matthew Bright. September 25, 1996. (105 pages).
B28, F8

The Reunion. Ron Stacker Thompson and Ashley Tyler; based on the short story by Maya Angelou. First revision. March 23, 1995. (25 pages).
B9, F5

Riders on the Storm (released as Point Break). James Cameron and Kathryn Bigelow, from the screenplay by W. Peter Iliff, story by Rick King and W. Peter Iliff. n.d. (123 pages).
B9, F6

Rikki the Pig. Jesse Graham. Second draft. March 21, 2000. (110 pages).
B69, F6

Rita Hayworth and the Shawshank Redemption (released as The Shawshank Redemption). Frank Darabont; based on the novella by Stephen King. Second Draft. October 20, 1992. (115 pages).
B9, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B52, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B53, F6

The Road to Galveston. Tony Lee. n.d. (130 pages).
B9, F8

Road to Ruin. Scott Phillips; story by Scott Phillips and Anthony Trifiletti. September 29, 1995. (11 pages).
B67, F8

The Rob Lowe Pilot. Barry Fanaro and Mort Nathan. Pre-Table Draft. January 28, 1998. (52 pages).
B41, F10

The Rock. Jonathan Hensleigh. September 21, 1995. (126 pages).
B10, F1

Rollerball. Larry Ferguson; revisions by David Campbell Wilson and Howard Rodman; current revisions by John Pogue; based on the book by William Harrison. n.d. (98 pages).
B67, F9

Rollerball. Larry Ferguson; revisions by David Campbell Wilson and Howard Rodman; current revisions by John Pogue; based on the book by William Harrison. n.d. (98 pages).
B73, F1

Romeos. Willard Carroll. February 9, 1999. (113 pages).
B62, F2

Romy and Michele's High School Reunion. Robin Schiff. January 8, 1996. (117 pages).
B24, F10

The Rookie. Mike Rich. Third draft. December 15, 2000. (120 pages).
B82, F8

Rosewood. Gregory Poirier. July 17, 1995. (129 pages).
B16, F3

Rosewood (copy 2). Gregory Poirier. July 17, 1995. (129 pages).
B17, F12

Roswell (pilot). Jason Katims. First draft revised. October 15, 1998. (66 pages)>
B57, F5

Rough Magic. William Brookfield, with Clare Peploe. "Version M7". December 1, 1993. (104 pages).
B23, F2

Rough Riders. John Milius. August 5, 1996. (170 pages).
B28, F9

Ruby Jean and Joe. James Lee Barrett. January 16, 1995. (119 pages).
B10, F2

Rude Awakening: "Black and Bitter". Andrea Abbate. Table draft. June 22, 1998. (55 pages).
B49, F1

Rude Awakening: "The Cheese Stands Alone". Jim Vallely. Table draft. August 17, 1998. (59 pages).
B49, F2

Rude Awakening: "Don't Fuck the Stripper". Ritch Shydner. Table draft. July 13, 1998. (45 pages).
B49, F3

Rude Awakening: "An Embarrassment of Ritch's". Julie Brown. Table draft. August 10, 1998. (57 pages).
B47, F6

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Revised table draft. June 16, 1998. (57 pages).
B47, F7

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Final draft. June 17, 1998. (54 pages).
B50, F7

Rude Awakening: "Hello, This is Addictions Anonymous". Claudia Lonow. Table draft. July 6, 1998. (59 pages).
B49, F4

Rude Awakening: "Lucky For Me Her Breast Exploded". Marc Cherry. Table draft. June 27, 1998. (57 pages).
B49, F5

Rude Awakening: "Naked Again". Claudia Lonow. Table draft. May 14, 1998. (52 pages).
B47, F8

Rude Awakening: "That's Why We Call it Dope". Claudia Lonow and Andrea Abbate. Table draft. August 24, 1998. (57 pages).
B47, F9

Rude Awakening: "TV Mom". Pam Eells. Table draft. August 3, 1998. (60 pages).
B48, F1

Rude Awakening: "Vagina". Claudia Lonow. Pre-table draft. May 12, 1998. (61 pages).
B48, F2

Rude Awakening: "What Ever Happened to Billie Frank?". Casey Maxwell Clair. Table draft. July 20, 1998. (46 pages).
B49, F6

Run Ronnie, Run! Scott Aukerman, David Cross, Bob Odenkirk, B. J. Porter, and Brian Posehn. August 16, 2000. (101 pages).
B76, F1

Rushmore. "Anderson/Wilson". May 12, 1997. (111 pages).
B36, F5

S

Sabrina. Barbara Benedek. Second draft revised. March 22, 1994. (123 pages).
B35, F8

The Saint. Jonathan Hensleigh. February 8, 1995. (126 pages).
B18, F7

The Saint. Wesley Strick; based on a screenplay by Jonathan Hensleigh. January 5, 1996. (112 pages).
B18, F8

Salton Sea. Tony Gayton. Draft. August 2, 1999. (117 pages).
B69, F7

Sam I Am. Kristine Johnson and Jessie Nelson. Draft 2. November 16, 2000. (109 pages).
B76, F3

Saving Silverman. Gregg DePaul and Hank Nelken. Seventh draft. November 3, 1999. (111 pages).
B69, F8

Say It Isn't So (aka The Pervert). Peter Gaulke and Gerry Swallow. Optional third revision. August 8, 1999. (120 pages).
B62, F3

Self Storage. Tony Spiridakis and Shem Bitterman. December 12, 1996. (92 pages).
B67, F10

The Sentinel (Pilot). Paul de Meo and Danny Bilson. First Draft. March 20, 1995. (54 pages).
B10, F3

Serial Mom. John Waters. Second Draft. July 22, 1992. (107 pages).
B10, F4

Servicing Sara. Jay Scherick and David Ronn; revisions by Carol Leifer and Chuck Martin. September 27, 2000. (115 pages).
B76, F4

Set It Off. Kate Lanier, based on an original screenplay by Takashi Bufford. August 10, 1995. (115pages).
B10, F5

Seven. Andrew Kevin Walker. August 8, 1994. (122 pages).
B15, F5

The Shadow. Howard Franklin. Revised first draft. May 1986. (109 pages).
B10, F6

Shanghai Noon. Alfred Gough and Miles Miller. Second draft. February 16, 1999. (119 pages).
B56, F5

She's De Lovely. John Cassavetes. Revised first draft. April 13, 1996. (103 pages).
B16, F4

Shockwave. David N. Twohy. Draft Six. March 1, 1995. (107 pages).
B10, F7

Shut Up and Dance. Daryl Matthews. November 21, 1996. (108 pages).
B33, F8

Significant Other. Ronald Bass and Al Franken (incorporates revised drafts by Susan Shilliday). Sixth Draft. January 6, 1993. (126 pages).
B10, F8

6 Days/7Nights. Michael Browning; revisions by Lowell Ganz and Babaloo Mandel. March 14, 1997. (120 pages).
B46, F3

The Sixth Day. Cormac Wibberly and Marianne Wibberly; revisions by Andrew W. Marlowe; current revisions by Daniel Petrie, Jr. September 5, 1999. (116 pages).
B70, F8

61*. Hank Steinberg. Fifth draft. February 11, 2000. (112 pages).
B68, F1

Skip Tracers (pilot). Glen Morgan and James Wong. February 20, 1998. (64 pages).
B35, F9

Skipped Parts. Tim Sandlin; based on his novel of the same title. n.d. (103 pages).
B68, F2

The Skulls. John Pogue. n. d. (120 pages).
B51, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B56, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B59, F5

Slap Her, She's French! Lamar Damon and Robert Lee King; revisions by Alan Ball, Paul Guay, and Stephen Mazur; current revisions by Evan Dunsky. August 10, 2000. (106 pages).
B76, F5

SLC Punk!. James Meredino. September 9, 1997. (100 pages).
B34, F1

Sleepwalkers. David S. Goyer and Stephen Kronish. February 13, 1997. (64 pages).
B20, F9

Snow Day. Will McRobb and Chris Viscardi. Revised draft. October 1, 1998. (114 pages).
B52, F8

Slums of Beverly Hills. Tamara Jenkins. Polish. January 31, 1997. (116 pages).
B42, F1

Snow Falling on Cedars. Ronald Bass. Revised draft. August 8, 1997. (119 pages).
B41, F11

Social Studies: "Pilot". Nancylee Myatt. Revised first draft. March 11, 1996. (51 pages).
B30, F7

Socrates Fortlow. Walter Mosley. Draft. July 29, 1997. (110 pages).
B34, F2

Soir Bleu. Seth Flicker; based on R. Leoncavallo's Pagliacci. Corrected draft. November 3, 1994. (34 pages).
B42, F2

Songs From the Tall Grass. Book by Phoef Sutton and Michael Ross; and Randy Hale and Emily Corey; music and lyrics by Randy Hale and Emily Corey. November 5, 1999. (47 pages). Includes CD of same title.
B70, F9

Soul Survivor. Steve Carpenter. Revised draft. April 22, 1999. (109 pages).
B63, F7

Southern Cross (pilot). Garrett Lerner, Russell Friend, and Jorge Zamacona. Revision. January 23, 1997. (60 pages).
B32, F2

Sparks, Sparks, and Sparks. "Half hour pilot for television". Ed Weinberger. First Draft. February 15, 1996. (57 pages).
B10, F9

Special. Cinco Paul and Ken Daurio. Polish. September 23, 1999. (108 pages).
B69, F9

Species 2. Chris Brancato. Second revisions. February 6, 1997. (106 pages).
B34, F3

Speaking of Sex. Gary Tieche. Revised polish. August 31, 1999. (111 pages).
B70, F10

Spin (pilot). Gary David Goldberg and Bill Lawrence. First draft. March 8, 1996. (62 pages).
B10, F10

Spoils. Nicholas Meyer and Ronald Roose. December 11, 2000. (113 pages).
B73, F2

Sports Night: (pilot). Aaron Sorkin. January 12, 1998. (54 pages).
B42, F3

Star Trek: Deep Space Nine : "Emissary". Teleplay by Michael Piller; story by Rick Berman and Michael Piller. First draft. June 12, 1992. (127 pages).
B32, F3

Star Trek: The Next Generation "Encounter at Farpoint" (Pilot). D. C. Fontana and Gene Roddenberry. 1987. (113 pages).
B34, F4

Stealing Stanford. Peter Tolan; revisions by Alec Berg and Jeff Schaffer. First rewrite. October 2, 2000. (115 pages).
B76, F6

Stealing Stanford. Peter Tolan. Fourth rewrite. June 26, 2000. (115 pages).
B76, F7

Strong Medicine (pilot). Tammy Ader. January 4, 2000. (59 pages).
B74, F4

Stuart Little. M. Night Shymalan; additional material by David O. Russell; revisions by Billy Ray; based on the book by E. B. White. June 5, 1998. (94 pages).
B49, F7

The Substitute. Roy Frumkes and Rocco Simonelli, revised by Alan Ormsby. March 20, 1995. (106 pages).
B11, F1

Sugar and Spice and Semi-Automatics. Lona Williams. First draft. July 12, 1998. (103 pages).
B62, F4

Summer Catch. Kevin Falls; revised by Kevin Wade. April 25, 1996. (128 pages).
B20, F10

The Super (pilot). Dan Staley and Rob Long. First draft. February 3, 1999. (58 pages).
B57, F6

Super Troopers. Broken Lizard. October 31, 1998. (119 pages).
B61, F1

Supermodel. John Warren; rewrite by Tim Kelleher. February 9, 1998. (115 pages).
B57, F7

Suture. Scott McGehee and David Siegel. n.d. (131 pages).
B11, F2

Sweet November. Kurt Voelker; based on the screenplay Sweet November by Herman Raucher. Final draft. December 2, 1999. (122 pages).
B65, F7

Swing Vote. Ron Bass; revision by Jane Rusconi. August 14, 1998. (101 pages).
B52, F9

Swordfish. Skip Woods. August 7, 2000. (120 pages).
B74, F5

T

Tailor of Panama. John Le Carre; rewritten by John Boorman. Second draft. October 4, 1999. (123 pages).
B64, F9

The Talented Mr. Ripley. Anthony Minghella; based on the novel by Patricia Highsmith. September 28, 1997. (133 pages).
B42, F4

Tales From the Crypt Presents "Bordello of Blood". Bob Gale & Robert Zemeckis and A.L. Katz & Gilbert Adler. Fourth Draft. March 17, 1995. (108 pages).
B11, F3

Teenage Wasteland (pilot). Bonnie Turner, Terry Turner and Mark Brazill. Revised first draft. March 23, 1998. (63 pages).
B68, F3

The Texas Rangers. John Milius. Third draft. April 20, 1992. (112 pages).
B53, F7

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F4

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F5

There's Something About Mary. Story by Ed Decter and John Strauss; Screenplay by Ed Decter, John Strauss, Peter Farrelly, and Bobby Farrelly. October 21, 1997. (118 pages).
B42, F5

A Thin Line Between Love and Hate. Story by Martin Lawrence; Screenplay by Martin Lawrence, Bentley Kyle Evans, and Kenny Buford; Revision by Kim Bass.May 10, 1995. (123 pages). Also includes four versions of oneline schedule and a shooting schedule.
B11, F6

This World, Then the Fireworks. Larry Gross; adapted from a short story by Jim Thompson. October 25, 1995. (109 pages).
B16, F5

Thirteen (a.k.a. Lost Moon). William Broyles, Jr. and Al Reinert. Second Draft. January 31, 1994. (132 pages).
B11, F7

Thirteen Days. David Self. December 12, 1997. (142 pages).
B62, F5

Three (pilot). Evan Katz. January 24, 1997. (38 pages).
B32, F4

Three Men and a Baby. Coline Serreau, polish by James Orr and James Cruickshank. November 24, 1986. (134 pages).
B11, F8

Three of Clubs. Vincent M. Rotonda. April 3, 1998. (107 pages).
B42, F6

Three to Tango. Rodney Patrick Vaccaro; rewritten by Aline Brosh McKenna. November 12, 1997. (125 pages).
B46, F4

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. Third Draft. n.d. (115 pages).
B12, F1

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. September 2, 1994. (123 pages).
B12, F3

Ties That Bind. Rob Ulin. Third draft. January 30, 1996. (56 pages).
B16, F6

Til There Was You. Winnie Holzman. Revised draft. May 17, 1995. (123 pages).
B12, F4

Till There Was You. Winnie Holzman. September 24, 1993. (128 pages).
B42, F7

The Time Machine. John Logan; based on the novel by H. G. Wells. "DW format of the 8/23/2000 rewrite w/ inserted scene headings and scene numbers." September 8, 2000. (106 pages).
B82, F9

Tin Cup. (a.k.a. Let the Big Dog Eat) John Norville, from a story by Ron Shelton and John Norville; re-write by Ron Shelton. Third Draft. March 24, 1995. (131 pages).
B12, F4

To Live On. James Schamus; based on the novel "Woe to Live On" by Daniel Woodrell. May 22, 1997. (136 pages).
B48, F3

To Wong Foo, Thanks for Everything, Julie Newmar. Douglas Carter Beane. First Draft. November 5, 1993. (142 pages).
B12, F5

Tom Rhodes. Pilot. Mark Brazill and Jennifer Heath. Revised first draft. April 8, 1996. (56 pages).
B12, F6

Tom Sawyer. Stephen Sommers, rewrite by David Loughery and Ron Koslow; based on the Mark Twain novel. Revised Draft. September 6, 1994. (109 pages).
B12, F7

Tombstone. Kevin Jarre. Second Draft. November 5, 1992. (135 pages).
B12, F8

Tomcats. Gregory Poirier. March 24, 2000. (94 pages).
B69, F10

The Tomorrow Man. Alan Spencer. Revised Second Draft. January 1, 1995. (110 pages).
B12, F9

The Tool Shed (a.k.a. Bad Company). Ross Thomas. April 25, 1993.
B13, F1

Total Security. Story by Steven Bochno, Davic Milch, Charles Eglee, Theresa Rebeck; Teleplay by Theresa Rebeck. January 9, 1997. (60 pages).
B23, F3

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (3). October 12, 1995. (108 pages).
B13, F2

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (4). November 22, 1995. (109 pages).
B13, F3

Town and Country. Michael Laughlin. Revised draft. August 8, 1996. (119 pages).
B46, F5

Traffic. Stephen Gaghan. February 18, 2000. (146 pages).
B65, F8

Tremors. S. S. Wilson and Brent Maddock. 1988. (107 pages).
B13, F4

True Romance. Quentin Tarantino. Revised. August 1, 1991. (131 pages).
B13, F5

Truth or Consequences. Brad Mirman. September 14, 1995. (112 pages).
B32, F5

The Tuskegee Airmen. Ron Hutchinson; rewritten by Paris Qualles. January 16, 1995. (102 pages).
B13, F6

28 Days. Susannah Grant. February 13, 1999. (117 pages).
B68, F4

The Twilight Man. Jim Korris. Revised draft. September 5, 1995. (117 pages).
B23, F4

Two for Texas. Larry Brothers; based on the novel Sabine Spring by James Lee Burke. Production draft. July 3, 1997. (98 pages).
B37, F5

2-Face. Vince Gilligan. April 15, 1991. (123 pages).
B68, F5

200 Cigarettes. Shana Larsen. Revised second draft. October 1996. (115 pages).
B36, F6

U

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by Sam Montgomery and Jonathan Mostow. Production draft (white). June 26, 1998. (127 pages).
B51, F7

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B51, F8

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B60, F5

Ulee's Gold. Victor Nunez. n.d. (93 pages).
B26, F5

Union Square (pilot). Marco Pennette and Fred Barron. Second draft. February 27, 1997. (58 pages).
B28, F10

Unstrung Heroes. Richard Lagravenese. January 28, 1994. (117 pages).
B13, F7

Unstrung Heroes. Richard Lagravenese. March 19, 1993. (125 pages).
B14, F1

Untitled Cop Pilot. Gary David Goldberg & Chris Henchy. Writers Draft. August 16, 1999. (52 pages).
B61, F2

Untitled David E. Kelley Project. Sean O'Byrne and David E. Kelley. October 1, 1997. (135 pages).
B37, F6

Untitled Noah Baumbach Pilot. Noah Baumbach. February 24, 2000. (61 pages).
B74, F6

Untitled screenplay. Larry David. December 6, 1996. (120 pages).
B25, F1

Untitled television pilot. Carol Leifer. First Draft. March 2, 1997. (49 pages).
B21, F10

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F2

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F3

Uprising. Paul Brickmand; revisions by Jon Avnet. July 28, 1999. (134 pages).
B76, F8

Urban Legend 2: Final Cut. Paul Harris Boardman and Scott Derrickson. July 23, 1999. (108 pages).
B63, F8

U. S. Marshals. John Pogue. Revised numbered version. March 13, 1997. (123 pages).
B34, F5

V

Varsity Blues. John Gatins. n. d. (110 pages).
B46, F6

Varsity Blues. W. Peter Iliff. December 8, 1997. (116 pages).
B52, F10

Vendetta. Timothy Prager; revised by Nicholas Meyer; from the book by Richard Gambino. April 8, 1998. (108 pages).
B55, F7

Very Bad Things. Peter Berg. White script with scene numbers. September 2, 1997. (114 pages).
B42, F8

The Virginian. Sara Nemeth Goodman; based on the novel by Owen Wister. October 7, 1998. (104 pages).
B61, F3

Virtuosity. Eric Bernt. Third Rewrite. August 24, 1994. (117 pages).
B14, F4

The Visitors. n.a. November 30, 1998. (129 pages).
B53. F8

W

Waiting to Exhale. Terry McMillan and Ron Bass. Revised first draft. October 4, 1994. (133 pages).
B14, F5

A Wake in Providence. Billy Van Zandt and Jane Milmore and Vincent Pagano and Michael Pagano. Second draft. April 24, 1998. (120 pages).
B48, F4

Waking the Dead. Keith Gordon; Based on the novel by Scott Spencer. June 19, 1997. (117 pages).
B46, F7

Walkin' the Dog. Walter Mosley. Revised draft. May 30, 2000. (106 pages).
B76, F9

Wasteland (pilot). Kevin Williamson. Writer's draft. Janaury 12, 1999. (53 pages).
B57, F8

Watch That Man. Robert Farrar; revised by Tim John and Oliver Butcher; based on the novel by Robert Farrar. August 1, 1996. (118 pages).
B18, F9

Wayne's World: The Movie. Mike Myers, Bonnie Turner, and Terry Turner. June 3, 1991. (102 pages).
B32, F6

Wedding Album. Carolyn Jacobs. Revision 6. 1996. (34 pages).
B42, F9

The Wedding Dress. Alexander Ignon and Emily Tracy. May 7, 1999. (100 pages).
B77, F1

The Wedding Dress. Alexander Ignon and Emily Tracy. Production Draft. January 31, 2001. (96 pages).
B77, F2

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B63, F9

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B64, F10

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. February 10, 1997. (115 pages).
B26, F6

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. Renumbered script. February 10, 1997. (115 pages).
B35, F10

What Women Want. Nancy Meyers, Josh Goldsmith, Cathy Yuspa. June 15, 1999. (124 pages).
B65, F9

White Dwarf. Bruce Wagner. Revised draft. January 3, 1995. (94 pages).
B14, F6

Why Do Fools Fall in Love. Tina Andrews. Final draft. July 1, 1997. (115 pages).
B42, F10

Wild Things. Stephen Peters; rewrite by Kem Nunn. January 21, 1997. (110 pages).
B21, F11

Wildly Available. Michael Nolin. August, 1995. (106 pages).
B32, F7

Wishful Thinking. Adam Park. April 6, 1995. (109 pages; 2 pages of production notes.).
B14, F7

The Witches of Eastwick. Michael Cristofer, based on the book by John Updike. Revised first draft. January 27, 1986. (120 pages).
B14, F8

With Wings As Eagles. Randall Wallace; adapted from the novel Ostermann's War by James J. Cullen. October 14, 1996. (124 pages).
B68, F6

Wolverine. Robert T. Megginson; from a story by Frederick Forsyth. n. d. (98 pages).
B32, F8

The Women. Diane English. March 9, 2000. (135 pages).
B68, F7

The Women. Diane English. March 9, 2000. (135 pages).
B77, F3

The Wonder Cabinet (pilot). Glen Morgan and James Wong. January 22, 1999. (64 pages).
B68, F8

Woo. David Johnson, rewrite by April Claytor. April 30, 1996. (118 pages).
B23, F5

World on a Wire (a.k.a. The 13th Floor). Josef Rusnak and Ravel Centeno-Rodriguez. Final draft. November 3, 1997. (108 pages).
B37, F7

Wrestling Ernest Hemingway. Steve Conrad. May 7, 1992. (126 pages).
B14, F9

Wrongfully Accused. Pat Proft. May 14, 1997. (88 pages).
B32, F9

X

X-Men. Andrew Kevin Walker. Second draft. October 17, 1994. (76 pages).
B61, F4

Y

Z

Zero Effect. Jake Kasdan. Third Draft. January 30, 1997. (121 pages).
B25, F2

Zigzag. David S. Goyer; based on the novel by Landon J. Napoleon. March 28, 2000. (119 pages).
B77, F4

The list is arranged by title. You may jump to a particular section using the alphabet grid seen below.

NOTE: Though their use is welcomed, none of the scripts listed here may be photocopied.

A

Abbie! Bruce Graham and Robert Ward; based on books by Anita and Abbie Hoffman and Marty Jezer. Revised white draft. March 30, 1998. (153 pages).
B43, F1

Action (pilot). Chris Thompson. First draft. August 25, 1998. (34 pages).
B56, F7

Acts of Love. Edward R. Jones and Dale Herd; based on the novel Farmer by Jim Harrison. Second draft. January 5, 1995. (123 pages).
B1, F1

The Advocate's Devil. James Sadwith; based on the novel by Alan Dershowitz. Polish. November 6, 1996. (108 pages).
B26, F7

L'affaire du Collier (The Affair of the Necklace). John Sweet. Revised draft. October 25, 1999. (126 pages).
B65, F1

After All. Stacey Lyn Evans. Final draft. June 3, 1999. (92 pages).
B61, F5

Age of Treason. Lee David Zlotoff ; based on the novel Silver Pigs by Lindsey Davis. Second draft. August 11, 1992. (113 pages).
B1, F2

Alcatraz and Clarence Carres (Part I). Ernest Tidyman. Revised draft. April 28, 1980. (109 pages).
B33, F1

Alien Resurrection. Joss Whedon. Second revised draft. July 22, 1996. (117 pages).
B26, F8

All the Pretty Horses. Ted Tally; based on the novel by Cormac McCarthy. First draft revision. November 1, 1993. (150 pages).
B51, F9

All Together Now (pilot) Bill Freiberger. Third draft. April 16, 1998. (48 pages).
B43, F2

Amazing Grace. Paul Monash and Marshall Frady; based on the book Wallace by Marshall Frady. Production draft. June 5, 1996. (119 pages).
B47, F1

American History X. David McKenna. August 9, 1996. (117 pages).
B25, F3

American Rhapsody. Eva Gardos. Reveised draft. September 13, 1999. (116 pages).
B64, F1

An American Werewolf in Paris. Anthony Waller. Third draft. February 1996. (122 pages).
B29, F1

Andrew Martin (released as Bicentennial Man). Nicholas Kazan. Director's rewrite. September 4, 1998. (124 pages).
B62, F6

Angel Eyes. Gerald DiPego. Seventh draft. October 15, 1999. (118 pages).
B65, F2

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B36, F1

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B43, F3

Antitrust. Howard Franklin. Third draft. November 3, 1999. (122 pages).
B65, F3

Any Day Now: "Unfinished Symphony". Deborah Joy LeVine and Nancy Miller. Second draft. (63 pages).
B39, F1

Anywhere But Here. Alvin Sargent. April 14, 1998. (120 pages).
B43, F4

The Apartment Complex. Karl Schaefer. Revised first draft. January 12, 1998. (106 pages).
B43, F5

Apt Pupil. Brandon Boyce; based on the novel by Steven King. Production Draft #2. March 12, 1996. (135 pages).
B25, F4

Arli$$: The Art of the Sports Superagent: "Man of His Times". Robert Wuhl. Revised Draft. July 10, 1995. (34 pages).
B1, F3

Armageddon. Jonathon Hensleigh. March 13, 1997. (121 pages).
B26, F9

The Astronaut's Wife. Rand Ravich. Draft. August 26, 1997. (120 pages).
B37, F8

Auggie Rose. Matthew Tabak. [October 27, 1999]. (116 pages).
B59, F7

Austin Powers: International Man of Mystery. Mike Myers. Revised draft. May 24, 1996. (93 pages).
B25, F5

Autumn in New York. Allison Burnett; revisions by Paul Haggis; revisions by Allison Burnett. June 23, 1999. (109 pages).
B59, F8

B

The Bachelor. Steve Cohen; based on the film Seven Chances starring and directed by Buster Keaton and the Broadway play Seven Chances by Roi Cooper Megrue. May 4, 1998. (123 pages).
B56, F8

Bait. Tony Gilroy; revisions by Jeff Nathanson; additional revisions by Andrew Scheinman 7 Adam Scheinman. June 21, 1999. (108 pages).
B60, F6

The Baker Shift. Carlton Cuse. Shooting script. February 18, 1997. (31 pages).
B31, F6

Ballbusted. Scott Alexander and Larry Karaszewski. Revised draft. May 8, 1998. (111 pages).
B39, F2

Bastard Out of Carolina. Anne Meredith; based on the novel by Dorothy Allison. First Draft Polish. (114 pages).
B1,F4

Beautiful. Jon Bernstein. May 20, 1999. (121 pages).
B59, F9

Before Women Had Wings. Connie May Fowler; based on her novel. Second draft. January 16, 1997. (114 pages).
B29, F2

Beggars and Choosers: "The Mountainmen". Peter Lefcourt. Third draft. July 29, 1998. (100 pages).
B56, F9

Being John Malkovich. Charlie Kaufman. Revised fourth draft. June 16, 1998. (108 pages).
B49, F8

Bellyfruit. Maria Bernhard, Susannah Blikoff, Janet Borrus and Kerri Green. June 22, 1998. (101 pages).
B54, F1

Beverly Hills, 90210: "I Only Have Eyes For You". Laurie McCarthy. Revised Shooting Script. February 18, 1997. (54 pages).
B19, F10

The Big Hit. Ben Ramsey. April 10, 1997. (112 pages).
B30, F8

The Big Lebowski. Joel Coen and Ethan Coen. November 27, 1996. (121 pages).
B39, F3

Big Trouble. Robert Ramsey and Matthew Stone; based on the novel by Dave Barry. Draft. March 23, 2000. (130 pages).
B69, F1

Black and White (released as Trading Places). Tim Harris and Herschel Weingrod. Final Draft. October, 1982. (129 pages).
B1, F5

Blade. David S. Goyer. Production Draft. September 19, 1996. (110 pages).
B24, F1

Bless the Child. Revised draft by Don Roos; Revised by Chuck Russell. March 3, 1999. (125 pages).
B54, F6

Blind Men: (pilot). Table draft. April 11, 1998. (57 pages).
B43, F6

Bliss. L. Young. October 10, 1994. (117 pages).
B1, F6

Blood and Wine. Nick Villiers; story by Nick Villiers and Bob Rafelson; rewrite by Alison Cross. Second draft. December 12, 1994. (119 pages).
B29, F3

The Blouse Man. Pamela Gray. Revised draft. March 21, 1997. (119 pages).
B37, F10

The Bob Marley Story. Ron Shelton. Working draft. August, 1999. (131 pages).
B65, F4

Bone Chillers: "Back to School". Adam Rifkin; based on the book series by Betsy Haynes. Second Draft. n.d. (28 pages).
B15, F6

The Boondock Saints. Troy Duffy. Shooting script. August 28, 1997. (123 pages).
B39, F4

Booty Call. Takashi Bufford and Bootsie. Third Draft. February 21, 1996. (101 pages).
B18, F1

Boy Meets Girl (released as When Harry Met Sally). n.a., n.d. (122 pages).
B1, F7

The Brady Bunch. n. a., n. d. (107 pages).
B50, F9

Breakdown ("Untitled Kurt Russell Thriller"). Jonathan Mostow. Revised Draft. February 2, 1996. (110 pages).
B18, F2

The Breakers. Robert Dunn; revisions by Leora Barish; additional revisions by Scott Buck, Paul Guay, Stephen Mazur; current revisions by David Mirkin; rewrite by Phil Alden Robinson; revisions by Paul Guay and Stephen Mazur. Second polish. August 16, 1999. (125 pages)
B66, F1

Breaking Up. Michael Cristofer. n.d. (91 pages).
B21, F3

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B37 F9

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B51, F1

Brimstone: "Encore". Scott A. Williams. Revised production draft. September 16, 1998. (52 pages).
B49, F9

Bringing Out the Dead. Paul Schrader; based on the novel by Joseph Connelly. First draft. November 7, 1997. (99 pages).
B48, F5

Brokedown Palace. David Arata. Resided draft. April 11, 1997. (131 pages).
B34, F6

Brokedown Palace. David Arata; story by David Arata and Adam Fields. Revised draft. December 12, 1997. (124 pages).
B34, F6

Broken Arrow. Graham Yost. First Revison. November 1, 1994. (120 pages).
B1, F8

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B39, F5

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B25, F6

Brother's Keeper. (pilot). Donald Todd. Revised second draft. February 22, 1998. (49 pages).
B39, F6

Buddy Faro. Mark Frost. First draft. December 12, 1997. (60 pages).
B50, F8

The Burning Zone: Pilot. Coleman Luck. February 6, 1996. (64 pages).
B29, F4

The Burning Zone: "Lethal Injection". Coleman Luck and Carel Gage Luck. Shooting Script. August 19, 1996. (47 pages).
B15, F7

The Butcher's Wife. Ezra Litwak and Marjorie Schwartz. August 8, 1989. (130 pages).
B1, F9

C

The Cable Guy. Judd Apatow, based on a screenplay by Lou Holtz, Jr. First Revised Draft. September 5, 1995. (118 pages).
B2, F1

Carrie II. Rafael Moreu; revisions by Howard Rodman and Rafael Moreu. Optional fifth polish. February 13, 1998. (111 pages).
B43, F7

Caroline in the City: "Caroline and the Councilman". Lester Lewis. Table draft. September 8, 1997. (52 pages).
B25, F7

Caroline in the City: "Caroline and the Cold Sesame Noodles". Marco Pennette and Fred Barron. Table draft. September 15, 1997. (61 pages).
B26, F10

Cecil B. Demented. John Waters. n.d. (111 pages).
B62, F7

The Cell. Mark Protosevich. July 8, 1999. (95 pages).
B58, F1

The Center. Thania St. John. First draft. April 26, 1996. (69 pages).
B31, F7

Champs: "As the World Twirls". Gary David Goldberg. Revised Draft. February 7, 1995. (60 pages).
B16, F7

Charmed: (pilot). Constance M. Burge. n. d. (62 pages).
B43, F8

The Cider House Rules. John Irving. March 1997. (129 pages).
B39, F7

City of Angels. Dana Stevens; based on Wings of Desire by Wim Wenders. February 5, 1997. (124 pages).
B27, F1

City of Angels. Story by Steven Bochco, Nicholas Wootton and Paris Barclay; teleplay by Steven Bochco and Nicholas Wootton. May 6, 1999. (62 pages).
B61, F6

City of Fear. Stanford Koop. Third Revised Draft. June 18, 1996. (101 pages).
B20, F1

Clifford. Steven Kampmann and Will Aldis; revised by Paul Flaherty. August 21, 1990.(114 pages).
B21, F4

The Clockwatchers. Jill Specher and Karen Sprecher. Revised Draft. June 6, 1996. (117 pages).
B19, F1

Coach. Seth Zvi Rosenfeld. 2nd draft. September 1, 1994. (120 pages).
B2, F2

Coach: "Fool for Lunch". Eric Horsted. First Draft. August 10, 1995. (44 pages).
B2, F3

Cobb. Ron Shelton. Revised First Draft. July 9, 1993. (127 pages).
B2, F4

Cold Around the Heart. John Ridley. Director's Draft. September 22, 1995. (97 pages).
B15, F8

The Color of Night. Matthew Chapman, from a screenplay by Billy Ray. Draft 6a. February 15, 1993. (122 pages).
B2, F5

Colors. Michael Schiffer. First Draft. October 29, 1986. (122 pages).
B2, F6

Committed. Lisa Krueger. December 2, 1997. (121 pages).
B39, F8

Company Man. Peter Askin and Douglas McGrath. October 1, 1998. (99 pages).
B48, F6

Con Air. Scott Rosenberg. December 8, 1995. (117 pages).
B19, F2

Conrad Bloom: (pilot). Marco Pennette. Revised draft. February 11, 1998. (59 pages).
B39, F9

Conrad Bloom: (pilot). Marco Pennette. Revised network draft. March 4, 1998. (58 pages).
B39, F10

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 6, 1998. (51 pages).
B39, F11

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 7, 1998. (51 pages).
B39, F12

Conspiracy Theory. Brian Helgeland. December 11, 1995. (122 pages).
B34, F7

Corky Bonano. David Garrett and Jason Ward. June 9, 2000. (116 pages).
B69, F2

Corrina, Corrina. Jessie Nelson. June 25, 1993. (121 pages).
B2, F7

The Count of Monte Cristo. Jay Wolpert; based on the novel by Alexander Dumas. January 7, 2000. (124 pages).
B69, F3

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B54, F2

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B55, F8

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B58, F8

Crime of the Century. William Nicholson; based on the book The Airman and the Carpenter by Ludovic Kennedy. Revised first draft. (124 pages).
B29, F5

The Crow: City of Angels. David S. Goyer, based on characters created by James O'Barr. Revised First Draft. July 18, 1995. (89 pages).
B2, F8

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. February 10, 1998. (109 pages).
B37, F11

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. July 23, 1997. (113 pages).
B66, F2

Cruel Intentions (pilot). Roger Kumble. February 8, 1999. (66 pages).
B66, F3

The Curse. Rafael Moreu. Second draft. November 9, 1996. (109 pages).
B36, F7

D

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B48, F7

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B43, F9

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B53, F1

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F10

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F11

Dancing in the Dark. Michael Cristofer; based on the book by Cornell Woolrich. Revised draft. September 26, 1999. (111 pages).
B64, F2

Dangerous Minds. Ronald Bass and Jane Rusconi. Revised February 21, 1996. (59 pages).
B2, F9

A Dangerous Woman. Naomi Foner; based on the novel by Mary McGarris Morris. Fourth Draft. June 22, 1992. (127 pages).
B2, F10

Dark Skies "The Awakening". Bryce Zabel and Brent V. Friedman. Second Draft. Series Pilot. June 13, 1995. (117 pages).
B3, F1

The Dave Chappelle Project: (pilot). Peter Tolan and Dave Chappelle. First draft. November 11, 1997. (53 pages).
B40, F1

The Day Before Midnight. Bruce A. Evans and Raynold Gideon; based on the novel by Stephen Hunter. n. d. (124 pages).
B44, F1

Daybreak. Hans Tobeason. First revision. January 9, 1998. (60 pages).
B40, F2

Dead Man On Campus. Mike White (?) January 10, 1997. (109 pages).
B20, F2

Deal Kings. Richard Eid and Gavin W. Harris. September 29, 1998. (121 pages).
B48, F8

Dear God. Warren Leight. January 5, 1995. (118 pages).
B16, F8

Death on Everest. Robert J. Avrech; based on Into Thin Air by Jon Krakauer. December 23, 1996. (113 pages).
B30, F9

The Deep End of the Ocean. Stephen Schiff; adapted from the novel by Jacquelyn Mitchard. First revision plus. August 25, 1997. (118 pages).
B36, F2

Dellaventura: "The Rules of Engagement". Richard DiLello. Revised first draft pilot script. December 18, 1996. (np)
B27, F2

Depraved Indifference (a.k.a. Mary Jane's Last Dance). Victoria Strouse; revisions by Scott Ferraiolo. January 12, 1999. (117 pages).
B55, F9

Desperate Measures. David Klass and Marshall Herskovitz. Third draft. November 28, 1995. (120 pages).
B15, F1

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B3, F2

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B44, F2

Detox. Ron L. Brinkerhoff; revisions by Patrick Smith Kelly. October 20, 1998. (111 pages).
B52, F1

Detroit Rock City. Carl DuPre. July 28, 1998. (111 pages).
B49, F10

Devil in a Blue Dress. Carl Franklin; from the novel by Walter Mosley. n.d. (123 pages).
B3, F3

Devil's Advocate. Lawrence D. Cohen; revised by Jonathan Lemkin, Robert Mark Kamen, Tony Gilroy. First draft rewrite. April 11, 1996. (123 pages).
B25, F8

Dharma & Greg. Dottie Dartland and Chuck Lorre. Second draft. March 31, 1997. (55 pages).
B33, F2

Diabolique. Don Roos; based on the novel Celle Qui N'Etait Plus by Pierre Boileau and Thomas Narcejac, and on the the film Les Diaboliques by Henri-Georges Clouzot and Jerome Geronini. Revised second draft. April 3, 1995. (124 pages).
B3, F4

Dicks. Jeff Kline and Mark B. Perry. Third draft. December 18, 1998. (66 pages).
B56, F1

Dill Scallion. Jordan Brady. Second Draft. May 28, 1997. (99 pages).
B24, F2

Dr. Bean. Richard Curtis and Robin Driscoll with Rowan Atkinson. June 7, 1996. (122 pages).
B21, F5

Doctor Dolittle. Nat Mauldin. Revised third draft. December 19, 1996. (106 pages).
B44, F3

Dogs. Tommy Swerdlow and Michael Goldberg. Revised first draft, pilot. January 20, 1997. (71 pages).
B31, F8

Double Jeopardy. David Weisberg and Douglas S. Cook. January 9, 1998. (126 pages).
B40, F3

Double Take. George Gallo. January 20, 2000. (107 pages).
B64, F3

The Downtowners: (pilot). Bill Oakley and Josh Weinstein. First draft. April 20, 1998. (58 pages).
B54, F7

Drugstore Cowboy. Gus Van Sant and Dan Yost, story by James Fogle. First Draft. August 26, 1987. (104 pages).
B3, F5

Dude, Where's My Car? Philip Stark. February 25, 2000. (98 pages).
B71, F1

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B44, F4

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B47, F2

Dune. David Lynch; based on the novel by Frank Herbert. 6th draft. December 9, 1982. (135 pages).
B3, F6

E

Earth Girls Are Easy. Julie Brown, Charlie Coffey, and Terrence McNally. August, 1985. (123 pages).
B3, F7

Easy Streets. Paul Haggis. Pilot episode. Second draft. January 7, 1995. (92 pages).
B25, F9

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages).
B26, F1

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages). (second copy).
B24, F1

The Eighteenth Angel. David Seltzer. October 15, 1995. (111 pages).
B3, F8

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B49, F11

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B58, F2

The End of Violence. Nicholas Klein; story by Nicholas Klein and Wim Wenders. First draft. August, 1996. (79 pages).
B27, F3

Enemy of the State. David Marconi and Aaron Sorkin. February 10, 1997. (135 pages).
B40, F4

Entrapment. William Broyles, Jr., Ron Bass, and Don Macpherson; story by Ron Bass and Michael Hertzberg. Revised tenth draft. May 8, 1998. (119 pages).
B53, F2

Eraser. Tony Puryear. Revised screenplay. July 13, 1995. Warner Brothers. (140 pages).
B3, F9

Erin Brockovich: A True Story. Susannah Grant; revisions by Richard Lagravenese. Revised draft. March 22, 1999. (128 pages).
B56, F2

Escape Clause. Danilo Bach. August 21, 1995. (107 pages).
B20, F3

Event Horizon. Philip Eisner. First draft. n.d. (120 pages).
B22, F2

Executive Decision. Jim Thomas and John Thomas. May 29, 1992. (138 pages).
B3, F10

Executive Privilege. Wayne Beach and David Hodgin; revisions by Steven Maeda; revisions by Wayne Beach; revisions and polish by Vince McKewin. May 21, 1996. (118 pages).
B18, F3

Extreme Measures. First draft by W.D. Richter, Revisions by Tony Gilroy, Polish by Hugh Grant. November 17, 1995. (125 pages).
B15, F2

F

Face/Off. Mike Werb and Michael Colleary. Revised draft. August 8, 1996. (121 pages).
B44, F5

The Faculty. Kevin Williamson. January 5, 1998. (121 pages).
B40, F5

Family Man. David Diamond and David Weissman. August 27, 1999. (122 pages).
B64, F4

A Family Thing. Billy Bob Thornton and Tom Epperson. Scene Numbered Script. March 10, 1995. (113 pages).
B4, F1

Farscape: (premier episode). Rockne S. O'Bannon. Revised first draft. April 24, 1998. (58 pages).
B50, F1

Father of Frankenstein. Bill Condon; based on the novel by Christopher Bram. (124 pages).
B27, F4

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (96 pages).
B26, F2

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (97 pages).
B34, F8

La Femme Nikita. (Teleplay). Cyrus Nowrasteh. Revised Draft. February 16, 1996. (52 pages).
B24, F3

The Fifth Corner. John Herzfeld. December 12, 1990. (70 pages).
B44, F6

54. Mark Christopher. August 12, 1997. (115 pages).
B35, F1

Finding Forrester. Mike Rich. n.d. (123 pages).
B66, F4

First Love, Last Rites. David Ryan and Jesse Peretz; based on a short story by Ian McEwan. n.d. (103 pages).
B36, F8

The Flash (Pilot). Danny Bilson and Paul De Meo. March 9, 1990. (95 pages).
B33, F3

Fled. Preston A. Whitmore II. First revison. August 11, 1995. (119 pages).
B4, F2

Floating Life. Eddie L. C. Fong and Clara Law. November 1994. (106 pages).
B4, F3

The Flood. Graham Yost. Fifth Draft. May 10, 1996. (104 pages).
B19, F3

Four Dogs Playing Poker. Shawn Thompson and Steve Roberts. Director's draft. February 4, 1999. (107 pages).
B59, F1

For the Cause. David March Douglas and Christopher Salazar. Second draft, first revision. September 7, 1998.
B58, F3

For Hope. Susan Rice. Revised first draft. November 7, 1995. (105 pages).
B21, F6

Forces of Nature. Mark Lawrence. First revision. February 13, 1997. (113 pages).
B54, F3

Foreplay. Joe Eszterhas. First draft. n. d. (111 pages).
B50, F2

Forget Me Not. Dick Christie. Macdonald/Duigan version. February 4, 1998. (105 pages).
B44, F7

Fortress II: Escape from Skycell. John Flock. September 7, 1998. (106 pages).
B52, F2

Freak the Night. Charles Leavitt; based on the novel by Rodman Philbrick. Revised Draft. August 7, 1995. (127 pages).
B24, F4

Frequency. Toby Emmerich. Revised draft. May 19, 1998. (121 pages).
B53, F3

G

G's Trippin'. Gary Hardwick. First draft. June 18, 1996. (113 pages).
B54, F8

The Gail O'Grady Project. Martin Weiss. Second draft. March 29, 1996. (49 pages).
B4, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B58, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B62, F8

The Game (pilot). John Tinker; created by John Tinker and Bill D'Elia. January 30, 1998. (60 pages).
B38, F1

Gang Related. Jim Kouf. Revised Draft. March 6, 1996. (123 pages).
B19, F4

Gangster. Chris Brancato. Third draft. April 8, 1996. (115 pages).
B29, F6

Ganz and Mandel (a.k.a. Hiller and Diller): Pilot. Lowell Ganz and Babaloo Mandel. Revised first draft. March 17, 1997. (55 pages).
B31, F1

The Gaslight Addition. Marlene King. June 15, 1994. (121 pages).
B4, F6

Gattaca. Andrew M. Niccol. n. d. (115 pages).
B29, F7

Gene Roddenberry's Battleground: Earth. Gene Roddenberry. n. d. (58 pages).
B22, F3

Georgia Rule. Mark Andrus. April 2, 1999. (131 pages).
B66, F5

Get Shorty. Scott Frank, from the novel by Elmore Leonard. October 15, 1993. (131 pages).
B4, F7

The Gift. Billy Bob Thornton and Tom Epperson. Revised draft. September 7, 1999. (113 pages).
B61, F7

Gilroy's. Barry Fanaro and Mort Nathan. Final draft. April 8, 1998. (46 pages).
B44, F8

Girl Gives Birth to Prom Date. Rob Thomas; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. First revision. February 23, 1998. (117 pages).
B44, F9

The Glass House. Wesley Strick. Revised draft. October 28, 1999. (117 pages).
B65, F5

The Glass House. Wesley Strick. February 22, 2000. (114 pages).
B65, F6

Gone in 60 Seconds. Scott Rosenberg. January 22, 1999. (125 pages).
B54, F9

Gods and Monsters. Bill Condon; based on the novel by Christopher Bram. May 30, 1997. (110 pages).
B27, F5

Good Advice. Daniel Margosis and Robert Horn. Production Rewrite. April 8, 2000. (104 pages).
B69, F4

Good Will Hunting. Matt Damon and Ben Affleck; story by Matt Damon. January 22, 1997. (109 pages).
B27, F6

Gordon & Conn Project (pilot). Andrew Gordon and Eileen Conn. Second draft. January 26, 1999. (60 pages).
B57, F1

Gossip. Gregory Poirier; draft by Theresa Rebek. March 20, 1998. (119 pages).
B51, F2

Grace Under Fire: "Head Games". Ric Swartzlander. March 1, 1996. (52 pages).
B4, F8

Graceland. Jason Horwitch and David Winkler. Production Draft. January 7, 1997. (95 pages).
B24, F5

Grand Avenue. Greg Sarris. First Revised Draft. March 20, 1995. (@145 pages).
B4, F9

The Grass Harp. Stirling Silliphant and Kirk Ellis, based on the novel by Truman Capote. September 6, 1994. Grass Harp Productions. (109 pages). File also includes three shooting schedules for the film.
B4, F10

Great Balls of Fire! Jack Baran and Jim McBride; based on the book by Myra Lewis and Murray Silver. June 8, 1988. (133 pages).
B21, F7

Gridlock. Vondie Curtis Hall. Second Revision. April 24, 1995. (97 pages).
B15, F9

Gridlock. Vondie Curtis Hall. Revised Second Draft. March 5, 1996. (103 pages).
B15, F10

Gun Shy. Eric Blakeney. Second draft. August, 1998. (118 pages).
B48, F9

H

Halloween: The Revenge of Laurie Strode. Story by Kevin Williamson; screenplay by Robert Zappia. Revised second dreaft. December 29, 1997. (91 pages).
B44, F10

Hanging Up. Delia Ephron; based on a script by Delia Ephron and Nora Ephron; based on the book by Delia Ephron. November 5, 1998. (110 pages).
B57, F2

Hard Time. n. a. Final white script. May 19, 1998. (97 pages).
B52, F3

Havana Nocturne: The Arturo Sandoval Story. Rafeal Lima; current revisions by Tim Sexton. October 8, 1999. (119 pages).
B66, F6

Head Over Heels. Ron Burch and David Kidd; story by John J. Strauss, Ed Decter, David Kidd, and Ron Burch. First draft. January 7, 1999. (114 pages).
B55, F1

Heat. ("Untitled Screenplay by Michael Mann"). Michael Mann. March 3, 1994. (162 pages).
B4, F11

Heat Vision and Jack: "The Eyes of Paragon". Rob Schrab and Dan Harmon. February 14, 1998. (34 pages).
B60, F1

The Heist. Kurt Voss. n.d. (94 pages).
B55, F2

The Hi-Lo Country. Walon Green; based on the novel by Max Evans. Second draft revised. January 9, 1997. (109 pages).
B36, F3

High Crimes. Yuri Aeltser adn Cary Bickley; revisions by Susan Shilliday; based on the novel by Joseph Finder. June 29, 2000. (110 pages).
B71, F2

High Fidelity. D. V. De Vincentis, Steve Pink, John Cusack; based on the novel by Nick Hornby. December 10, 1998. (127 pages).
B53, F4

High Roller. Steven Brill. Revised draft. September 1, 1997. (117 pages).
B45, F1

High School High. David Zucker and Robert N. LoCash. Fourth Draft. July 18, 1995. (118 pages).
B5, F1

Higher Learning. John Singleton. January 6, 1993. (127 pages).
B5, F2

Higher Learning. John Singleton. n.d. (125 pages).
B5, F3

Higher Learning (One-line shedule). February 4, 1994. (16 pages).
B27, F7

Hiroshima. John Hopkins. First Draft. February 21, 1995. (175 pages).
B5, F4

The Hollow Man. Andrew W. Marlowe. Revised draft. October 20, 1998. (123 pages).
B55, F3

Home for the Holidays. W. D. Richter; based on a story by Chris Radant. Fifth Draft. October 7, 1994. Egg Pictures. (129 pages).
B16, F9

Homeboys in Outer Space. Pilot episode. Ehrich Van Lowe. First Draft. March 4, 1996. (56 pages).
B5, F5

Hong Kong Cracker. Paul Abbott. April 29, 1996. (113 pages).
B15, F3

Hope Floats. Steven Rogers. Revised Draft. January 13, 1997. (118 pages).
B20, F4

How Stella Got Her Groove Back. Ron Bass and Terry McMillan; based on the novel by Terry McMillan. Optional Polish. July 23, 1997. (126 pages).
B33, F4

How to Kill Your Neighbor's Dog. Michael Kalesniko. June 22, 1999. (112 pages).
B62, F9

How to Kill Your Neighbor's Dog. Michael Kalesniko. September 13, 1999. (112 pages).
B63, F1

Hurlyburly. David Rabe. First draft. March 1, 1996. (135 pages).
B40, F6

Hurricane. Morgan J. Freeman. May 14, 1996. (111 pages).
B19, F5

I

I Know What You Did. Kevin Williamson; based on the novel by Lois Duncan. Second Rewrite. December 2, 1996. (114 pages).
B22, F4

I Werewolf. Created by Stan Lee and Scott Shepherd; teleplay by Scott Shepherd. Second draft. Dsecember 18, 1995. (58 pages).
B31, F10

The Ice Storm. James Schamus; based on the novel by Rick Moody. First draft revised. January 5, 1996. (116 pages).
B45, F2

I'll Be You. Mark Schwahn. First draft. December, 1998. (110 pages).
B56, F3

I'm Losing You. Bruce Wagner. January 5, 1998. (92 pages).
B38, F2

Imaginary Crimes. Kristine Johnson and Davia Lee Nelson, from the novel by Sheila Ballantyne. February 6, 1991. (116 pages).
B5, F6

In and Out. Paul Rudnick. February 28, 1996. (119 pages).
B18, F4

In Too Deep. Matt Healy. February 13, 1997. (104 pages).
B38, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B47, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B55, F4

Inconvenienced. Jeff Eastin. May 18, 1998. (113 pages).
B45, F3

Independence Day. Dean Devlin and Roland Emmerich. Second Draft. May 11, 1995. (137 pages).
B5, F7

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. March 18, 1998. (116 pages).
B52, F4

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. August 26, 1998. (115 pages).
B55, F5

I.Q.. Andy Breckman, revision by Michael Leeson. January 9, 1994. (124 pages).
B5, F8

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin. Second draft rewrite. February 27, 1998. (116 pages).
B40, F7

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin; rewrite by Zak Penn. May 6, 1998. (103 pages).
B50, F3

Inventing the Abbotts. Ken Hixon; from a short story by Sue Miller. December 4, 1995. (112 pages).
B19, F6

The Invisible Circus. Adam Brooks; adapted from the novel by Jennifer Egan. Revised draft. May 26, 1998. (103 pages).
B66, F7

The Invisible Man: (pilot). Dick Wolf, Brad Kern, Bob Crais. February 28, 1998. (58 pages).
B40, F8

The Invisible Man (pilot). Matt Greenberg. Fifth draft. June 21, 1999. (107 pages).
B66, F8

Isn't She Great. Paul Rudnick. March 2, 1998. (114 pages).
B40, F9

"It Still Has No Title" (pilot) Jeff Greenstein and Jeff Strauss. First raft. February 7, 1997. (55 pages).
B31, F9

It's True!: "The Rats of Rumfordton". Teleplay by Paul De Meo and Danny Bilson; story by Gahan Wilson, Paul De Meo and Danny Bilson. First draft. January 22, 1998. (58 pages).
B40, F10

J

The Jack Bull. Dick Cusack; adapted from the novel Michael Kohlhaas by Heinrich Von Kleist. February 9, 1998. (117 pages).
B47, F4

Jag: "Soldier of Love". Evan Katz. Writer's Draft. July 7, 1995. (59 pages).
B5, F9

James Barry. Menno Meyjes; based on a screenplay by Patrick Lee. January 11, 1996.(137 pages).
B19, F7

Jane. Lyndall Hobbs; story by Lyndall Hobbs and Tracy Tynan. May 8, 1997. (116 pages).
B66, F9

Jerry Maguire. Cameron Crowe. July, 1995. (147 pages).
B17, F1

Jerry Maguire. Cameron Crowe. Shooting Draft, Blue Revision. February 28, 1996. (133 pages).
B17, F2

Jerry Maguire: Shooting Schedule. March 6, 1996. (57 pages).
B17, F3

Jerry Maguire: Day Out of Days. March 6, 1996. (18 pages).
B17, F4

Jerry Maguire (One-line schedule). April 2, 1996. (13 pages).
B17, F5

Joan Cusack Project. Eric Gilliland. Second draft. March 19, 1999. (65 pages).
B67, F1

Jules. Pilot episode. Wendy Goldman and Julia Sweeney. Revised Second Draft. March 7, 1996. (52 pages).
B5, F10

Just Shoot Me: "Finch on Ice". Susan Dickes and Brian Reich. February 28, 2000. (47 pages).
B63, F2

K

The Kid. Audrey Wells. August 19, 1999. (132 pages).
B64, F5

The Killing Jar. n.a. Revised Draft. August 23, 1995. (108 pages). Also includes oneline schedule and shooting schedule.
B5, F11

Killing Mrs. Tingle. Kevin Williamson. January 16, 1998. (109 pages).
B45, F4

The Kiss. Richard Lagravenese. Revised Pre-Production Draft. February 5, 1997. (119 pages).
B24, F6

Kiss of Death. Richard Price. "Pink Revision" of First Draft. April 14, 1994. (121 pages).
B6, F1

Kiss the Girls. David Klass; adapted from the novel by James Patterson. November 27, 1995. (121 pages).
B21, F8

A Knight's Tale. Brian Helgeland. November 1999. (126 pages).
B64, F6

The "L" Word. Pilot. Winnie Holzman. First draft. January 3, 1995. (58 pages).
B22, F5

L. A. Confidential. Brian Helgeland; based on the novel by James Ellroy. Revised draft. February 12, 1996. (129 pages).
B27, F8

L. A. Med. Pilot: "Liver Let Die". Kimberly Costello. n. d. (@80 pages).
B20, F5

L. A. Sheriff's Homicide. James Ellroy. Revised network draft. December 4, 1998. (100 pages).
B60, F2

The Ladies' Man. Tim Meadows, Dennis McNichols, and Andrew Steele. Third draft. July 9, 1999. (110 pages).
B60, F7

Lansky. David Mamet; polish by Vincent Patrick. November 1997; formatted June 30, 1998. (113 pages).
B67, F2

The Last Question. Bryan Singer; based on a short story by Isaac Asimov. Fourt draft. August 7, 1995. (27 pages).
B41, F1

Lateline: "Pilot". Al Franken and John Markus. First draft. June 27, 1996. (55 pages).
B29, F8

Lawyers; Prototype. Stephen Nathan and Diane English. First Draft. January 31, 1996. (58 pages).
B17, F6

Leaving L. A.: "Intermission". Nancy Miller. Second Draft. February 3, 1997. (57 pages).
B24, F7

Legalese. Billy Ray. February 28, 1996. (123 pages).
B41, F2

Legalese. Billy Ray. March 12, 1998. (102 pages).
B41, F3

Legend of the Mummy. Jeffrey Obrow; story adaptation by Jeffrey Obrow, Lars Hauglie, and John Penney; based on the story by Bram Stoker. April 4, 1997. (@132 pages).
B22, F6

Librium. Kurt Wimmer. n.d. (105 pages).
B69, F5

Life. Robert Ramsey and Matthew Stone. November 18, 1997. (117 pages).
B45, F5

The Life Before This. Semi Chellas. April 13, 1998. (115 pages).
B59, F6

A Life Less Ordinary. John Hodge. May 30, 1996. (117 pages).
B24, F8

The Limbic Region. Todd Johnson and Patrick Ranahan. (114 pages).
B6, F2

The Lion, The Witch, and the Wardrobe. Menno Meyjes; <based on the novel by C. S. Lewis>. Fourth Draft. March 19, 1996. (99 pages).
B19, F8

Long Kiss Goodnight. Shane Black. Revised draft. September 11, 1995. (115 pages).
B6, F3

Lost and Found (pilot). Terri Minsky. April 11, 2000. (64 pages).
B67, F3

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. July 31, 1998. (110 pages).
B50, F4

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. August 26, 1998. (112 pages).
B63, F3

Love and Basketball. Gina Prince-Bythewood. First draft. October 11, 1998. (105 pages).
B63, F4

Love Field. Don Roos. Shooting Draft in color-coded sections of varying dates from February 23, 1990 to May 3, 1990. (129 pages).
B6, F4

Loved. Erin Dignam. August 25, 1995. (123 pages).
B6, F5

Lulu on the Bridge. Paul Auster. August 18, 1997. (103 pages).
B41, F4

M

Mad City. Tom Matthews; based on a story by Tom Matthews and Eric Williams; revisions by Ebbe Roe Smith. June 7, 1996. (131 pages).
B35, F2

Maggie Winters: "Total Eclipse". Kari Lizer. Second draft. February 18, 1998. (57 pages).
B51, F3

The Man in the Iron Mask. Randall Wallace. Reformatted first draft. October 14, 1996. (121 pages).
B31, F2

Man-Made. Teleplay by Steve De Jarnatt; story by Brent Friedman, Steve De Jarnatt, Stan Rogow; created by Steve De Jarnatt, Brent Friedmand, Stan Rogow. February 13, 1997. (59 pages).
B67, F4

Man on the Moon. Scott Alexander and Larry Karaszewski. First draft. (154 pages).
B58, F5

Man Trouble. Carole Eastman (a.k.a. Adrien Joyce). Sixth draft. August 8, 1990. (128 pages).
B21, F9

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B52, F5

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B53, F5

Marabunta. Wink Roberts and Linda Palmer. May 16, 1997. (87 pages).
B24, F9

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; rewritten by Jonathon Gems; inspired by the "Mars Attacks" Topps Trading Cards. July 20, 1995. (107 pages).
B17, F7

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; suggested by images on "Mars Attacks" Topps Trading Cards. Fifth Revised Draft. November 12, 1995. (108 pages).
B17, F8

The Marshall: "Bounty Hunter". Don M. Mankiewicz. (50 pages).
B6, F6

Matinee. Jerico Stone; revisions by Ed Naha and Charlie Haas. Second Draft (Charlie Haas). May 31, 1991. (121 pages).
B6, F7

Maverick. William Goldman. Third Draft. June 24, 1993. (144 pages).
B6, F8

Maximum Bob. Alex Gansa; adapted from the novel by Elmore Leonard. Revised first draft. August 19, 1997. (64 pages).
B36, F9

Me, You, Him and Her (pilot). Neil Simon. July, 1995. (47 pages).
B31, F11

Meet the Parents. Jim Herzfeld. Director's revised. August 13, 1999. (123 pages).
B63, F5

Men Behaving Badly: "Babies Having Babies". Matthew Carlson. Writer's Draft. January 29, 1996. (57 pages).
B6, F9

Men Behaving Badly: "Carpe Dino". Rick Nyholm. Table draft. December 1, 1997. (54 pages).
B38, F4

Men Behaving Badly: "Christmas". Matthew Carlson. Writer's Draft. November 27, 1996. (49 pages).
B18, F5

Men Behaving Badly: "The Fur Man Cometh". Stacie Lipp. Table draft. November 3, 1997. (52 pages).
B38, F5

Men Behaving Badly: "Jamie's Got Next". Matt Tarses. Table draft, second revision. August 27, 1997. (41 pages).
B29, F9

Men Behaving Badly: "No Retreat, No Surrender". Story by Jeff Martin; Teleplay by John Bowman and Tom Brady. Table Draft 2. September 8, 1997. (37 pages).
B26, F3

Men Behaving Badly: "Special Delivery". Jeff Filgo and Jackie Behan. Table draft. October 20, 1997. (44 pages).
B38, F6

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft. October 6, 1997. (45 pages).
B38, F7

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft first revision. October 7, 1997. (42 pages).
B38, F8

Men Behaving Badly: "The Sting". Jackie Behan and Jeff Filgo. Table draft. September 15, 1997. (45 pages).
B27, F9

Men Behaving Badly: "The Tape". Amy Welsh. Table draft. September 23, 1997. (43 pages).
B38, F9

Men Behaving Badly: "The Truth About Cats and Ducks". Bill Wruble. Table draft. October 13, 1997. (50 pages).
B38, F10

Men Behaving Badly: "Welcome to JamieCo". Stacie Lipp. Table draft. November 10, 1997. (44 pages).
B38, F11

Men In Black. Ed Solomon. Second draft. (108 pages).
B22, F7

Men With Guns. Lachy Hulme. March 19, 1996. (111 pages).
B29, F10

Message in a Bottle. Gerald DiPrego; from the novel by Nicholas Sparks. Revision. November 11, 1997. (139 pages).
B36, F4

The Mexican. J. H. Wyman. April 15, 1999. (113 pages).
B67, F5

Millennium. n.a., n.d. (59 pages).
B7, F1

Millennium: "Broken World". Robert Moresco and Patrick Harbinson. March 5, 1997. (59 pages).
B22, F8

Millennium: "Jose Chung's Doomsday Defense". Darin Morgan. October 27, 1997. (57 pages).
B31, F3

The Millennium Plague. Perri Klass and David Klass. Revised second draft. November 5, 1998. (117 pages).
B52, F6

The Millennium Plague. Perri Klass and David Klass. Revised second draft. Novermber 5, 1998. (117 pages).
B57, F3

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B51, F4

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B59, F2

The Minus Man. Hampton Fancher; adapted from the novel by Lew McCreary. Revised draft. July 29, 1996. (128 pages).
B29, F11

Miracle Mile. Steve DeJarnatt. February 23, 1987. (114 pages).
B7, F2

Mr. Bojangles. Robert P. Johnson. Third draft. March 29, 2000. (114 pages).
B71, F3

Mr. Magoo. Pat Proft and Tom Sherohman; revised by E. Jack Kaplan; rewrite by Jeff Berry. January 24, 1997. (113 pages).
B30, F1

Miss Evers Boys. Walter Bernstein; based on a play by David Feldshuh. Final Draft. March 15, 1996. (95 pages).
B35, F3

M'Lady. Camille Tucker and Kim Greene; Rewrite by Michael Henry Brown and Paul Aaron; final revisions by Camille Tucker and Kim Greene. March 12, 1996. (110 pages).
B45, F6

Montana. Erich Hoeber and Jon Hoeber. Shooting script. November 22, 1996. (101 pages).
B30, F2

Mortal Kombat: Annihilation. n. a., n. d. (99 pages).
B26, F4

Mother Night. Robert B. Weide; based on the novel by Kurt Vonnegut, Jr. February 7, 1992. (124 pages).
B15, F4

Murder One. Charles H. Eglee, Channing Gibson, Steven Bochco, David Milch; story by Steven Bochko, Charles H. Eglee, Channing Gibson. April 4, 1995. (59 pages).
B27, F10

Murder She Wrote: "Death in Hawaii". Laurence Heath. Revised. April 21, 1994. (57 pages).
B7, F3

Murder She Wrote: "Love & Hate in Cabot Cove". Robert Van Scoyk. Revised. September 21, 1993. (57 pages).
B7, F4

Murder She Wrote: "Time to Kill". Laurence Heath. December 12, 1993. (62 pages).
B28, F1

Music From Another Room. Charlie Peters. October 3, 1996. (113 pages).
B20, F6

My Best Friend's Wedding. Ronald Bass. First draft. n.d. (128 pages).
B22, F9

My Fellow Americans. E. Jack Kaplan and Richard Chapman; rewrite by Peter Tolan. Warner Bros. October 6, 1995. (125 pages).
B19, F9

My First Mister. Jill Franklyn. March 18, 1999. (117 pages).
B64, F7

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B48, F10

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B50, F5

N

Nailed. Joel Silverman. n.d. (100 pages).
B64, F8

Nash Bridges: "The Great Escape". Carlton Cuse and Michael Norell. Shooting Script, 2nd revision. April 29, 1996. (52 pages).
B17, F9

Navy Diver. Scott Marshall Smith. May 14, 1999. (107 pages).
B59, F3

The Negotiator. James DeMonaco and Kevin Fox. May 23, 1997. (137 pages).
B33, F5

Nell. William Nicholson; based on the play by Mark Handley. January 3, 1994. (110 pages).
B7, F5

The Net. "Winkler/Cowan/Beebe & Ferris/Brancato". November 7, 1994. (121 pages).
B7, F6

Never Been Kissed. Jenny Bicks; based on the original screenplay by Abby Kohn and Marc Silverstein. April 30, 1998. (117 pages).
B57, F4

The New Jersey Turnpikes. Hank Perlman. January 9, 1998. (98 pages).
B41, F5

The Newton Boys. Claude Stanush, Clark Lee Walker, Richard Linklater. Revised draft. January 13, 1997. (127 pages).
B30, F3

Next To You. Rob Thomas; revisions by John Schultz; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. July 1, 1998. (111 pages).
B45, F7

Nick Freno: Licensed Teacher (pilot episode). Marc Warren and Dennis Rinsler. Shooting Script. April 26, 1996. (46 pages).
B16, F1

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F7

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F8

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. First Draft. March 3, 1995. (103 pages).
B7, F9

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. Revised Draft. March 24, 1995.
B7, F10

Night Falls on Manhattan. Sidney Lumet; based on the book Tainted Evidence by Robert Daley. June 16, 1995. (120 pages).
B7, F11

Night Man. Glen A. Larson. February 26, 1997. (100 pages).
B31, F4

Nightjohn. Bill Cain; based on the novel by Gary Paulsen. Revised second draft. July 18, 1994. (114 pages).
B8, F1

The Ninth Gate. Roman Polanski, John Brownjohn and Enrique Urbizu; based on a novel by Arturo Perez-Reverte. Final draft. March 22, 1998. (109 pages).
B60, F8

Norma and Marilyn. Jill Isaacs. May 5, 1995. (210 pages).
B47, F5

Not Our Son. Scott Swanton. Second Draft. September 28, 1994. (106 pages).
B8, F2

Nothing To Lose. Steve Oedekerk. November 11, 1995. (113 pages).
B21, F1

The Notorious. Glen Morgan and James Wong. February 4, 1997. (63 pages).
B30, F4

Novocaine. David Atkins; story by David Atkins and Paul Felopulos. October 31, 1999. (119 pages).
B61, F8

Numbers. Adam Resnick. Second draft. January 28, 1999. (128 pages).
B60, F9

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B51, F5

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B58, F6

The Nutty Professor. Barry Blaustein and David Sheffield, rewrite by Tom Shadyac and Steve Oedekerk. First Draft. February 1, 1995. (102 pages).
B8, F3

O Brother, Where Art Thou? Joel Coen and Ethan Coen; based upon The Odyssey by Homer. February 2, 1999. (102 pages).
B60, F3

The Object of My Affection. Wendy Wasserstein; based on the novel by Stephen McCauley. "Martha's Vineyard Version". July 1996. (115 pages).
B35, F4

The Odd Couple II: Travelin' Light. Neil Simon. Second draft. April 1997. (107 pages).
B28, F2

One Eight Seven. Scott Yageman. Revised Draft. February 14, 1996. (128 pages).
B18, F6

One Fine Day. Ellen Simon; based on an original draft by Terrel Seltzer. October 23, 1995. (118 pages).
B17, F10

100%. Eric Koyanagi. Fifth draft. October 14, 1996. (120 pages).
B31, F12

One Night at McCool's. Stan Seidel. April 30, 1999.
B58, F7

One Night at McCool's. Stan Seidel. April 30, 1999. (108 pages).
B61, F9

One True Thing. Karen Croner; based on the book by Anna Quindlen. Ivory draft. January 26, 1998. (126 pages).
B45, F8

Only In America: The Life and Crimes of Don King. Kario Salem. Third Draft Revised. January 1, 1997. (87 pages).
B20, F7

The Osiris Chronicles; pilot. Caleb Carr. First Network Draft. January 3, 1995. (78 pages).
B17, F11

The Other Sister. Garry Marshall and Bob Brunner. July 18, 1997. (121 pages).
B45, F9

Out of Sight. Scott Frank; based on the novel by Elmore Leonard. Final draft. August 5, 1997. (139 pages).
B33, F6

P

The Pallbearer. Jason Katima and Matt Reeves. October 27, 1994. (124 pages).
B8, F4

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F3

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F4

Passed Away. Charlie Peters. Draft. January 25, 1991. (120 pages).
B22, F10

Passion of Mind. Ronald Bass. Third draft. April 12, 1993. (118 pages).
B50, F6

Patch Adams. Steve Oedekerk. October 13, 1997. (127 pages).
B54, F4

The Patriot. Robert Rodat. Blue draft. July 20, 1999. (131 pages).
B60, F10

The Patriot. Robert Rodat. March 26, 1999. (124 pages).
B61, F10

Paulie: A Parrot's Tale. Laurie Craig. Casting draft. October 24, 1996. (113 pages).
B28, F5

Pay It Forward. Leslie Dixon; based on the novel by Catherine Ryan Hyde. October 15, 1999. (125 pages).
B60, F4

The Peacemaker. Michael Schiffer; production re-write by John Wells. "Kilo Draft". April 7, 1996. (130 pages).
B21, F2

Pearl (pilot episode). Don Reo. Revised Network Draft. March 8, 1996. (59 pages).
B16, F2

Peggy Sue Got Married. Jerry Leichtling and Arlene Sarner. Working Draft. December 2, 1984. (124 pages).
B8, F5

The People versus Larry Flynt. Scott Alexander and Larry Karaszewski. Third Draft. June 16, 1995. (117 pages).
B8, F6

The Perez Family. Robin Swicord; based on the novel by Christine Bell. Fourth Draft. October 7, 1993. (120 pages).
B8, F7

A Perfect Murder. Patrick Smith Kelly; based on Dial M For Murder by Frederick Knott. December 19, 1995. (130 pages).
B31, F5

The Perfect Storm. Bill Wittliff; based on the book by Sebastian Junger. April 12, 1999. (124 pages).
B56, F4

Permanent Midnight. David Veloz; based on the book by Jerry Stahl. Revised draft. May 19, 1997. (109 pages).
B28, F6

The Pest. David Bar Katz. Second draft revised. February 28, 1996. (118 pages).
B23, F1

The Phantom. Jeffrey Boam. Fifth draft. August 24, 1994. (116 pages).
B8, F8

Phenonemon. Gerald Di Pego. Fourth Draft. August 2, 1995. (128 pages).
B9, F1

Picket Fences: "My Romance". Ellen Herman. Final draft. September 22, 1995. (57 pages).
B35, F5

"Pilot". Evan Katz. First draft. January 7, 1997. (37 pages).
B37, F1

The PJs. Steve Tompkins and Larry Wilmore. Writers' First Draft. December !7, !997. (48 pages).
B41, F6

Play It to the Bone. Ron Shelton. First draft. n.d. (126 pages).
B54, F5

Players (pilot). Shaun Cassidy and Ed Zuckerman. January 21, 1997. (60 pages).
B37, F2

Playing God. Mark Haskell Smith and Larry Gross. Polish draft. March 26, 1996. (93 pages).
B30, F5

Polish Wedding. Theresa Connelly. February 6, 1996. (117 pages).
B45, F10

Popular: (pilot). Ryan Murphy; created by Ryan Murphy and Gina Matthews. First draft. December 15, 1998. (67 pages).
B55, F6

The Postman. Uncredited-"Most likely Brian Helgeland". n. d. (136 pages).
B46, F1

A Political Animal. Robert Bolt. Third revised fourth draft. May 12, 1990. (116 pages).
B33, F7

Practical Magic. Robin Swicord; rewritten by Akiva Goldsman; Based on the novel by Alice Hoffman. November 19, 1997. (117 pages).
B46, F2

The Practice. David E. Kelley. First draft. January 30, 1996. (64 pages).
B28, F7

Primal Fear. Steven Shagan, revised by Steven Zaillian; based on the novel by William Diehl. June 13, 1994. (136 pages).
B9, F2

The Prime Gig. William Wheeler. Director's draft. July 7, 1999. (101 pages).
B62, F1

Prince Valiant. Anthony Hickox and Carsten Lorenz. October 30, 1995. (113 pages).
B32, F1

The Professor's Wife. Victor Nunez. n.d. (118 pages).
B67, F6

The Professor's Wife. Victor Nunez. December 14, 1999. (97 pages).
B67, F7

The Professor's Wife. Victor Nunez. n.d. (96 pages).
B41, F7

Providence. John Masius. Revised second draft. January 16, 1998. (58 pages).
B41, F8

Providence. John Masius. Final draft. February 27, 1998. (57 pages).
B41, F9

Public Morals. Steven Bochco and Jay Tarses; Teleplay by Jay Tarses. November 2, 1995. (53 pages).
B9, F3

Q

Queer As Folk. Ron Cowen and Daniel Lipman. Draft. April 21, 2000. (164 pages).
B71, F4-+

R

R. L. Stine's Ghosts of Fear Street (pilot: "Return of the Bugman"). Karl Schaefer. First draft. September 22, 1997. (35 pages).
B37, F3

Rag and Bone. Story by Ann Rice and James D. Parriott; teleplay by James D. Parriott. January 23, 1997. (56 pages).
B37, F4

The Rapture. Michael Tolkin. Fourth Draft. November 8, 1989. (91 pages).
B9, F4

Ravenous. Theodore Griffin. December 13, 1996. (125 pages).
B35, F6

Ravenous. Theodore Griffin. October 15, 1997. (116 pages).
B35, F7

Reach the Rock. n.a. April 5, 1988. (106 pages).
B20, F8

The Red Corner. Robert King and Ron Koslow. September 16, 1996. (132 pages).
B30, F6

Remember the Titans. Gregory Allen Howard; revisions by Boaz Yakin. Third draft. July 22, 1999. (111 pages). Includes insert of cast list.
B63, F6

The Repair Shop (pilot). Mark Frost. Fift draft. February 17, 1998. (65 pages).
B38, F12

The Replacements. Vince McKewin. April 23, 1999. (115 pages).
B59, F4

Revenant. Matthew Bright. September 25, 1996. (105 pages).
B28, F8

The Reunion. Ron Stacker Thompson and Ashley Tyler; based on the short story by Maya Angelou. First revision. March 23, 1995. (25 pages).
B9, F5

Riders on the Storm (released as Point Break). James Cameron and Kathryn Bigelow, from the screenplay by W. Peter Iliff, story by Rick King and W. Peter Iliff. n.d. (123 pages).
B9, F6

Rikki the Pig. Jesse Graham. Second draft. March 21, 2000. (110 pages).
B69, F6

Rita Hayworth and the Shawshank Redemption (released as The Shawshank Redemption). Frank Darabont; based on the novella by Stephen King. Second Draft. October 20, 1992. (115 pages).
B9, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B52, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B53, F6

The Road to Galveston. Tony Lee. n.d. (130 pages).
B9, F8

Road to Ruin. Scott Phillips; story by Scott Phillips and Anthony Trifiletti. September 29, 1995. (11 pages).
B67, F8

The Rob Lowe Pilot. Barry Fanaro and Mort Nathan. Pre-Table Draft. January 28, 1998. (52 pages).
B41, F10

The Rock. Jonathan Hensleigh. September 21, 1995. (126 pages).
B10, F1

Rollerball. Larry Ferguson; revisions by David Campbell Wilson and Howard Rodman; current revisions by John Pogue; based on the book by William Harrison. n.d. (98 pages).
B67, F9

Romeos. Willard Carroll. February 9, 1999. (113 pages).
B62, F2

Romy and Michele's High School Reunion. Robin Schiff. January 8, 1996. (117 pages).
B24, F10

Rose Red: Night One. Stephen King. Final draft. November 17, 1999. (100 pages).
B71, F5

Rose Red: Night Two. Stephen King. Final draft. December 6, 1999. (99 pages).
B71, F6

Rose Red: Night Three. Stephen King. Final draft. December 16, 1999. (97 pages).
B71, F7

Rosewood. Gregory Poirier. July 17, 1995. (129 pages).
B16, F3

Rosewood (copy 2). Gregory Poirier. July 17, 1995. (129 pages).
B17, F12

Roswell (pilot). Jason Katims. First draft revised. October 15, 1998. (66 pages)>
B57, F5

Rough Magic. William Brookfield, with Clare Peploe. "Version M7". December 1, 1993. (104 pages).
B23, F2

Rough Riders. John Milius. August 5, 1996. (170 pages).
B28, F9

Ruby Jean and Joe. James Lee Barrett. January 16, 1995. (119 pages).
B10, F2

Rude Awakening: "Black and Bitter". Andrea Abbate. Table draft. June 22, 1998. (55 pages).
B49, F1

Rude Awakening: "The Cheese Stands Alone". Jim Vallely. Table draft. August 17, 1998. (59 pages).
B49, F2

Rude Awakening: "Don't Fuck the Stripper". Ritch Shydner. Table draft. July 13, 1998. (45 pages).
B49, F3

Rude Awakening: "An Embarrassment of Ritch's". Julie Brown. Table draft. August 10, 1998. (57 pages).
B47, F6

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Revised table draft. June 16, 1998. (57 pages).
B47, F7

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Final draft. June 17, 1998. (54 pages).
B50, F7

Rude Awakening: "Hello, This is Addictions Anonymous". Claudia Lonow. Table draft. July 6, 1998. (59 pages).
B49, F4

Rude Awakening: "Lucky For Me Her Breast Exploded". Marc Cherry. Table draft. June 27, 1998. (57 pages).
B49, F5

Rude Awakening: "Naked Again". Claudia Lonow. Table draft. May 14, 1998. (52 pages).
B47, F8

Rude Awakening: "That's Why We Call it Dope". Claudia Lonow and Andrea Abbate. Table draft. August 24, 1998. (57 pages).
B47, F9

Rude Awakening: "TV Mom". Pam Eells. Table draft. August 3, 1998. (60 pages).
B48, F1

Rude Awakening: "Vagina". Claudia Lonow. Pre-table draft. May 12, 1998. (61 pages).
B48, F2

Rude Awakening: "What Ever Happened to Billie Frank?". Casey Maxwell Clair. Table draft. July 20, 1998. (46 pages).
B49, F6

Rushmore. "Anderson/Wilson". May 12, 1997. (111 pages).
B36, F5

S

Sabrina. Barbara Benedek. Second draft revised. March 22, 1994. (123 pages).
B35, F8

The Saint. Jonathan Hensleigh. February 8, 1995. (126 pages).
B18, F7

The Saint. Wesley Strick; based on a screenplay by Jonathan Hensleigh. January 5, 1996. (112 pages).
B18, F8

Salton Sea. Tony Gayton. Draft. August 2, 1999. (117 pages).
B69, F7

Saving Silverman. Gregg DePaul and Hank Nelken. Seventh draft. November 3, 1999. (111 pages).
B69, F8

Say It Isn't So (aka The Pervert). Peter Gaulke and Gerry Swallow. Optional third revision. August 8, 1999. (120 pages).
B62, F3

Self Storage. Tony Spiridakis and Shem Bitterman. December 12, 1996. (92 pages).
B67, F10

The Sentinel (Pilot). Paul de Meo and Danny Bilson. First Draft. March 20, 1995. (54 pages).
B10, F3

Serial Mom. John Waters. Second Draft. July 22, 1992. (107 pages).
B10, F4

Set It Off. Kate Lanier, based on an original screenplay by Takashi Bufford. August 10, 1995. (115pages).
B10, F5

Seven. Andrew Kevin Walker. August 8, 1994. (122 pages).
B15, F5

The Shadow. Howard Franklin. Revised first draft. May 1986. (109 pages).
B10, F6

Shanghai Noon. Alfred Gough and Miles Miller. Second draft. February 16, 1999. (119 pages).
B56, F5

She's De Lovely. John Cassavetes. Revised first draft. April 13, 1996. (103 pages).
B16, F4

Shockwave. David N. Twohy. Draft Six. March 1, 1995. (107 pages).
B10, F7

Shut Up and Dance. Daryl Matthews. November 21, 1996. (108 pages).
B33, F8

Significant Other. Ronald Bass and Al Franken (incorporates revised drafts by Susan Shilliday). Sixth Draft. January 6, 1993. (126 pages).
B10, F8

6 Days/7Nights. Michael Browning; revisions by Lowell Ganz and Babaloo Mandel. March 14, 1997. (120 pages).
B46, F3

61*. Hank Steinberg. Fifth draft. February 11, 2000. (112 pages).
B68, F1

Skip Tracers (pilot). Glen Morgan and James Wong. February 20, 1998. (64 pages).
B35, F9

Skipped Parts. Tim Sandlin; based on his novel of the same title. n.d. (103 pages).
B68, F2

The Skulls. John Pogue. n. d. (120 pages).
B51, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B56, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B59, F5

SLC Punk!. James Meredino. September 9, 1997. (100 pages).
B34, F1

Sleepwalkers. David S. Goyer and Stephen Kronish. February 13, 1997. (64 pages).
B20, F9

Snow Day. Will McRobb and Chris Viscardi. Revised draft. October 1, 1998. (114 pages).
B52, F8

Slums of Beverly Hills. Tamara Jenkins. Polish. January 31, 1997. (116 pages).
B42, F1

Snow Falling on Cedars. Ronald Bass. Revised draft. August 8, 1997. (119 pages).
B41, F11

Social Studies: "Pilot". Nancylee Myatt. Revised first draft. March 11, 1996. (51 pages).
B30, F7

Socrates Fortlow. Walter Mosley. Draft. July 29, 1997. (110 pages).
B34, F2

Soir Bleu. Seth Flicker; based on R. Leoncavallo's Pagliacci. Corrected draft. November 3, 1994. (34 pages).
B42, F2

Soul Survivor. Steve Carpenter. Revised draft. April 22, 1999. (109 pages).
B63, F7

Southern Cross (pilot). Garrett Lerner, Russell Friend, and Jorge Zamacona. Revision. January 23, 1997. (60 pages).
B32, F2

Sparks, Sparks, and Sparks. "Half hour pilot for television". Ed Weinberger. First Draft. February 15, 1996. (57 pages).
B10, F9

Special. Cinco Paul and Ken Daurio. Polish. September 23, 1999. (108 pages).
B69, F9

Species 2. Chris Brancato. Second revisions. February 6, 1997. (106 pages).
B34, F3

Spin (pilot). Gary David Goldberg and Bill Lawrence. First draft. March 8, 1996. (62 pages).
B10, F10

Sports Night: (pilot). Aaron Sorkin. January 12, 1998. (54 pages).
B42, F3

Star Trek: Deep Space Nine : "Emissary". Teleplay by Michael Piller; story by Rick Berman and Michael Piller. First draft. June 12, 1992. (127 pages).
B32, F3

Star Trek: The Next Generation "Encounter at Farpoint" (Pilot). D. C. Fontana and Gene Roddenberry. 1987. (113 pages).
B34, F4

Stuart Little. M. Night Shymalan; additional material by David O. Russell; revisions by Billy Ray; based on the book by E. B. White. June 5, 1998. (94 pages).
B49, F7

The Substitute. Roy Frumkes and Rocco Simonelli, revised by Alan Ormsby. March 20, 1995. (106 pages).
B11, F1

Sugar and Spice and Semi-Automatics. Lona Williams. First draft. July 12, 1998. (103 pages).
B62, F4

Summer Catch. Kevin Falls; revised by Kevin Wade. April 25, 1996. (128 pages).
B20, F10

The Super (pilot). Dan Staley and Rob Long. First draft. February 3, 1999. (58 pages).
B57, F6

Super Troopers. Broken Lizard. October 31, 1998. (119 pages).
B61, F1

Supermodel. John Warren; rewrite by Tim Kelleher. February 9, 1998. (115 pages).
B57, F7

Suture. Scott McGehee and David Siegel. n.d. (131 pages).
B11, F2

Sweet November. Kurt Voelker; based on the screenplay Sweet November by Herman Raucher. Final draft. December 2, 1999. (122 pages).
B65, F7

Swing Vote. Ron Bass; revision by Jane Rusconi. August 14, 1998. (101 pages).
B52, F9

T

Tailor of Panama. John Le Carre; rewritten by John Boorman. Second draft. October 4, 1999. (123 pages).
B64, F9

The Talented Mr. Ripley. Anthony Minghella; based on the novel by Patricia Highsmith. September 28, 1997. (133 pages).
B42, F4

Tales From the Crypt Presents "Bordello of Blood". Bob Gale & Robert Zemeckis and A.L. Katz & Gilbert Adler. Fourth Draft. March 17, 1995. (108 pages).
B11, F3

Teenage Wasteland (pilot). Bonnie Turner, Terry Turner and Mark Brazill. Revised first draft. March 23, 1998. (63 pages).
B68, F3

The Texas Rangers. John Milius. Third draft. April 20, 1992. (112 pages).
B53, F7

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F4

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F5

There's Something About Mary. Story by Ed Decter and John Strauss; Screenplay by Ed Decter, John Strauss, Peter Farrelly, and Bobby Farrelly. October 21, 1997. (118 pages).
B42, F5

A Thin Line Between Love and Hate. Story by Martin Lawrence; Screenplay by Martin Lawrence, Bentley Kyle Evans, and Kenny Buford; Revision by Kim Bass.May 10, 1995. (123 pages). Also includes four versions of oneline schedule and a shooting schedule.
B11, F6

This World, Then the Fireworks. Larry Gross; adapted from a short story by Jim Thompson. October 25, 1995. (109 pages).
B16, F5

Thirteen (a.k.a. Lost Moon). William Broyles, Jr. and Al Reinert. Second Draft. January 31, 1994. (132 pages).
B11, F7

Thirteen Days. David Self. December 12, 1997. (142 pages).
B62, F5

Three (pilot). Evan Katz. January 24, 1997. (38 pages).
B32, F4

Three Men and a Baby. Coline Serreau, polish by James Orr and James Cruickshank. November 24, 1986. (134 pages).
B11, F8

Three of Clubs. Vincent M. Rotonda. April 3, 1998. (107 pages).
B42, F6

Three to Tango. Rodney Patrick Vaccaro; rewritten by Aline Brosh McKenna. November 12, 1997. (125 pages).
B46, F4

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. Third Draft. n.d. (115 pages).
B12, F1

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. September 2, 1994. (123 pages).
B12, F3

Ties That Bind. Rob Ulin. Third draft. January 30, 1996. (56 pages).
B16, F6

Til There Was You. Winnie Holzman. Revised draft. May 17, 1995. (123 pages).
B12, F4

Till There Was You. Winnie Holzman. September 24, 1993. (128 pages).
B42, F7

Tin Cup. (a.k.a. Let the Big Dog Eat) John Norville, from a story by Ron Shelton and John Norville; re-write by Ron Shelton. Third Draft. March 24, 1995. (131 pages).
B12, F4

To Live On. James Schamus; based on the novel "Woe to Live On" by Daniel Woodrell. May 22, 1997. (136 pages).
B48, F3

To Wong Foo, Thanks for Everything, Julie Newmar. Douglas Carter Beane. First Draft. November 5, 1993. (142 pages).
B12, F5

Tom Rhodes. Pilot. Mark Brazill and Jennifer Heath. Revised first draft. April 8, 1996. (56 pages).
B12, F6

Tom Sawyer. Stephen Sommers, rewrite by David Loughery and Ron Koslow; based on the Mark Twain novel. Revised Draft. September 6, 1994. (109 pages).
B12, F7

Tombstone. Kevin Jarre. Second Draft. November 5, 1992. (135 pages).
B12, F8

Tomcats. Gregory Poirier. March 24, 2000. (94 pages).
B69, F10

The Tomorrow Man. Alan Spencer. Revised Second Draft. January 1, 1995. (110 pages).
B12, F9

The Tool Shed (a.k.a. Bad Company). Ross Thomas. April 25, 1993.
B13, F1

Total Security. Story by Steven Bochno, Davic Milch, Charles Eglee, Theresa Rebeck; Teleplay by Theresa Rebeck. January 9, 1997. (60 pages).
B23, F3

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (3). October 12, 1995. (108 pages).
B13, F2

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (4). November 22, 1995. (109 pages).
B13, F3

Town and Country. Michael Laughlin. Revised draft. August 8, 1996. (119 pages).
B46, F5

Traffic. Stephen Gaghan. February 18, 2000. (146 pages).
B65, F8

Tremors. S. S. Wilson and Brent Maddock. 1988. (107 pages).
B13, F4

True Romance. Quentin Tarantino. Revised. August 1, 1991. (131 pages).
B13, F5

Truth or Consequences. Brad Mirman. September 14, 1995. (112 pages).
B32, F5

The Tuskegee Airmen. Ron Hutchinson; rewritten by Paris Qualles. January 16, 1995. (102 pages).
B13, F6

28 Days. Susannah Grant. February 13, 1999. (117 pages).
B68, F4

The Twilight Man. Jim Korris. Revised draft. September 5, 1995. (117 pages).
B23, F4

Two for Texas. Larry Brothers; based on the novel Sabine Spring by James Lee Burke. Production draft. July 3, 1997. (98 pages).
B37, F5

2-Face. Vince Gilligan. April 15, 1991. (123 pages).
B68, F5

200 Cigarettes. Shana Larsen. Revised second draft. October 1996. (115 pages).
B36, F6

U

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by Sam Montgomery and Jonathan Mostow. Production draft (white). June 26, 1998. (127 pages).
B51, F7

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B51, F8

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B60, F5

Ulee's Gold. Victor Nunez. n.d. (93 pages).
B26, F5

Union Square (pilot). Marco Pennette and Fred Barron. Second draft. February 27, 1997. (58 pages).
B28, F10

Unstrung Heroes. Richard Lagravenese. January 28, 1994. (117 pages).
B13, F7

Unstrung Heroes. Richard Lagravenese. March 19, 1993. (125 pages).
B14, F1

Untitled Cop Pilot. Gary David Goldberg & Chris Henchy. Writers Draft. August 16, 1999. (52 pages).
B61, F2

Untitled David E. Kelley Project. Sean O'Byrne and David E. Kelley. October 1, 1997. (135 pages).
B37, F6

Untitled screenplay. Larry David. December 6, 1996. (120 pages).
B25, F1

Untitled Television Pilot. Carol Leifer. First Draft. March 2, 1997. (49 pages).
B21, F10

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F2

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F3

Urban Legend 2: Final Cut. Paul Harris Boardman and Scott Derrickson. July 23, 1999. (108 pages).
B63, F8

U. S. Marshals. John Pogue. Revised numbered version. March 13, 1997. (123 pages).
B34, F5

V

Varsity Blues. John Gatins. n. d. (110 pages).
B46, F6

Varsity Blues. W. Peter Iliff. December 8, 1997. (116 pages).
B52, F10

Vendetta. Timothy Prager; revised by Nicholas Meyer; from the book by Richard Gambino. April 8, 1998. (108 pages).
B55, F7

Very Bad Things. Peter Berg. White script with scene numbers. September 2, 1997. (114 pages).
B42, F8

The Virginian. Sara Nemeth Goodman; based on the novel by Owen Wister. October 7, 1998. (104 pages).
B61, F3

Virtuosity. Eric Bernt. Third Rewrite. August 24, 1994. (117 pages).
B14, F4

The Visitors. n.a. November 30, 1998. (129 pages).
B53. F8

W

Waiting to Exhale. Terry McMillan and Ron Bass. Revised first draft. October 4, 1994. (133 pages).
B14, F5

A Wake in Providence. Billy Van Zandt and Jane Milmore and Vincent Pagano and Michael Pagano. Second draft. April 24, 1998. (120 pages).
B48, F4

Waking the Dead. Keith Gordon; Based on the novel by Scott Spencer. June 19, 1997. (117 pages).
B46, F7

Wasteland (pilot). Kevin Williamson. Writer's draft. Janaury 12, 1999. (53 pages).
B57, F8

Watch That Man. Robert Farrar; revised by Tim John and Oliver Butcher; based on the novel by Robert Farrar. August 1, 1996. (118 pages).
B18, F9

Wayne's World: The Movie. Mike Myers, Bonnie Turner, and Terry Turner. June 3, 1991. (102 pages).
B32, F6

Wedding Album. Carolyn Jacobs. Revision 6. 1996. (34 pages).
B42, F9

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B63, F9

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B64, F10

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. February 10, 1997. (115 pages).
B26, F6

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. Renumbered script. February 10, 1997. (115 pages).
B35, F10

What Women Want. Nancy Meyers, Josh Goldsmith, Cathy Yuspa. June 15, 1999. (124 pages).
B65, F9

White Dwarf. Bruce Wagner. Revised draft. January 3, 1995. (94 pages).
B14, F6

Why Do Fools Fall in Love. Tina Andrews. Final draft. July 1, 1997. (115 pages).
B42, F10

Wild Things. Stephen Peters; rewrite by Kem Nunn. January 21, 1997. (110 pages).
B21, F11

Wildly Available. Michael Nolin. August, 1995. (106 pages).
B32, F7

Wishful Thinking. Adam Park. April 6, 1995. (109 pages; 2 pages of production notes.).
B14, F7

The Witches of Eastwick. Michael Cristofer, based on the book by John Updike. Revised first draft. January 27, 1986. (120 pages).
B14, F8

With Wings As Eagles. Randall Wallace; adapted from the novel Ostermann's War by James J. Cullen. October 14, 1996. (124 pages).
B68, F6

Wolverine. Robert T. Megginson; from a story by Frederick Forsyth. n. d. (98 pages).
B32, F8

The Women. Diane English. March 9, 2000. (135 pages).
B68, F7

The Wonder Cabinet (pilot). Glen Morgan and James Wong. January 22, 1999. (64 pages).
B68, F8

Woo. David Johnson, rewrite by April Claytor. April 30, 1996. (118 pages).
B23, F5

World on a Wire (a.k.a. The 13th Floor). Josef Rusnak and Ravel Centeno-Rodriguez. Final draft. November 3, 1997. (108 pages).
B37, F7

Wrestling Ernest Hemingway. Steve Conrad. May 7, 1992. (126 pages).
B14, F9

Wrongfully Accused. Pat Proft. May 14, 1997. (88 pages).
B32, F9

X

X-Men. Andrew Kevin Walker. Second draft. October 17, 1994. (76 pages).
B61, F4

Y

Z

Zero Effect. Jake Kasdan. Third Draft. January 30, 1997. (121 pages).
B25, F2

The following collection consists of scripts (in various states of revision) to hundreds of. films and television episodes from the early 1990's to the present day. All were gifts to the McCormick Library from Nancy Moon-Broadstreet of The Artist's Group, Ltd., a Los Angeles-based literary talent agency. The collection is still growing thanks to her ongoing generosity.

The list is arranged by title. You may jump to a particular section using the alphabet grid seen below.

NOTE: Though their use is welcomed, none of the scripts listed here may be photocopied.

A

Abbie! Bruce Graham and Robert Ward; based on books by Anita and Abbie Hoffman and Marty Jezer. Revised white draft. March 30, 1998. (153 pages).
B43, F1

Action (pilot). Chris Thompson. First draft. August 25, 1998. (34 pages).
B56, F7

Acts of Love. Edward R. Jones and Dale Herd; based on the novel Farmer by Jim Harrison. Second draft. January 5, 1995. (123 pages).
B1, F1

The Advocate's Devil. James Sadwith; based on the novel by Alan Dershowitz. Polish. November 6, 1996. (108 pages).
B26, F7

L'affaire du Collier (The Affair of the Necklace). John Sweet. Revised draft. October 25, 1999. (126 pages).
B65, F1

After All. Stacey Lyn Evans. Final draft. June 3, 1999. (92 pages).
B61, F5

Age of Treason. Lee David Zlotoff ; based on the novel Silver Pigs by Lindsey Davis. Second draft. August 11, 1992. (113 pages).
B1, F2

Alcatraz and Clarence Carres (Part I). Ernest Tidyman. Revised draft. April 28, 1980. (109 pages).
B33, F1

Alien Resurrection. Joss Whedon. Second revised draft. July 22, 1996. (117 pages).
B26, F8

All the Pretty Horses. Ted Tally; based on the novel by Cormac McCarthy. First draft revision. November 1, 1993. (150 pages).
B51, F9

All Together Now (pilot) Bill Freiberger. Third draft. April 16, 1998. (48 pages).
B43, F2

Amazing Grace. Paul Monash and Marshall Frady; based on the book Wallace by Marshall Frady. Production draft. June 5, 1996. (119 pages).
B47, F1

American History X. David McKenna. August 9, 1996. (117 pages).
B25, F3

American Rhapsody. Eva Gardos. Reveised draft. September 13, 1999. (116 pages).
B64, F1

An American Werewolf in Paris. Anthony Waller. Third draft. February 1996. (122 pages).
B29, F1

Andrew Martin (released as Bicentennial Man). Nicholas Kazan. Director's rewrite. September 4, 1998. (124 pages).
B62, F6

Angel Eyes. Gerald DiPego. Seventh draft. October 15, 1999. (118 pages).
B65, F2

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B36, F1

Angels and Armadillos. Mark Steven Johnson; based on the novel A Prayer for Owen Meany by John Irving. Second draft. n.d. (112 pages).
B43, F3

Antitrust. Howard Franklin. Third draft. November 3, 1999. (122 pages).
B65, F3

Any Day Now: "Unfinished Symphony". Deborah Joy LeVine and Nancy Miller. Second draft. (63 pages).
B39, F1

Anywhere But Here. Alvin Sargent. April 14, 1998. (120 pages).
B43, F4

The Apartment Complex. Karl Schaefer. Revised first draft. January 12, 1998. (106 pages).
B43, F5

Apt Pupil. Brandon Boyce; based on the novel by Steven King. Production Draft #2. March 12, 1996. (135 pages).
B25, F4

Arli$$: The Art of the Sports Superagent: "Man of His Times". Robert Wuhl. Revised Draft. July 10, 1995. (34 pages).
B1, F3

Armageddon. Jonathon Hensleigh. March 13, 1997. (121 pages).
B26, F9

The Astronaut's Wife. Rand Ravich. Draft. August 26, 1997. (120 pages).
B37, F8

Auggie Rose. Matthew Tabak. [October 27, 1999]. (116 pages).
B59, F7

Austin Powers: International Man of Mystery. Mike Myers. Revised draft. May 24, 1996. (93 pages).
B25, F5

Autumn in New York. Allison Burnett; revisions by Paul Haggis; revisions by Allison Burnett. June 23, 1999. (109 pages).
B59, F8

B

The Bachelor. Steve Cohen; based on the film Seven Chances starring and directed by Buster Keaton and the Broadway play Seven Chances by Roi Cooper Megrue. May 4, 1998. (123 pages).
B56, F8

Bait. Tony Gilroy; revisions by Jeff Nathanson; additional revisions by Andrew Scheinman 7 Adam Scheinman. June 21, 1999. (108 pages).
B60, F6

The Baker Shift. Carlton Cuse. Shooting script. February 18, 1997. (31 pages).
B31, F6

Ballbusted. Scott Alexander and Larry Karaszewski. Revised draft. May 8, 1998. (111 pages).
B39, F2

Bastard Out of Carolina. Anne Meredith; based on the novel by Dorothy Allison. First Draft Polish. (114 pages).
B1,F4

Beautiful. Jon Bernstein. May 20, 1999. (121 pages).
B59, F9

Before Women Had Wings. Connie May Fowler; based on her novel. Second draft. January 16, 1997. (114 pages).
B29, F2

Beggars and Choosers: "The Mountainmen". Peter Lefcourt. Third draft. July 29, 1998. (100 pages).
B56, F9

Being John Malkovich. Charlie Kaufman. Revised fourth draft. June 16, 1998. (108 pages).
B49, F8

Bellyfruit. Maria Bernhard, Susannah Blikoff, Janet Borrus and Kerri Green. June 22, 1998. (101 pages).
B54, F1

Beverly Hills, 90210: "I Only Have Eyes For You". Laurie McCarthy. Revised Shooting Script. February 18, 1997. (54 pages).
B19, F10

The Big Hit. Ben Ramsey. April 10, 1997. (112 pages).
B30, F8

The Big Lebowski. Joel Coen and Ethan Coen. November 27, 1996. (121 pages).
B39, F3

Big Trouble. Robert Ramsey and Matthew Stone; based on the novel by Dave Barry. Draft. March 23, 2000. (130 pages).
B69, F1

Black and White (released as Trading Places). Tim Harris and Herschel Weingrod. Final Draft. October, 1982. (129 pages).
B1, F5

Blade. David S. Goyer. Production Draft. September 19, 1996. (110 pages).
B24, F1

Bless the Child. Revised draft by Don Roos; Revised by Chuck Russell. March 3, 1999. (125 pages).
B54, F6

Blind Men: (pilot). Table draft. April 11, 1998. (57 pages).
B43, F6

Bliss. L. Young. October 10, 1994. (117 pages).
B1, F6

Blood and Wine. Nick Villiers; story by Nick Villiers and Bob Rafelson; rewrite by Alison Cross. Second draft. December 12, 1994. (119 pages).
B29, F3

The Blouse Man. Pamela Gray. Revised draft. March 21, 1997. (119 pages).
B37, F10

The Bob Marley Story. Ron Shelton. Working draft. August, 1999. (131 pages).
B65, F4

Bone Chillers: "Back to School". Adam Rifkin; based on the book series by Betsy Haynes. Second Draft. n.d. (28 pages).
B15, F6

The Boondock Saints. Troy Duffy. Shooting script. August 28, 1997. (123 pages).
B39, F4

Booty Call. Takashi Bufford and Bootsie. Third Draft. February 21, 1996. (101 pages).
B18, F1

Boy Meets Girl (released as When Harry Met Sally). n.a., n.d. (122 pages).
B1, F7

The Brady Bunch. n. a., n. d. (107 pages).
B50, F9

Breakdown ("Untitled Kurt Russell Thriller"). Jonathan Mostow. Revised Draft. February 2, 1996. (110 pages).
B18, F2

The Breakers. Robert Dunn; revisions by Leora Barish; additional revisions by Scott Buck, Paul Guay, Stephen Mazur; current revisions by David Mirkin; rewrite by Phil Alden Robinson; revisions by Paul Guay and Stephen Mazur. Second polish. August 16, 1999. (125 pages)
B66, F1

Breaking Up. Michael Cristofer. n.d. (91 pages).
B21, F3

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B37 F9

Brimstone (pilot). Ethan Reiff and Cyrus Voris. Revised third draft. February 5, 1998. (62 pages).
B51, F1

Brimstone: "Encore". Scott A. Williams. Revised production draft. September 16, 1998. (52 pages).
B49, F9

Bringing Out the Dead. Paul Schrader; based on the novel by Joseph Connelly. First draft. November 7, 1997. (99 pages).
B48, F5

Brokedown Palace. David Arata. Resided draft. April 11, 1997. (131 pages).
B34, F6

Brokedown Palace. David Arata; story by David Arata and Adam Fields. Revised draft. December 12, 1997. (124 pages).
B34, F6

Broken Arrow. Graham Yost. First Revison. November 1, 1994. (120 pages).
B1, F8

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B39, F5

Brooklyn South. Story by David Milch, Steven Bochco, Bill Clark, William M. Finkelstein; teleplay by Willaim M. Finkelstein and David Milch. February 25, 1997. (67 pages).
B25, F6

Brother's Keeper. (pilot). Donald Todd. Revised second draft. February 22, 1998. (49 pages).
B39, F6

Buddy Faro. Mark Frost. First draft. December 12, 1997. (60 pages).
B50, F8

The Burning Zone: Pilot. Coleman Luck. February 6, 1996. (64 pages).
B29, F4

The Burning Zone: "Lethal Injection". Coleman Luck and Carel Gage Luck. Shooting Script. August 19, 1996. (47 pages).
B15, F7

The Butcher's Wife. Ezra Litwak and Marjorie Schwartz. August 8, 1989. (130 pages).
B1, F9

C

The Cable Guy. Judd Apatow, based on a screenplay by Lou Holtz, Jr. First Revised Draft. September 5, 1995. (118 pages).
B2, F1

Carrie II. Rafael Moreu; revisions by Howard Rodman and Rafael Moreu. Optional fifth polish. February 13, 1998. (111 pages).
B43, F7

Caroline in the City: "Caroline and the Councilman". Lester Lewis. Table draft. September 8, 1997. (52 pages).
B25, F7

Caroline in the City: "Caroline and the Cold Sesame Noodles". Marco Pennette and Fred Barron. Table draft. September 15, 1997. (61 pages).
B26, F10

Cecil B. Demented. John Waters. n.d. (111 pages).
B62, F7

The Cell. Mark Protosevich. July 8, 1999. (95 pages).
B58, F1

The Center. Thania St. John. First draft. April 26, 1996. (69 pages).
B31, F7

Champs: "As the World Twirls". Gary David Goldberg. Revised Draft. February 7, 1995. (60 pages).
B16, F7

Charmed: (pilot). Constance M. Burge. n. d. (62 pages).
B43, F8

The Cider House Rules. John Irving. March 1997. (129 pages).
B39, F7

City of Angels. Dana Stevens; based on Wings of Desire by Wim Wenders. February 5, 1997. (124 pages).
B27, F1

City of Angels. Story by Steven Bochco, Nicholas Wootton and Paris Barclay; teleplay by Steven Bochco and Nicholas Wootton. May 6, 1999. (62 pages).
B61, F6

City of Fear. Stanford Koop. Third Revised Draft. June 18, 1996. (101 pages).
B20, F1

Clifford. Steven Kampmann and Will Aldis; revised by Paul Flaherty. August 21, 1990.(114 pages).
B21, F4

The Clockwatchers. Jill Specher and Karen Sprecher. Revised Draft. June 6, 1996. (117 pages).
B19, F1

Coach. Seth Zvi Rosenfeld. 2nd draft. September 1, 1994. (120 pages).
B2, F2

Coach: "Fool for Lunch". Eric Horsted. First Draft. August 10, 1995. (44 pages).
B2, F3

Cobb. Ron Shelton. Revised First Draft. July 9, 1993. (127 pages).
B2, F4

Cold Around the Heart. John Ridley. Director's Draft. September 22, 1995. (97 pages).
B15, F8

The Color of Night. Matthew Chapman, from a screenplay by Billy Ray. Draft 6a. February 15, 1993. (122 pages).
B2, F5

Colors. Michael Schiffer. First Draft. October 29, 1986. (122 pages).
B2, F6

Committed. Lisa Krueger. December 2, 1997. (121 pages).
B39, F8

Company Man. Peter Askin and Douglas McGrath. October 1, 1998. (99 pages).
B48, F6

Con Air. Scott Rosenberg. December 8, 1995. (117 pages).
B19, F2

Conrad Bloom: (pilot). Marco Pennette. Revised draft. February 11, 1998. (59 pages).
B39, F9

Conrad Bloom: (pilot). Marco Pennette. Revised network draft. March 4, 1998. (58 pages).
B39, F10

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 6, 1998. (51 pages).
B39, F11

Conrad Bloom: (pilot). Marco Pennette. Table draft. May 7, 1998. (51 pages).
B39, F12

Conspiracy Theory. Brian Helgeland. December 11, 1995. (122 pages).
B34, F7

Corky Bonano. David Garrett and Jason Ward. June 9, 2000. (116 pages).
B69, F2

Corrina, Corrina. Jessie Nelson. June 25, 1993. (121 pages).
B2, F7

The Count of Monte Cristo. Jay Wolpert; based on the novel by Alexander Dumas. January 7, 2000. (124 pages).
B69, F3

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B54, F2

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B55, F8

The Crew. Barry Fanaro. Acquired draft. November 1, 1997. (121 pages).
B58, F8

Crime of the Century. William Nicholson; based on the book The Airman and the Carpenter by Ludovic Kennedy. Revised first draft. (124 pages).
B29, F5

The Crow: City of Angels. David S. Goyer, based on characters created by James O'Barr. Revised First Draft. July 18, 1995. (89 pages).
B2, F8

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. February 10, 1998. (109 pages).
B37, F11

Cruel Intentions. Roger Kumble; based on Les Liaisons Dangereuses by Choderlos De Laclos. July 23, 1997. (113 pages).
B66, F2

Cruel Intentions (pilot). Roger Kumble. February 8, 1999. (66 pages).
B66, F3

The Curse. Rafael Moreu. Second draft. November 9, 1996. (109 pages).
B36, F7

D

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B48, F7

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B43, F9

Dairy Queens. Lona Williams. June 4, 1998. (106 pages).
B53, F1

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F10

Dancing About Architecture. Willard Carroll. n. d. (146 pages).
B43, F11

Dancing in the Dark. Michael Cristofer; based on the book by Cornell Woolrich. Revised draft. September 26, 1999. (111 pages).
B64, F2

Dangerous Minds. Ronald Bass and Jane Rusconi. Revised February 21, 1996. (59 pages).
B2, F9

A Dangerous Woman. Naomi Foner; based on the novel by Mary McGarris Morris. Fourth Draft. June 22, 1992. (127 pages).
B2, F10

Dark Skies "The Awakening". Bryce Zabel and Brent V. Friedman. Second Draft. Series Pilot. June 13, 1995. (117 pages).
B3, F1

The Dave Chappelle Project: (pilot). Peter Tolan and Dave Chappelle. First draft. November 11, 1997. (53 pages).
B40, F1

The Day Before Midnight. Bruce A. Evans and Raynold Gideon; based on the novel by Stephen Hunter. n. d. (124 pages).
B44, F1

Daybreak. Hans Tobeason. First revision. January 9, 1998. (60 pages).
B40, F2

Dead Man On Campus. Mike White (?) January 10, 1997. (109 pages).
B20, F2

Deal Kings. Richard Eid and Gavin W. Harris. September 29, 1998. (121 pages).
B48, F8

Dear God. Warren Leight. January 5, 1995. (118 pages).
B16, F8

Death on Everest. Robert J. Avrech; based on Into Thin Air by Jon Krakauer. December 23, 1996. (113 pages).
B30, F9

The Deep End of the Ocean. Stephen Schiff; adapted from the novel by Jacquelyn Mitchard. First revision plus. August 25, 1997. (118 pages).
B36, F2

Dellaventura: "The Rules of Engagement". Richard DiLello. Revised first draft pilot script. December 18, 1996. (np)
B27, F2

Depraved Indifference (a.k.a. Mary Jane's Last Dance). Victoria Strouse; revisions by Scott Ferraiolo. January 12, 1999. (117 pages).
B55, F9

Desperate Measures. David Klass and Marshall Herskovitz. Third draft. November 28, 1995. (120 pages).
B15, F1

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B3, F2

Destiny Turns on the Radio. Robert Ramsey and Matthew Stone. January 25, 1993. (112 pages).
B44, F2

Detox. Ron L. Brinkerhoff; revisions by Patrick Smith Kelly. October 20, 1998. (111 pages).
B52, F1

Detroit Rock City. Carl DuPre. July 28, 1998. (111 pages).
B49, F10

Devil in a Blue Dress. Carl Franklin; from the novel by Walter Mosley. n.d. (123 pages).
B3, F3

Devil's Advocate. Lawrence D. Cohen; revised by Jonathan Lemkin, Robert Mark Kamen, Tony Gilroy. First draft rewrite. April 11, 1996. (123 pages).
B25, F8

Dharma & Greg. Dottie Dartland and Chuck Lorre. Second draft. March 31, 1997. (55 pages).
B33, F2

Diabolique. Don Roos; based on the novel Celle Qui N'Etait Plus by Pierre Boileau and Thomas Narcejac, and on the the film Les Diaboliques by Henri-Georges Clouzot and Jerome Geronini. Revised second draft. April 3, 1995. (124 pages).
B3, F4

Dicks. Jeff Kline and Mark B. Perry. Third draft. December 18, 1998. (66 pages).
B56, F1

Dill Scallion. Jordan Brady. Second Draft. May 28, 1997. (99 pages).
B24, F2

Dr. Bean. Richard Curtis and Robin Driscoll with Rowan Atkinson. June 7, 1996. (122 pages).
B21, F5

Doctor Dolittle. Nat Mauldin. Revised third draft. December 19, 1996. (106 pages).
B44, F3

Dogs. Tommy Swerdlow and Michael Goldberg. Revised first draft, pilot. January 20, 1997. (71 pages).
B31, F8

Double Jeopardy. David Weisberg and Douglas S. Cook. January 9, 1998. (126 pages).
B40, F3

Double Take. George Gallo. January 20, 2000. (107 pages).
B64, F3

The Downtowners: (pilot). Bill Oakley and Josh Weinstein. First draft. April 20, 1998. (58 pages).
B54, F7

Drugstore Cowboy. Gus Van Sant and Dan Yost, story by James Fogle. First Draft. August 26, 1987. (104 pages).
B3, F5

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B44, F4

Dudley Do-Right. Hugh Wilson. First draft. May 11, 1998. (115 pages).
B47, F2

Dune. David Lynch; based on the novel by Frank Herbert. 6th draft. December 9, 1982. (135 pages).
B3, F6

E

Earth Girls Are Easy. Julie Brown, Charlie Coffey, and Terrence McNally. August, 1985. (123 pages).
B3, F7

Easy Streets. Paul Haggis. Pilot episode. Second draft. January 7, 1995. (92 pages).
B25, F9

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages).
B26, F1

Edwards and Hunt: The First American Road Trip. Boyd Hale, Mark Nutter, and Thomas R. Wolfe. March 25, 1996. (116 pages). (second copy).
B24, F1

The Eighteenth Angel. David Seltzer. October 15, 1995. (111 pages).
B3, F8

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B49, F11

End of Days. Andrew W. Marlowe. Revised draft. August 24, 1998. (105 pages).
B58, F2

The End of Violence. Nicholas Klein; story by Nicholas Klein and Wim Wenders. First draft. August, 1996. (79 pages).
B27, F3

Enemy of the State. David Marconi and Aaron Sorkin. February 10, 1997. (135 pages).
B40, F4

Entrapment. William Broyles, Jr., Ron Bass, and Don Macpherson; story by Ron Bass and Michael Hertzberg. Revised tenth draft. May 8, 1998. (119 pages).
B53, F2

Eraser. Tony Puryear. Revised screenplay. July 13, 1995. Warner Brothers. (140 pages).
B3, F9

Erin Brockovich: A True Story. Susannah Grant; revisions by Richard Lagravenese. Revised draft. March 22, 1999. (128 pages).
B56, F2

Escape Clause. Danilo Bach. August 21, 1995. (107 pages).
B20, F3

Event Horizon. Philip Eisner. First draft. n.d. (120 pages).
B22, F2

Executive Decision. Jim Thomas and John Thomas. May 29, 1992. (138 pages).
B3, F10

Executive Privilege. Wayne Beach and David Hodgin; revisions by Steven Maeda; revisions by Wayne Beach; revisions and polish by Vince McKewin. May 21, 1996. (118 pages).
B18, F3

Extreme Measures. First draft by W.D. Richter, Revisions by Tony Gilroy, Polish by Hugh Grant. November 17, 1995. (125 pages).
B15, F2

F

Face/Off. Mike Werb and Michael Colleary. Revised draft. August 8, 1996. (121 pages).
B44, F5

The Faculty. Kevin Williamson. January 5, 1998. (121 pages).
B40, F5

Family Man. David Diamond and David Weissman. August 27, 1999. (122 pages).
B64, F4

A Family Thing. Billy Bob Thornton and Tom Epperson. Scene Numbered Script. March 10, 1995. (113 pages).
B4, F1

Farscape: (premier episode). Rockne S. O'Bannon. Revised first draft. April 24, 1998. (58 pages).
B50, F1

Father of Frankenstein. Bill Condon; based on the novel by Christopher Bram. (124 pages).
B27, F4

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (96 pages).
B26, F2

Fear and Loathing in Las Vegas. Terry Gilliam and Tony Grisoni; based on the novel by Hunter S. Thompson. Revised draft. May 27, 1997. (97 pages).
B34, F8

La Femme Nikita. (Teleplay). Cyrus Nowrasteh. Revised Draft. February 16, 1996. (52 pages).
B24, F3

The Fifth Corner. John Herzfeld. December 12, 1990. (70 pages).
B44, F6

54. Mark Christopher. August 12, 1997. (115 pages).
B35, F1

Finding Forrester. Mike Rich. n.d. (123 pages).
B66, F4

First Love, Last Rites. David Ryan and Jesse Peretz; based on a short story by Ian McEwan. n.d. (103 pages).
B36, F8

The Flash (Pilot). Danny Bilson and Paul De Meo. March 9, 1990. (95 pages).
B33, F3

Fled. Preston A. Whitmore II. First revison. August 11, 1995. (119 pages).
B4, F2

Floating Life. Eddie L. C. Fong and Clara Law. November 1994. (106 pages).
B4, F3

The Flood. Graham Yost. Fifth Draft. May 10, 1996. (104 pages).
B19, F3

Four Dogs Playing Poker. Shawn Thompson and Steve Roberts. Director's draft. February 4, 1999. (107 pages).
B59, F1

For the Cause. David March Douglas and Christopher Salazar. Second draft, first revision. September 7, 1998.
B58, F3

For Hope. Susan Rice. Revised first draft. November 7, 1995. (105 pages).
B21, F6

Forces of Nature. Mark Lawrence. First revision. February 13, 1997. (113 pages).
B54, F3

Foreplay. Joe Eszterhas. First draft. n. d. (111 pages).
B50, F2

Forget Me Not. Dick Christie. Macdonald/Duigan version. February 4, 1998. (105 pages).
B44, F7

Fortress II: Escape from Skycell. John Flock. September 7, 1998. (106 pages).
B52, F2

Freak the Night. Charles Leavitt; based on the novel by Rodman Philbrick. Revised Draft. August 7, 1995. (127 pages).
B24, F4

Frequency. Toby Emmerich. Revised draft. May 19, 1998. (121 pages).
B53, F3

G

G's Trippin'. Gary Hardwick. First draft. June 18, 1996. (113 pages).
B54, F8

The Gail O'Grady Project. Martin Weiss. Second draft. March 29, 1996. (49 pages).
B4, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B58, F4

Galaxy Quest: The Lost Episode. Robert Gordon. First revisions. August 10, 1998. (116 pages).
B62, F8

The Game (pilot). John Tinker; created by John Tinker and Bill D'Elia. January 30, 1998. (60 pages).
B38, F1

Gang Related. Jim Kouf. Revised Draft. March 6, 1996. (123 pages).
B19, F4

Gangster. Chris Brancato. Third draft. April 8, 1996. (115 pages).
B29, F6

Ganz and Mandel (a.k.a. Hiller and Diller): Pilot. Lowell Ganz and Babaloo Mandel. Revised first draft. March 17, 1997. (55 pages).
B31, F1

The Gaslight Addition. Marlene King. June 15, 1994. (121 pages).
B4, F6

Gattaca. Andrew M. Niccol. n. d. (115 pages).
B29, F7

Gene Roddenberry's Battleground: Earth. Gene Roddenberry. n. d. (58 pages).
B22, F3

Georgia Rule. Mark Andrus. April 2, 1999. (131 pages).
B66, F5

Get Shorty. Scott Frank, from the novel by Elmore Leonard. October 15, 1993. (131 pages).
B4, F7

The Gift. Billy Bob Thornton and Tom Epperson. Revised draft. September 7, 1999. (113 pages).
B61, F7

Gilroy's. Barry Fanaro and Mort Nathan. Final draft. April 8, 1998. (46 pages).
B44, F8

Girl Gives Birth to Prom Date. Rob Thomas; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. First revision. February 23, 1998. (117 pages).
B44, F9

The Glass House. Wesley Strick. Revised draft. October 28, 1999. (117 pages).
B65, F5

The Glass House. Wesley Strick. February 22, 2000. (114 pages).
B65, F6

Gone in 60 Seconds. Scott Rosenberg. January 22, 1999. (125 pages).
B54, F9

Gods and Monsters. Bill Condon; based on the novel by Christopher Bram. May 30, 1997. (110 pages).
B27, F5

Good Advice. Daniel Margosis and Robert Horn. Production Rewrite. April 8, 2000. (104 pages).
B69, F4

Good Will Hunting. Matt Damon and Ben Affleck; story by Matt Damon. January 22, 1997. (109 pages).
B27, F6

Gordon & Conn Project (pilot). Andrew Gordon and Eileen Conn. Second draft. January 26, 1999. (60 pages).
B57, F1

Gossip. Gregory Poirier; draft by Theresa Rebek. March 20, 1998. (119 pages).
B51, F2

Grace Under Fire: "Head Games". Ric Swartzlander. March 1, 1996. (52 pages).
B4, F8

Graceland. Jason Horwitch and David Winkler. Production Draft. January 7, 1997. (95 pages).
B24, F5

Grand Avenue. Greg Sarris. First Revised Draft. March 20, 1995. (@145 pages).
B4, F9

The Grass Harp. Stirling Silliphant and Kirk Ellis, based on the novel by Truman Capote. September 6, 1994. Grass Harp Productions. (109 pages). File also includes three shooting schedules for the film.
B4, F10

Great Balls of Fire! Jack Baran and Jim McBride; based on the book by Myra Lewis and Murray Silver. June 8, 1988. (133 pages).
B21, F7

Gridlock. Vondie Curtis Hall. Second Revision. April 24, 1995. (97 pages).
B15, F9

Gridlock. Vondie Curtis Hall. Revised Second Draft. March 5, 1996. (103 pages).
B15, F10

Gun Shy. Eric Blakeney. Second draft. August, 1998. (118 pages).
B48, F9

H

Halloween: The Revenge of Laurie Strode. Story by Kevin Williamson; screenplay by Robert Zappia. Revised second dreaft. December 29, 1997. (91 pages).
B44, F10

Hanging Up. Delia Ephron; based on a script by Delia Ephron and Nora Ephron; based on the book by Delia Ephron. November 5, 1998. (110 pages).
B57, F2

Hard Time. n. a. Final white script. May 19, 1998. (97 pages).
B52, F3

Havana Nocturne: The Arturo Sandoval Story. Rafeal Lima; current revisions by Tim Sexton. October 8, 1999. (119 pages).
B66, F6

Head Over Heels. Ron Burch and David Kidd; story by John J. Strauss, Ed Decter, David Kidd, and Ron Burch. First draft. January 7, 1999. (114 pages).
B55, F1

Heat. ("Untitled Screenplay by Michael Mann"). Michael Mann. March 3, 1994. (162 pages).
B4, F11

Heat Vision and Jack: "The Eyes of Paragon". Rob Schrab and Dan Harmon. February 14, 1998. (34 pages).
B60, F1

The Heist. Kurt Voss. n.d. (94 pages).
B55, F2

The Hi-Lo Country. Walon Green; based on the novel by Max Evans. Second draft revised. January 9, 1997. (109 pages).
B36, F3

High Fidelity. D. V. De Vincentis, Steve Pink, John Cusack; based on the novel by Nick Hornby. December 10, 1998. (127 pages).
B53, F4

High Roller. Steven Brill. Revised draft. September 1, 1997. (117 pages).
B45, F1

High School High. David Zucker and Robert N. LoCash. Fourth Draft. July 18, 1995. (118 pages).
B5, F1

Higher Learning. John Singleton. January 6, 1993. (127 pages).
B5, F2

Higher Learning. John Singleton. n.d. (125 pages).
B5, F3

Higher Learning (One-line shedule). February 4, 1994. (16 pages).
B27, F7

Hiroshima. John Hopkins. First Draft. February 21, 1995. (175 pages).
B5, F4

The Hollow Man. Andrew W. Marlowe. Revised draft. October 20, 1998. (123 pages).
B55, F3

Home for the Holidays. W. D. Richter; based on a story by Chris Radant. Fifth Draft. October 7, 1994. Egg Pictures. (129 pages).
B16, F9

Homeboys in Outer Space. Pilot episode. Ehrich Van Lowe. First Draft. March 4, 1996. (56 pages).
B5, F5

Hong Kong Cracker. Paul Abbott. April 29, 1996. (113 pages).
B15, F3

Hope Floats. Steven Rogers. Revised Draft. January 13, 1997. (118 pages).
B20, F4

How Stella Got Her Groove Back. Ron Bass and Terry McMillan; based on the novel by Terry McMillan. Optional Polish. July 23, 1997. (126 pages).
B33, F4

How to Kill Your Neighbor's Dog. Michael Kalesniko. June 22, 1999. (112 pages).
B62, F9

How to Kill Your Neighbor's Dog. Michael Kalesniko. September 13, 1999. (112 pages).
B63, F1

Hurlyburly. David Rabe. First draft. March 1, 1996. (135 pages).
B40, F6

Hurricane. Morgan J. Freeman. May 14, 1996. (111 pages).
B19, F5

I

I Know What You Did. Kevin Williamson; based on the novel by Lois Duncan. Second Rewrite. December 2, 1996. (114 pages).
B22, F4

I Werewolf. Created by Stan Lee and Scott Shepherd; teleplay by Scott Shepherd. Second draft. Dsecember 18, 1995. (58 pages).
B31, F10

The Ice Storm. James Schamus; based on the novel by Rick Moody. First draft revised. January 5, 1996. (116 pages).
B45, F2

I'll Be You. Mark Schwahn. First draft. December, 1998. (110 pages).
B56, F3

I'm Losing You. Bruce Wagner. January 5, 1998. (92 pages).
B38, F2

Imaginary Crimes. Kristine Johnson and Davia Lee Nelson, from the novel by Sheila Ballantyne. February 6, 1991. (116 pages).
B5, F6

In and Out. Paul Rudnick. February 28, 1996. (119 pages).
B18, F4

In Too Deep. Matt Healy. February 13, 1997. (104 pages).
B38, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B47, F3

In Too Deep. Michael Henry Brown and Paul Aaron; inspired by the true story of Jeffrey Coy. Miramax revised draft. March 6, 1998. (113 pages).
B55, F4

Inconvenienced. Jeff Eastin. May 18, 1998. (113 pages).
B45, F3

Independence Day. Dean Devlin and Roland Emmerich. Second Draft. May 11, 1995. (137 pages).
B5, F7

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. March 18, 1998. (116 pages).
B52, F4

Introducing Dorothy Dandridge. Shonda Rhimes; revised screenplay by Scott Abbott; based on the book Dorothy Dandridge by Earl Mills. Revised draft. August 26, 1998. (115 pages).
B55, F5

I.Q.. Andy Breckman, revision by Michael Leeson. January 9, 1994. (124 pages).
B5, F8

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin. Second draft rewrite. February 27, 1998. (116 pages).
B40, F7

Inspector Gadget. Dana Olsen; rewrite by Jeff Berry; rewrite by Kerry Ehrin; rewrite by Zak Penn. May 6, 1998. (103 pages).
B50, F3

Inventing the Abbotts. Ken Hixon; from a short story by Sue Miller. December 4, 1995. (112 pages).
B19, F6

The Invisible Circus. Adam Brooks; adapted from the novel by Jennifer Egan. Revised draft. May 26, 1998. (103 pages).
B66, F7

The Invisible Man: (pilot). Dick Wolf, Brad Kern, Bob Crais. February 28, 1998. (58 pages).
B40, F8

The Invisible Man (pilot). Matt Greenberg. Fifth draft. June 21, 1999. (107 pages).
B66, F8

Isn't She Great. Paul Rudnick. March 2, 1998. (114 pages).
B40, F9

"It Still Has No Title" (pilot) Jeff Greenstein and Jeff Strauss. First raft. February 7, 1997. (55 pages).
B31, F9

It's True!: "The Rats of Rumfordton". Teleplay by Paul De Meo and Danny Bilson; story by Gahan Wilson, Paul De Meo and Danny Bilson. First draft. January 22, 1998. (58 pages).
B40, F10

J

The Jack Bull. Dick Cusack; adapted from the novel Michael Kohlhaas by Heinrich Von Kleist. February 9, 1998. (117 pages).
B47, F4

Jag: "Soldier of Love". Evan Katz. Writer's Draft. July 7, 1995. (59 pages).
B5, F9

James Barry. Menno Meyjes; based on a screenplay by Patrick Lee. January 11, 1996.(137 pages).
B19, F7

Jane. Lyndall Hobbs; story by Lyndall Hobbs and Tracy Tynan. May 8, 1997. (116 pages).
B66, F9

Jerry Maguire. Cameron Crowe. July, 1995. (147 pages).
B17, F1

Jerry Maguire. Cameron Crowe. Shooting Draft, Blue Revision. February 28, 1996. (133 pages).
B17, F2

Jerry Maguire: Shooting Schedule. March 6, 1996. (57 pages).
B17, F3

Jerry Maguire: Day Out of Days. March 6, 1996. (18 pages).
B17, F4

Jerry Maguire (One-line schedule). April 2, 1996. (13 pages).
B17, F5

Joan Cusack Project. Eric Gilliland. Second draft. March 19, 1999. (65 pages).
B67, F1

Jules. Pilot episode. Wendy Goldman and Julia Sweeney. Revised Second Draft. March 7, 1996. (52 pages).
B5, F10

Just Shoot Me: "Finch on Ice". Susan Dickes and Brian Reich. February 28, 2000. (47 pages).
B63, F2

K

The Kid. Audrey Wells. August 19, 1999. (132 pages).
B64, F5

The Killing Jar. n.a. Revised Draft. August 23, 1995. (108 pages). Also includes oneline schedule and shooting schedule.
B5, F11

Killing Mrs. Tingle. Kevin Williamson. January 16, 1998. (109 pages).
B45, F4

The Kiss. Richard Lagravenese. Revised Pre-Production Draft. February 5, 1997. (119 pages).
B24, F6

Kiss of Death. Richard Price. "Pink Revision" of First Draft. April 14, 1994. (121 pages).
B6, F1

Kiss the Girls. David Klass; adapted from the novel by James Patterson. November 27, 1995. (121 pages).
B21, F8

A Knight's Tale. Brian Helgeland. November 1999. (126 pages).
B64, F6

The "L" Word. Pilot. Winnie Holzman. First draft. January 3, 1995. (58 pages).
B22, F5

L. A. Confidential. Brian Helgeland; based on the novel by James Ellroy. Revised draft. February 12, 1996. (129 pages).
B27, F8

L. A. Med. Pilot: "Liver Let Die". Kimberly Costello. n. d. (@80 pages).
B20, F5

L. A. Sheriff's Homicide. James Ellroy. Revised network draft. December 4, 1998. (100 pages).
B60, F2

The Ladies' Man. Tim Meadows, Dennis McNichols, and Andrew Steele. Third draft. July 9, 1999. (110 pages).
B60, F7

Lansky. David Mamet; polish by Vincent Patrick. November 1997; formatted June 30, 1998. (113 pages).
B67, F2

The Last Question. Bryan Singer; based on a short story by Isaac Asimov. Fourt draft. August 7, 1995. (27 pages).
B41, F1

Lateline: "Pilot". Al Franken and John Markus. First draft. June 27, 1996. (55 pages).
B29, F8

Lawyers; Prototype. Stephen Nathan and Diane English. First Draft. January 31, 1996. (58 pages).
B17, F6

Leaving L. A.: "Intermission". Nancy Miller. Second Draft. February 3, 1997. (57 pages).
B24, F7

Legalese. Billy Ray. February 28, 1996. (123 pages).
B41, F2

Legalese. Billy Ray. March 12, 1998. (102 pages).
B41, F3

Legend of the Mummy. Jeffrey Obrow; story adaptation by Jeffrey Obrow, Lars Hauglie, and John Penney; based on the story by Bram Stoker. April 4, 1997. (@132 pages).
B22, F6

Librium. Kurt Wimmer. n.d. (105 pages).
B69, F5

Life. Robert Ramsey and Matthew Stone. November 18, 1997. (117 pages).
B45, F5

The Life Before This. Semi Chellas. April 13, 1998. (115 pages).
B59, F6

A Life Less Ordinary. John Hodge. May 30, 1996. (117 pages).
B24, F8

The Limbic Region. Todd Johnson and Patrick Ranahan. (114 pages).
B6, F2

The Lion, The Witch, and the Wardrobe. Menno Meyjes; <based on the novel by C. S. Lewis>. Fourth Draft. March 19, 1996. (99 pages).
B19, F8

Long Kiss Goodnight. Shane Black. Revised draft. September 11, 1995. (115 pages).
B6, F3

Lost and Found (pilot). Terri Minsky. April 11, 2000. (64 pages).
B67, F3

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. July 31, 1998. (110 pages).
B50, F4

Lost Souls. Pierce Gardner; story by Pierce Gardner and Betsy Stahl; revisions by Alexandra Seros. August 26, 1998. (112 pages).
B63, F3

Love and Basketball. Gina Prince-Bythewood. First draft. October 11, 1998. (105 pages).
B63, F4

Love Field. Don Roos. Shooting Draft in color-coded sections of varying dates from February 23, 1990 to May 3, 1990. (129 pages).
B6, F4

Loved. Erin Dignam. August 25, 1995. (123 pages).
B6, F5

Lulu on the Bridge. Paul Auster. August 18, 1997. (103 pages).
B41, F4

M

Mad City. Tom Matthews; based on a story by Tom Matthews and Eric Williams; revisions by Ebbe Roe Smith. June 7, 1996. (131 pages).
B35, F2

Maggie Winters: "Total Eclipse". Kari Lizer. Second draft. February 18, 1998. (57 pages).
B51, F3

The Majestic. (ms. note reads: "Original title "The Bijou") Michael Sloane; revisions by Frank Darabont. n.d. (120 pages).
B80, F4

The Man in the Iron Mask. Randall Wallace. Reformatted first draft. October 14, 1996. (121 pages).
B31, F2

Man-Made. Teleplay by Steve De Jarnatt; story by Brent Friedman, Steve De Jarnatt, Stan Rogow; created by Steve De Jarnatt, Brent Friedmand, Stan Rogow. February 13, 1997. (59 pages).
B67, F4

Man on the Moon. Scott Alexander and Larry Karaszewski. First draft. (154 pages).
B58, F5

Man Trouble. Carole Eastman (a.k.a. Adrien Joyce). Sixth draft. August 8, 1990. (128 pages).
B21, F9

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B52, F5

The Man Who Came to Dinner. Michael Leeson; based on the original 1941 film by Julius J. Epstein and Philip G. Epstein. August 28, 1998. (111 pages).
B53, F5

Marabunta. Wink Roberts and Linda Palmer. May 16, 1997. (87 pages).
B24, F9

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; rewritten by Jonathon Gems; inspired by the "Mars Attacks" Topps Trading Cards. July 20, 1995. (107 pages).
B17, F7

Mars Attacks! Original screenplay by Jonathon Gems; rewritten by Scott Alexander and Larry Karaszewski; suggested by images on "Mars Attacks" Topps Trading Cards. Fifth Revised Draft. November 12, 1995. (108 pages).
B17, F8

The Marshall: "Bounty Hunter". Don M. Mankiewicz. (50 pages).
B6, F6

Matinee. Jerico Stone; revisions by Ed Naha and Charlie Haas. Second Draft (Charlie Haas). May 31, 1991. (121 pages).
B6, F7

Maverick. William Goldman. Third Draft. June 24, 1993. (144 pages).
B6, F8

Maximum Bob. Alex Gansa; adapted from the novel by Elmore Leonard. Revised first draft. August 19, 1997. (64 pages).
B36, F9

Me, You, Him and Her (pilot). Neil Simon. July, 1995. (47 pages).
B31, F11

Meet the Parents. Jim Herzfeld. Director's revised. August 13, 1999. (123 pages).
B63, F5

Men Behaving Badly: "Babies Having Babies". Matthew Carlson. Writer's Draft. January 29, 1996. (57 pages).
B6, F9

Men Behaving Badly: "Carpe Dino". Rick Nyholm. Table draft. December 1, 1997. (54 pages).
B38, F4

Men Behaving Badly: "Christmas". Matthew Carlson. Writer's Draft. November 27, 1996. (49 pages).
B18, F5

Men Behaving Badly: "The Fur Man Cometh". Stacie Lipp. Table draft. November 3, 1997. (52 pages).
B38, F5

Men Behaving Badly: "Jamie's Got Next". Matt Tarses. Table draft, second revision. August 27, 1997. (41 pages).
B29, F9

Men Behaving Badly: "No Retreat, No Surrender". Story by Jeff Martin; Teleplay by John Bowman and Tom Brady. Table Draft 2. September 8, 1997. (37 pages).
B26, F3

Men Behaving Badly: "Special Delivery". Jeff Filgo and Jackie Behan. Table draft. October 20, 1997. (44 pages).
B38, F6

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft. October 6, 1997. (45 pages).
B38, F7

Men Behaving Badly: "Spoils of War". Rick Nyholm. Table draft first revision. October 7, 1997. (42 pages).
B38, F8

Men Behaving Badly: "The Sting". Jackie Behan and Jeff Filgo. Table draft. September 15, 1997. (45 pages).
B27, F9

Men Behaving Badly: "The Tape". Amy Welsh. Table draft. September 23, 1997. (43 pages).
B38, F9

Men Behaving Badly: "The Truth About Cats and Ducks". Bill Wruble. Table draft. October 13, 1997. (50 pages).
B38, F10

Men Behaving Badly: "Welcome to JamieCo". Stacie Lipp. Table draft. November 10, 1997. (44 pages).
B38, F11

Men In Black. Ed Solomon. Second draft. (108 pages).
B22, F7

Men With Guns. Lachy Hulme. March 19, 1996. (111 pages).
B29, F10

Message in a Bottle. Gerald DiPrego; from the novel by Nicholas Sparks. Revision. November 11, 1997. (139 pages).
B36, F4

The Mexican. J. H. Wyman. April 15, 1999. (113 pages).
B67, F5

Millennium. n.a., n.d. (59 pages).
B7, F1

Millennium: "Broken World". Robert Moresco and Patrick Harbinson. March 5, 1997. (59 pages).
B22, F8

Millennium: "Jose Chung's Doomsday Defense". Darin Morgan. October 27, 1997. (57 pages).
B31, F3

The Millennium Plague. Perri Klass and David Klass. Revised second draft. November 5, 1998. (117 pages).
B52, F6

The Millennium Plague. Perri Klass and David Klass. Revised second draft. Novermber 5, 1998. (117 pages).
B57, F3

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B51, F4

The Million Dollar Hotel. Nicholas Klein; based on a story by Bono and Nicholas Klein. May 7, 1998. (116 pages).
B59, F2

The Minus Man. Hampton Fancher; adapted from the novel by Lew McCreary. Revised draft. July 29, 1996. (128 pages).
B29, F11

Miracle Mile. Steve DeJarnatt. February 23, 1987. (114 pages).
B7, F2

Mr. Magoo. Pat Proft and Tom Sherohman; revised by E. Jack Kaplan; rewrite by Jeff Berry. January 24, 1997. (113 pages).
B30, F1

Miss Evers Boys. Walter Bernstein; based on a play by David Feldshuh. Final Draft. March 15, 1996. (95 pages).
B35, F3

M'Lady. Camille Tucker and Kim Greene; Rewrite by Michael Henry Brown and Paul Aaron; final revisions by Camille Tucker and Kim Greene. March 12, 1996. (110 pages).
B45, F6

Montana. Erich Hoeber and Jon Hoeber. Shooting script. November 22, 1996. (101 pages).
B30, F2

Mortal Kombat: Annihilation. n. a., n. d. (99 pages).
B26, F4

Mother Night. Robert B. Weide; based on the novel by Kurt Vonnegut, Jr. February 7, 1992. (124 pages).
B15, F4

Murder One. Charles H. Eglee, Channing Gibson, Steven Bochco, David Milch; story by Steven Bochko, Charles H. Eglee, Channing Gibson. April 4, 1995. (59 pages).
B27, F10

Murder She Wrote: "Death in Hawaii". Laurence Heath. Revised. April 21, 1994. (57 pages).
B7, F3

Murder She Wrote: "Love & Hate in Cabot Cove". Robert Van Scoyk. Revised. September 21, 1993. (57 pages).
B7, F4

Murder She Wrote: "Time to Kill". Laurence Heath. December 12, 1993. (62 pages).
B28, F1

Music From Another Room. Charlie Peters. October 3, 1996. (113 pages).
B20, F6

My Best Friend's Wedding. Ronald Bass. First draft. n.d. (128 pages).
B22, F9

My Fellow Americans. E. Jack Kaplan and Richard Chapman; rewrite by Peter Tolan. Warner Bros. October 6, 1995. (125 pages).
B19, F9

My First Mister. Jill Franklyn. March 18, 1999. (117 pages).
B64, F7

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B48, F10

The Mystery Men. Neil Cuthbert; based on the Dark Horse comic created by Bob Burden. Revised draft. June 6, 1997. (109 pages).
B50, F5

N

Nailed. Joel Silverman. n.d. (100 pages).
B64, F8

Nash Bridges: "The Great Escape". Carlton Cuse and Michael Norell. Shooting Script, 2nd revision. April 29, 1996. (52 pages).
B17, F9

National Security. Jay Scherick and David Ronn; revisions by Hank Nelken and Greg DePaul. January 17, 2001. (114 pages).
B80, F5

Navy Diver. Scott Marshall Smith. May 14, 1999. (107 pages).
B59, F3

The Negotiator. James DeMonaco and Kevin Fox. May 23, 1997. (137 pages).
B33, F5

Nell. William Nicholson; based on the play by Mark Handley. January 3, 1994. (110 pages).
B7, F5

The Net. "Winkler/Cowan/Beebe & Ferris/Brancato". November 7, 1994. (121 pages).
B7, F6

Never Been Kissed. Jenny Bicks; based on the original screenplay by Abby Kohn and Marc Silverstein. April 30, 1998. (117 pages).
B57, F4

The New Jersey Turnpikes. Hank Perlman. January 9, 1998. (98 pages).
B41, F5

The Newton Boys. Claude Stanush, Clark Lee Walker, Richard Linklater. Revised draft. January 13, 1997. (127 pages).
B30, F3

Next To You. Rob Thomas; revisions by John Schultz; based on the novel Girl Gives Birth to Own Prom Date by Todd Strasser. July 1, 1998. (111 pages).
B45, F7

Nick Freno: Licensed Teacher (pilot episode). Marc Warren and Dennis Rinsler. Shooting Script. April 26, 1996. (46 pages).
B16, F1

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F7

Nick of Time. Ebbe Roe Smith and Patrick Duncan. January 27, 1995. (113 pages).
B7, F8

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. First Draft. March 3, 1995. (103 pages).
B7, F9

Nickel and Dime. Roy Blount, Jr., based on the screenplay by Garry Williams, story by Pen Densham. Revised Draft. March 24, 1995.
B7, F10

Night Falls on Manhattan. Sidney Lumet; based on the book Tainted Evidence by Robert Daley. June 16, 1995. (120 pages).
B7, F11

Night Man. Glen A. Larson. February 26, 1997. (100 pages).
B31, F4

Nightjohn. Bill Cain; based on the novel by Gary Paulsen. Revised second draft. July 18, 1994. (114 pages).
B8, F1

The Ninth Gate. Roman Polanski, John Brownjohn and Enrique Urbizu; based on a novel by Arturo Perez-Reverte. Final draft. March 22, 1998. (109 pages).
B60, F8

Norma and Marilyn. Jill Isaacs. May 5, 1995. (210 pages).
B47, F5

Not Our Son. Scott Swanton. Second Draft. September 28, 1994. (106 pages).
B8, F2

Nothing To Lose. Steve Oedekerk. November 11, 1995. (113 pages).
B21, F1

The Notorious. Glen Morgan and James Wong. February 4, 1997. (63 pages).
B30, F4

Novocaine. David Atkins; story by David Atkins and Paul Felopulos. October 31, 1999. (119 pages).
B61, F8

Numbers. Adam Resnick. Second draft. January 28, 1999. (128 pages).
B60, F9

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B51, F5

Nurse Betty. John C. Richards and James Flamberg; story by John C. Richards. Pre-production draft. September 28, 1998. (119 pages).
B58, F6

The Nutty Professor. Barry Blaustein and David Sheffield, rewrite by Tom Shadyac and Steve Oedekerk. First Draft. February 1, 1995. (102 pages).
B8, F3

O Brother, Where Art Thou? Joel Coen and Ethan Coen; based upon The Odyssey by Homer. February 2, 1999. (102 pages).
B60, F3

The Object of My Affection. Wendy Wasserstein; based on the novel by Stephen McCauley. "Martha's Vineyard Version". July 1996. (115 pages).
B35, F4

The Odd Couple II: Travelin' Light. Neil Simon. Second draft. April 1997. (107 pages).
B28, F2

One Eight Seven. Scott Yageman. Revised Draft. February 14, 1996. (128 pages).
B18, F6

One Fine Day. Ellen Simon; based on an original draft by Terrel Seltzer. October 23, 1995. (118 pages).
B17, F10

100%. Eric Koyanagi. Fifth draft. October 14, 1996. (120 pages).
B31, F12

One Night at McCool's. Stan Seidel. April 30, 1999.
B58, F7

One Night at McCool's. Stan Seidel. April 30, 1999. (108 pages).
B61, F9

One True Thing. Karen Croner; based on the book by Anna Quindlen. Ivory draft. January 26, 1998. (126 pages).
B45, F8

Only In America: The Life and Crimes of Don King. Kario Salem. Third Draft Revised. January 1, 1997. (87 pages).
B20, F7

The Osiris Chronicles; pilot. Caleb Carr. First Network Draft. January 3, 1995. (78 pages).
B17, F11

The Other Sister. Garry Marshall and Bob Brunner. July 18, 1997. (121 pages).
B45, F9

Out of Sight. Scott Frank; based on the novel by Elmore Leonard. Final draft. August 5, 1997. (139 pages).
B33, F6

P

The Pallbearer. Jason Katima and Matt Reeves. October 27, 1994. (124 pages).
B8, F4

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F3

Park Day. Sterling Macer, Jr. n.d. (110 pages).
B28, F4

Passed Away. Charlie Peters. Draft. January 25, 1991. (120 pages).
B22, F10

Passion of Mind. Ronald Bass. Third draft. April 12, 1993. (118 pages).
B50, F6

Patch Adams. Steve Oedekerk. October 13, 1997. (127 pages).
B54, F4

The Patriot. Robert Rodat. Blue draft. July 20, 1999. (131 pages).
B60, F10

The Patriot. Robert Rodat. March 26, 1999. (124 pages).
B61, F10

Paulie: A Parrot's Tale. Laurie Craig. Casting draft. October 24, 1996. (113 pages).
B28, F5

Pay It Forward. Leslie Dixon; based on the novel by Catherine Ryan Hyde. October 15, 1999. (125 pages).
B60, F4

The Payback All-Star Review. Alan Sereboff; director's polish by Srdjan Dragojevic. November 20, 2000. (119 pages).
B80, F6

The Peacemaker. Michael Schiffer; production re-write by John Wells. "Kilo Draft". April 7, 1996. (130 pages).
B21, F2

Pearl (pilot episode). Don Reo. Revised Network Draft. March 8, 1996. (59 pages).
B16, F2

Peggy Sue Got Married. Jerry Leichtling and Arlene Sarner. Working Draft. December 2, 1984. (124 pages).
B8, F5

The People versus Larry Flynt. Scott Alexander and Larry Karaszewski. Third Draft. June 16, 1995. (117 pages).
B8, F6

The Perez Family. Robin Swicord; based on the novel by Christine Bell. Fourth Draft. October 7, 1993. (120 pages).
B8, F7

A Perfect Murder. Patrick Smith Kelly; based on Dial M For Murder by Frederick Knott. December 19, 1995. (130 pages).
B31, F5

The Perfect Storm. Bill Wittliff; based on the book by Sebastian Junger. April 12, 1999. (124 pages).
B56, F4

Permanent Midnight. David Veloz; based on the book by Jerry Stahl. Revised draft. May 19, 1997. (109 pages).
B28, F6

The Pest. David Bar Katz. Second draft revised. February 28, 1996. (118 pages).
B23, F1

The Phantom. Jeffrey Boam. Fifth draft. August 24, 1994. (116 pages).
B8, F8

Phenonemon. Gerald Di Pego. Fourth Draft. August 2, 1995. (128 pages).
B9, F1

Picket Fences: "My Romance". Ellen Herman. Final draft. September 22, 1995. (57 pages).
B35, F5

"Pilot". Evan Katz. First draft. January 7, 1997. (37 pages).
B37, F1

The PJs. Steve Tompkins and Larry Wilmore. Writers' First Draft. December !7, !997. (48 pages).
B41, F6

Plague Season. James Ellroy; revisions by David Ayer. October 11, 1999. (114 pages).
B80, F7

Play It to the Bone. Ron Shelton. First draft. n.d. (126 pages).
B54, F5

Players (pilot). Shaun Cassidy and Ed Zuckerman. January 21, 1997. (60 pages).
B37, F2

Playing God. Mark Haskell Smith and Larry Gross. Polish draft. March 26, 1996. (93 pages).
B30, F5

Polish Wedding. Theresa Connelly. February 6, 1996. (117 pages).
B45, F10

Popular: (pilot). Ryan Murphy; created by Ryan Murphy and Gina Matthews. First draft. December 15, 1998. (67 pages).
B55, F6

The Postman. Uncredited-"Most likely Brian Helgeland". n. d. (136 pages).
B46, F1

A Political Animal. Robert Bolt. Third revised fourth draft. May 12, 1990. (116 pages).
B33, F7

Practical Magic. Robin Swicord; rewritten by Akiva Goldsman; Based on the novel by Alice Hoffman. November 19, 1997. (117 pages).
B46, F2

The Practice. David E. Kelley. First draft. January 30, 1996. (64 pages).
B28, F7

Primal Fear. Steven Shagan, revised by Steven Zaillian; based on the novel by William Diehl. June 13, 1994. (136 pages).
B9, F2

The Prime Gig. William Wheeler. Director's draft. July 7, 1999. (101 pages).
B62, F1

Prince Valiant. Anthony Hickox and Carsten Lorenz. October 30, 1995. (113 pages).
B32, F1

The Professor's Wife. Victor Nunez. n.d. (118 pages).
B67, F6

The Professor's Wife. Victor Nunez. December 14, 1999. (97 pages).
B67, F7

The Professor's Wife. Victor Nunez. n.d. (96 pages).
B41, F7

Providence. John Masius. Revised second draft. January 16, 1998. (58 pages).
B41, F8

Providence. John Masius. Final draft. February 27, 1998. (57 pages).
B41, F9

Public Morals. Steven Bochco and Jay Tarses; Teleplay by Jay Tarses. November 2, 1995. (53 pages).
B9, F3

Q

R

R. L. Stine's Ghosts of Fear Street (pilot: "Return of the Bugman"). Karl Schaefer. First draft. September 22, 1997. (35 pages).
B37, F3

Rag and Bone. Story by Ann Rice and James D. Parriott; teleplay by James D. Parriott. January 23, 1997. (56 pages).
B37, F4

The Rapture. Michael Tolkin. Fourth Draft. November 8, 1989. (91 pages).
B9, F4

Ravenous. Theodore Griffin. December 13, 1996. (125 pages).
B35, F6

Ravenous. Theodore Griffin. October 15, 1997. (116 pages).
B35, F7

Reach the Rock. n.a. April 5, 1988. (106 pages).
B20, F8

The Red Corner. Robert King and Ron Koslow. September 16, 1996. (132 pages).
B30, F6

Remember the Titans. Gregory Allen Howard; revisions by Boaz Yakin. Third draft. July 22, 1999. (111 pages). Includes insert of cast list.
B63, F6

The Repair Shop (pilot). Mark Frost. Fift draft. February 17, 1998. (65 pages).
B38, F12

The Replacements. Vince McKewin. April 23, 1999. (115 pages).
B59, F4

Revenant. Matthew Bright. September 25, 1996. (105 pages).
B28, F8

The Reunion. Ron Stacker Thompson and Ashley Tyler; based on the short story by Maya Angelou. First revision. March 23, 1995. (25 pages).
B9, F5

Riders on the Storm (released as Point Break). James Cameron and Kathryn Bigelow, from the screenplay by W. Peter Iliff, story by Rick King and W. Peter Iliff. n.d. (123 pages).
B9, F6

Rikki the Pig. Jesse Graham. Second draft. March 21, 2000. (110 pages).
B69, F6

Rita Hayworth and the Shawshank Redemption (released as The Shawshank Redemption). Frank Darabont; based on the novella by Stephen King. Second Draft. October 20, 1992. (115 pages).
B9, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B52, F7

RKO 281. John Logan. May 1, 1997. (118 pages).
B53, F6

The Road to Galveston. Tony Lee. n.d. (130 pages).
B9, F8

Road to Ruin. Scott Phillips; story by Scott Phillips and Anthony Trifiletti. September 29, 1995. (11 pages).
B67, F8

The Rob Lowe Pilot. Barry Fanaro and Mort Nathan. Pre-Table Draft. January 28, 1998. (52 pages).
B41, F10

The Rock. Jonathan Hensleigh. September 21, 1995. (126 pages).
B10, F1

Rollerball. Larry Ferguson; revisions by David Campbell Wilson and Howard Rodman; current revisions by John Pogue; based on the book by William Harrison. n.d. (98 pages).
B67, F9

Romeos. Willard Carroll. February 9, 1999. (113 pages).
B62, F2

Romy and Michele's High School Reunion. Robin Schiff. January 8, 1996. (117 pages).
B24, F10

Rosewood. Gregory Poirier. July 17, 1995. (129 pages).
B16, F3

Rosewood (copy 2). Gregory Poirier. July 17, 1995. (129 pages).
B17, F12

Roswell (pilot). Jason Katims. First draft revised. October 15, 1998. (66 pages)>
B57, F5

Rough Magic. William Brookfield, with Clare Peploe. "Version M7". December 1, 1993. (104 pages).
B23, F2

Rough Riders. John Milius. August 5, 1996. (170 pages).
B28, F9

Ruby Jean and Joe. James Lee Barrett. January 16, 1995. (119 pages).
B10, F2

Rude Awakening: "Black and Bitter". Andrea Abbate. Table draft. June 22, 1998. (55 pages).
B49, F1

Rude Awakening: "The Cheese Stands Alone". Jim Vallely. Table draft. August 17, 1998. (59 pages).
B49, F2

Rude Awakening: "Don't Fuck the Stripper". Ritch Shydner. Table draft. July 13, 1998. (45 pages).
B49, F3

Rude Awakening: "An Embarrassment of Ritch's". Julie Brown. Table draft. August 10, 1998. (57 pages).
B47, F6

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Revised table draft. June 16, 1998. (57 pages).
B47, F7

Rude Awakening: "Filling the Wrong Hole". Pam Norris. Final draft. June 17, 1998. (54 pages).
B50, F7

Rude Awakening: "Hello, This is Addictions Anonymous". Claudia Lonow. Table draft. July 6, 1998. (59 pages).
B49, F4

Rude Awakening: "Lucky For Me Her Breast Exploded". Marc Cherry. Table draft. June 27, 1998. (57 pages).
B49, F5

Rude Awakening: "Naked Again". Claudia Lonow. Table draft. May 14, 1998. (52 pages).
B47, F8

Rude Awakening: "That's Why We Call it Dope". Claudia Lonow and Andrea Abbate. Table draft. August 24, 1998. (57 pages).
B47, F9

Rude Awakening: "TV Mom". Pam Eells. Table draft. August 3, 1998. (60 pages).
B48, F1

Rude Awakening: "Vagina". Claudia Lonow. Pre-table draft. May 12, 1998. (61 pages).
B48, F2

Rude Awakening: "What Ever Happened to Billie Frank?". Casey Maxwell Clair. Table draft. July 20, 1998. (46 pages).
B49, F6

Rushmore. "Anderson/Wilson". May 12, 1997. (111 pages).
B36, F5

S

Sabrina. Barbara Benedek. Second draft revised. March 22, 1994. (123 pages).
B35, F8

The Saint. Jonathan Hensleigh. February 8, 1995. (126 pages).
B18, F7

The Saint. Wesley Strick; based on a screenplay by Jonathan Hensleigh. January 5, 1996. (112 pages).
B18, F8

Salton Sea. Tony Gayton. Draft. August 2, 1999. (117 pages).
B69, F7

Saving Silverman. Gregg DePaul and Hank Nelken. Seventh draft. November 3, 1999. (111 pages).
B69, F8

Say It Isn't So (aka The Pervert). Peter Gaulke and Gerry Swallow. Optional third revision. August 8, 1999. (120 pages).
B62, F3

Self Storage. Tony Spiridakis and Shem Bitterman. December 12, 1996. (92 pages).
B67, F10

The Sentinel (Pilot). Paul de Meo and Danny Bilson. First Draft. March 20, 1995. (54 pages).
B10, F3

Serial Mom. John Waters. Second Draft. July 22, 1992. (107 pages).
B10, F4

Set It Off. Kate Lanier, based on an original screenplay by Takashi Bufford. August 10, 1995. (115pages).
B10, F5

Seven. Andrew Kevin Walker. August 8, 1994. (122 pages).
B15, F5

The Shadow. Howard Franklin. Revised first draft. May 1986. (109 pages).
B10, F6

Shanghai Noon. Alfred Gough and Miles Miller. Second draft. February 16, 1999. (119 pages).
B56, F5

She's De Lovely. John Cassavetes. Revised first draft. April 13, 1996. (103 pages).
B16, F4

Shockwave. David N. Twohy. Draft Six. March 1, 1995. (107 pages).
B10, F7

Shut Up and Dance. Daryl Matthews. November 21, 1996. (108 pages).
B33, F8

Significant Other. Ronald Bass and Al Franken (incorporates revised drafts by Susan Shilliday). Sixth Draft. January 6, 1993. (126 pages).
B10, F8

6 Days/7Nights. Michael Browning; revisions by Lowell Ganz and Babaloo Mandel. March 14, 1997. (120 pages).
B46, F3

61*. Hank Steinberg. Fifth draft. February 11, 2000. (112 pages).
B68, F1

Skip Tracers (pilot). Glen Morgan and James Wong. February 20, 1998. (64 pages).
B35, F9

Skipped Parts. Tim Sandlin; based on his novel of the same title. n.d. (103 pages).
B68, F2

The Skulls. John Pogue. n. d. (120 pages).
B51, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B56, F6

The Skulls. John Pogue. April 6, 1999. (106 pages).
B59, F5

SLC Punk!. James Meredino. September 9, 1997. (100 pages).
B34, F1

Sleepwalkers. David S. Goyer and Stephen Kronish. February 13, 1997. (64 pages).
B20, F9

Snow Day. Will McRobb and Chris Viscardi. Revised draft. October 1, 1998. (114 pages).
B52, F8

Slums of Beverly Hills. Tamara Jenkins. Polish. January 31, 1997. (116 pages).
B42, F1

Snow Falling on Cedars. Ronald Bass. Revised draft. August 8, 1997. (119 pages).
B41, F11

Social Studies: "Pilot". Nancylee Myatt. Revised first draft. March 11, 1996. (51 pages).
B30, F7

Socrates Fortlow. Walter Mosley. Draft. July 29, 1997. (110 pages).
B34, F2

Soir Bleu. Seth Flicker; based on R. Leoncavallo's Pagliacci. Corrected draft. November 3, 1994. (34 pages).
B42, F2

Soul Survivor. Steve Carpenter. Revised draft. April 22, 1999. (109 pages).
B63, F7

Southern Cross (pilot). Garrett Lerner, Russell Friend, and Jorge Zamacona. Revision. January 23, 1997. (60 pages).
B32, F2

Sparks, Sparks, and Sparks. "Half hour pilot for television". Ed Weinberger. First Draft. February 15, 1996. (57 pages).
B10, F9

Special. Cinco Paul and Ken Daurio. Polish. September 23, 1999. (108 pages).
B69, F9

Species 2. Chris Brancato. Second revisions. February 6, 1997. (106 pages).
B34, F3

Spin (pilot). Gary David Goldberg and Bill Lawrence. First draft. March 8, 1996. (62 pages).
B10, F10

Sports Night: (pilot). Aaron Sorkin. January 12, 1998. (54 pages).
B42, F3

Star Trek: Deep Space Nine : "Emissary". Teleplay by Michael Piller; story by Rick Berman and Michael Piller. First draft. June 12, 1992. (127 pages).
B32, F3

Star Trek: The Next Generation "Encounter at Farpoint" (Pilot). D. C. Fontana and Gene Roddenberry. 1987. (113 pages).
B34, F4

Stuart Little. M. Night Shymalan; additional material by David O. Russell; revisions by Billy Ray; based on the book by E. B. White. June 5, 1998. (94 pages).
B49, F7

The Substitute. Roy Frumkes and Rocco Simonelli, revised by Alan Ormsby. March 20, 1995. (106 pages).
B11, F1

Sugar and Spice and Semi-Automatics. Lona Williams. First draft. July 12, 1998. (103 pages).
B62, F4

Summer Catch. Kevin Falls; revised by Kevin Wade. April 25, 1996. (128 pages).
B20, F10

The Super (pilot). Dan Staley and Rob Long. First draft. February 3, 1999. (58 pages).
B57, F6

Super Troopers. Broken Lizard. October 31, 1998. (119 pages).
B61, F1

Supermodel. John Warren; rewrite by Tim Kelleher. February 9, 1998. (115 pages).
B57, F7

Suture. Scott McGehee and David Siegel. n.d. (131 pages).
B11, F2

Sweet November. Kurt Voelker; based on the screenplay Sweet November by Herman Raucher. Final draft. December 2, 1999. (122 pages).
B65, F7

Swing Vote. Ron Bass; revision by Jane Rusconi. August 14, 1998. (101 pages).
B52, F9

T

Tailor of Panama. John Le Carre; rewritten by John Boorman. Second draft. October 4, 1999. (123 pages).
B64, F9

The Talented Mr. Ripley. Anthony Minghella; based on the novel by Patricia Highsmith. September 28, 1997. (133 pages).
B42, F4

Tales From the Crypt Presents "Bordello of Blood". Bob Gale & Robert Zemeckis and A.L. Katz & Gilbert Adler. Fourth Draft. March 17, 1995. (108 pages).
B11, F3

Teenage Wasteland (pilot). Bonnie Turner, Terry Turner and Mark Brazill. Revised first draft. March 23, 1998. (63 pages).
B68, F3

The Texas Rangers. John Milius. Third draft. April 20, 1992. (112 pages).
B53, F7

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F4

That Thing You Do!. Tom Hanks. August 29, 1995. (126 pages).
B11, F5

There's Something About Mary. Story by Ed Decter and John Strauss; Screenplay by Ed Decter, John Strauss, Peter Farrelly, and Bobby Farrelly. October 21, 1997. (118 pages).
B42, F5

A Thin Line Between Love and Hate. Story by Martin Lawrence; Screenplay by Martin Lawrence, Bentley Kyle Evans, and Kenny Buford; Revision by Kim Bass.May 10, 1995. (123 pages). Also includes four versions of oneline schedule and a shooting schedule.
B11, F6

This World, Then the Fireworks. Larry Gross; adapted from a short story by Jim Thompson. October 25, 1995. (109 pages).
B16, F5

Thirteen (a.k.a. Lost Moon). William Broyles, Jr. and Al Reinert. Second Draft. January 31, 1994. (132 pages).
B11, F7

Thirteen Days. David Self. December 12, 1997. (142 pages).
B62, F5

Three (pilot). Evan Katz. January 24, 1997. (38 pages).
B32, F4

Three Men and a Baby. Coline Serreau, polish by James Orr and James Cruickshank. November 24, 1986. (134 pages).
B11, F8

Three of Clubs. Vincent M. Rotonda. April 3, 1998. (107 pages).
B42, F6

Three to Tango. Rodney Patrick Vaccaro; rewritten by Aline Brosh McKenna. November 12, 1997. (125 pages).
B46, F4

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. Third Draft. n.d. (115 pages).
B12, F1

Three Wishes. Elizabeth Anderson; story by Clifford and Ellen Green. September 2, 1994. (123 pages).
B12, F3

Ties That Bind. Rob Ulin. Third draft. January 30, 1996. (56 pages).
B16, F6

Til There Was You. Winnie Holzman. Revised draft. May 17, 1995. (123 pages).
B12, F4

Till There Was You. Winnie Holzman. September 24, 1993. (128 pages).
B42, F7

Tin Cup. (a.k.a. Let the Big Dog Eat) John Norville, from a story by Ron Shelton and John Norville; re-write by Ron Shelton. Third Draft. March 24, 1995. (131 pages).
B12, F4

To Live On. James Schamus; based on the novel "Woe to Live On" by Daniel Woodrell. May 22, 1997. (136 pages).
B48, F3

To Wong Foo, Thanks for Everything, Julie Newmar. Douglas Carter Beane. First Draft. November 5, 1993. (142 pages).
B12, F5

Tom Rhodes. Pilot. Mark Brazill and Jennifer Heath. Revised first draft. April 8, 1996. (56 pages).
B12, F6

Tom Sawyer. Stephen Sommers, rewrite by David Loughery and Ron Koslow; based on the Mark Twain novel. Revised Draft. September 6, 1994. (109 pages).
B12, F7

Tombstone. Kevin Jarre. Second Draft. November 5, 1992. (135 pages).
B12, F8

Tomcats. Gregory Poirier. March 24, 2000. (94 pages).
B69, F10

The Tomorrow Man. Alan Spencer. Revised Second Draft. January 1, 1995. (110 pages).
B12, F9

The Tool Shed (a.k.a. Bad Company). Ross Thomas. April 25, 1993.
B13, F1

Total Security. Story by Steven Bochno, Davic Milch, Charles Eglee, Theresa Rebeck; Teleplay by Theresa Rebeck. January 9, 1997. (60 pages).
B23, F3

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (3). October 12, 1995. (108 pages).
B13, F2

Touch. Paul Schrader; based on the novel by Elmore Leonard. First draft--revised (4). November 22, 1995. (109 pages).
B13, F3

Town and Country. Michael Laughlin. Revised draft. August 8, 1996. (119 pages).
B46, F5

Traffic. Stephen Gaghan. February 18, 2000. (146 pages).
B65, F8

Tremors. S. S. Wilson and Brent Maddock. 1988. (107 pages).
B13, F4

True Romance. Quentin Tarantino. Revised. August 1, 1991. (131 pages).
B13, F5

Truth or Consequences. Brad Mirman. September 14, 1995. (112 pages).
B32, F5

The Tuskegee Airmen. Ron Hutchinson; rewritten by Paris Qualles. January 16, 1995. (102 pages).
B13, F6

28 Days. Susannah Grant. February 13, 1999. (117 pages).
B68, F4

The Twilight Man. Jim Korris. Revised draft. September 5, 1995. (117 pages).
B23, F4

Two for Texas. Larry Brothers; based on the novel Sabine Spring by James Lee Burke. Production draft. July 3, 1997. (98 pages).
B37, F5

2-Face. Vince Gilligan. April 15, 1991. (123 pages).
B68, F5

200 Cigarettes. Shana Larsen. Revised second draft. October 1996. (115 pages).
B36, F6

U

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by Sam Montgomery and Jonathan Mostow. Production draft (white). June 26, 1998. (127 pages).
B51, F7

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B51, F8

U-571. Jonathan Mostrow; revisions by John Bishop; revisions by Sam Montgormery; revisions by David Ayer. Revised (JM). September 29, 1998. (114 pages).
B60, F5

Ulee's Gold. Victor Nunez. n.d. (93 pages).
B26, F5

Union Square (pilot). Marco Pennette and Fred Barron. Second draft. February 27, 1997. (58 pages).
B28, F10

Unstrung Heroes. Richard Lagravenese. January 28, 1994. (117 pages).
B13, F7

Unstrung Heroes. Richard Lagravenese. March 19, 1993. (125 pages).
B14, F1

Untitled Cop Pilot. Gary David Goldberg & Chris Henchy. Writers Draft. August 16, 1999. (52 pages).
B61, F2

Untitled David E. Kelley Project. Sean O'Byrne and David E. Kelley. October 1, 1997. (135 pages).
B37, F6

Untitled screenplay. Larry David. December 6, 1996. (120 pages).
B25, F1

Untitled Television Pilot. Carol Leifer. First Draft. March 2, 1997. (49 pages).
B21, F10

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F2

Up Close and Personal. Joan Didion and John Gregory Dunne, suggested by Golden Girl. August 12, 1994. (134 pages).
B14, F3

Urban Legend 2: Final Cut. Paul Harris Boardman and Scott Derrickson. July 23, 1999. (108 pages).
B63, F8

U. S. Marshals. John Pogue. Revised numbered version. March 13, 1997. (123 pages).
B34, F5

V

Varsity Blues. John Gatins. n. d. (110 pages).
B46, F6

Varsity Blues. W. Peter Iliff. December 8, 1997. (116 pages).
B52, F10

Vendetta. Timothy Prager; revised by Nicholas Meyer; from the book by Richard Gambino. April 8, 1998. (108 pages).
B55, F7

Very Bad Things. Peter Berg. White script with scene numbers. September 2, 1997. (114 pages).
B42, F8

V.I.P. (episode #414 "Val Who Cried Wolf"). Norma Safford Vela and Steven Kriozere; story by Norma Safford Vela. Final draft. June 5, 2001. (52 pages).
B84, F13

The Virginian. Sara Nemeth Goodman; based on the novel by Owen Wister. October 7, 1998. (104 pages).
B61, F3

Virtuosity. Eric Bernt. Third Rewrite. August 24, 1994. (117 pages).
B14, F4

The Visitors. n.a. November 30, 1998. (129 pages).
B53. F8

W

Waiting to Exhale. Terry McMillan and Ron Bass. Revised first draft. October 4, 1994. (133 pages).
B14, F5

A Wake in Providence. Billy Van Zandt and Jane Milmore and Vincent Pagano and Michael Pagano. Second draft. April 24, 1998. (120 pages).
B48, F4

Waking the Dead. Keith Gordon; Based on the novel by Scott Spencer. June 19, 1997. (117 pages).
B46, F7

Wasteland (pilot). Kevin Williamson. Writer's draft. Janaury 12, 1999. (53 pages).
B57, F8

Watch That Man. Robert Farrar; revised by Tim John and Oliver Butcher; based on the novel by Robert Farrar. August 1, 1996. (118 pages).
B18, F9

Wayne's World: The Movie. Mike Myers, Bonnie Turner, and Terry Turner. June 3, 1991. (102 pages).
B32, F6

Wedding Album. Carolyn Jacobs. Revision 6. 1996. (34 pages).
B42, F9

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B63, F9

The Wedding Planner. Pam Falk and Mike Ellis. October 4, 1999. (107 pages).
B64, F10

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. February 10, 1997. (115 pages).
B26, F6

What Dreams May Come. Ronald Bass; based on the novel by Richard Matheson. Renumbered script. February 10, 1997. (115 pages).
B35, F10

What Women Want. Nancy Meyers, Josh Goldsmith, Cathy Yuspa. June 15, 1999. (124 pages).
B65, F9

White Dwarf. Bruce Wagner. Revised draft. January 3, 1995. (94 pages).
B14, F6

Why Do Fools Fall in Love. Tina Andrews. Final draft. July 1, 1997. (115 pages).
B42, F10

Wild Things. Stephen Peters; rewrite by Kem Nunn. January 21, 1997. (110 pages).
B21, F11

Wildly Available. Michael Nolin. August, 1995. (106 pages).
B32, F7

Wishful Thinking. Adam Park. April 6, 1995. (109 pages; 2 pages of production notes.).
B14, F7

The Witches of Eastwick. Michael Cristofer, based on the book by John Updike. Revised first draft. January 27, 1986. (120 pages).
B14, F8

With Wings As Eagles. Randall Wallace; adapted from the novel Ostermann's War by James J. Cullen. October 14, 1996. (124 pages).
B68, F6

Wolverine. Robert T. Megginson; from a story by Frederick Forsyth. n. d. (98 pages).
B32, F8

The Women. Diane English. March 9, 2000. (135 pages).
B68, F7

The Wonder Cabinet (pilot). Glen Morgan and James Wong. January 22, 1999. (64 pages).
B68, F8

Woo. David Johnson, rewrite by April Claytor. April 30, 1996. (118 pages).
B23, F5

World on a Wire (a.k.a. The 13th Floor). Josef Rusnak and Ravel Centeno-Rodriguez. Final draft. November 3, 1997. (108 pages).
B37, F7

Wrestling Ernest Hemingway. Steve Conrad. May 7, 1992. (126 pages).
B14, F9

Wrongfully Accused. Pat Proft. May 14, 1997. (88 pages).
B32, F9

X

X-Men. Andrew Kevin Walker. Second draft. October 17, 1994. (76 pages).
B61, F4

Y

Z

Zero Effect. Jake Kasdan. Third Draft. January 30, 1997. (121 pages).
B25, F2

special.collections@northwestern.edu